IMDb-BEWERTUNG
6,1/10
2416
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.In medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.In medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.
- Auszeichnungen
- 3 wins total
Brad Dexter
- Muallin
- (as Barry Mitchell)
Eddie Abdo
- Chanter
- (Nicht genannt)
Billy Bletcher
- Crier at Auction
- (Nicht genannt)
Mary Bradley
- Dancing Girl
- (Nicht genannt)
Norma Brown
- Wife
- (Nicht genannt)
Ann Cameron
- Wife
- (Nicht genannt)
Dolores Castelli
- Wife
- (Nicht genannt)
George Chandler
- Commoner
- (Nicht genannt)
Empfohlene Bewertungen
Simply stated, Douglas Fairbank, Jr. makes this film an effective tribute to his father's much more enjoyable classic "The Thief of Bagdad". Everything from the setting, the story, and the characters mirror that classic silent film. Fairbank, Jr.'s gestures, movements, and most notably his mock laughter towards his adversaries denote his father's performance.
Sadly, the film itself does not so nobly mirror "Thief". From bad dialog, poor effects, and an uninspired story we're left with an average adventure film. Only the performances of the actors and the beautiful Technicolor photography raise this film from mediocrity.
Maureen O'Hara as the "princess" provides a strong, sexy female lead to this male dominant cast. Walter Slezak chews up the scenery as a slimy heavy. Even Anthony Quinn gets into the act as a competitor to Fairbanks for O'Hara and the inevitable "treasure".
Fairbanks provides the best performance of the cast, one more compelling if you've seen any of his father's films. He captures his father's charm brilliantly. Unfortunately, he lacks his father's physical prowess as is evident by the abundant use of stunt doubles.
I casually recommend this film to anyone who enjoys Fairbanks, Sr. films, pirate films, or to anyone who just likes looking at Maureen O'Hara--in Color! If you can find a copy of this film on video check it out.
Sadly, the film itself does not so nobly mirror "Thief". From bad dialog, poor effects, and an uninspired story we're left with an average adventure film. Only the performances of the actors and the beautiful Technicolor photography raise this film from mediocrity.
Maureen O'Hara as the "princess" provides a strong, sexy female lead to this male dominant cast. Walter Slezak chews up the scenery as a slimy heavy. Even Anthony Quinn gets into the act as a competitor to Fairbanks for O'Hara and the inevitable "treasure".
Fairbanks provides the best performance of the cast, one more compelling if you've seen any of his father's films. He captures his father's charm brilliantly. Unfortunately, he lacks his father's physical prowess as is evident by the abundant use of stunt doubles.
I casually recommend this film to anyone who enjoys Fairbanks, Sr. films, pirate films, or to anyone who just likes looking at Maureen O'Hara--in Color! If you can find a copy of this film on video check it out.
During his film career Douglas Fairbanks, Jr. could probably have done more films along the line of Sinbad the Sailor. But my guess is that he didn't want to be typecast in quite the same way as his father was. Still it's a treat to watch him in this and in other films like The Fighting O'Flynn, The Exile, and The Corsican Brothers where there's more than a hint of his inheritance.
Sinbad the Sailor is the Baron Munchausen of the Islamic world. The stories of his seven voyages are a large part of the Arabian Nights fables.
Fairbanks shows him spinning the tall tales to the listening crowd in Basra and when they tell him to give them something new, Fairbanks relates the latest tale of his eighth voyage. Doing it in flashback that way kind of spoils the ending because it does say that he will survive to tell the tale. Nevertheless it's quite a story involving a greedy emir in Anthony Quinn and an evil magician in Walter Slezak who along with Sinbad is seeking the fabled treasure that Alexander the Great, that noted infidel, amassed during his conquests.
Of course there is that redheaded Kurdish princess played by Maureen O'Hara who has her own agenda working. In her recent memoirs Maureen full realized the ridiculousness of casting her in roles like these. But she said her philosophy was keep working and eventually the good parts will come your way.
It's an enjoyable film however as Fairbanks makes that final journey and finds what true love and happiness are all about.
Sinbad the Sailor is the Baron Munchausen of the Islamic world. The stories of his seven voyages are a large part of the Arabian Nights fables.
Fairbanks shows him spinning the tall tales to the listening crowd in Basra and when they tell him to give them something new, Fairbanks relates the latest tale of his eighth voyage. Doing it in flashback that way kind of spoils the ending because it does say that he will survive to tell the tale. Nevertheless it's quite a story involving a greedy emir in Anthony Quinn and an evil magician in Walter Slezak who along with Sinbad is seeking the fabled treasure that Alexander the Great, that noted infidel, amassed during his conquests.
Of course there is that redheaded Kurdish princess played by Maureen O'Hara who has her own agenda working. In her recent memoirs Maureen full realized the ridiculousness of casting her in roles like these. But she said her philosophy was keep working and eventually the good parts will come your way.
It's an enjoyable film however as Fairbanks makes that final journey and finds what true love and happiness are all about.
The storyteller Sinbad the Sailor (Douglas Fairbanks Jr.) is gathered with other men in the harbor telling his adventure seeking the island of Daryabar, where the treasure of Alexander the Great is hidden. In his journey with his friend Abbu (George Tobias), Sinbad rescues and claims property of a drifting boat; he meets the ambitious and gorgeous Shireen (Maureen O'Hara) and falls in love for her; he is chased by the evil Emir (Anthony Quinn) that is seeking the treasure to become one of the most powerful men in the world; and he meets the dangerous Melik (Walter Slezak) that also wants the treasure.
"Sinbad the Sailor" is a delightful adventure, in a type of naive movie that Hollywood seems to have forgotten in the present days. However, the success of the franchise "Pirates of Caribbean" proves that this genre is still attractive for the younger generations. The athletic Douglas Fairbanks Jr. is excellent in the lead role, showing a great chemistry with the gorgeous Maureen O'Hara and Anthony Quinn and Walter Slezak are great villains. The final twist in the very end is extremely pleasant, closing with golden key this entertaining movie. My vote is seven.
Title (Brazil): "Simbad, o Marujo" ("Sinbad the Sailor")
"Sinbad the Sailor" is a delightful adventure, in a type of naive movie that Hollywood seems to have forgotten in the present days. However, the success of the franchise "Pirates of Caribbean" proves that this genre is still attractive for the younger generations. The athletic Douglas Fairbanks Jr. is excellent in the lead role, showing a great chemistry with the gorgeous Maureen O'Hara and Anthony Quinn and Walter Slezak are great villains. The final twist in the very end is extremely pleasant, closing with golden key this entertaining movie. My vote is seven.
Title (Brazil): "Simbad, o Marujo" ("Sinbad the Sailor")
"Sindbad the Sailor" is a lovely film to look at and it's obvious that RKO really pulled out all the stops to get this made. While this was a lesser studio in Hollywood, here they use nice garish 1940s Technicolor (the type classic movie fans love--despite its being very unrealistic), lavish sets and tons of costumes. It was obviously a prestige picture--and one on which the studio lavished a lot of attention. Because of this, it's odd that the dialog totally stank. All too often, people talked like they were either making speeches or doing an antiquated play--and in the process, the whole thing came off as stilted and silly. It's a shame, really, as I wanted to like this film a lot, but with B-movie writing, it only was mediocre.
In the lead was Douglas Fairbanks, Jr. and I assume he was chosen because of his father. Fairbanks, Sr. made a huge mark in the 1920s starring in fabulous action-adventure films like "The Thief of Bagdad" and "The Mark of Zorro" (among many others). His athleticism and wonderful screen presence must have played a huge part in their selecting his son for this 1947 film--especially since Fairbanks, Jr. was a very good actor but really was NOT known for this sort of film. However, despite being far less athletic than Dad, he was quite handsome and very good here...but his dialog....yecch! Overall, the film is an enjoyable escapist film with dialog that will make decent writers cry. The film has action, lovely sets, Maureen O'Hara (playing her rather clichéd petulant woman once again) and is pure escapism. But it plays like a B-movie with a great budget.
In the lead was Douglas Fairbanks, Jr. and I assume he was chosen because of his father. Fairbanks, Sr. made a huge mark in the 1920s starring in fabulous action-adventure films like "The Thief of Bagdad" and "The Mark of Zorro" (among many others). His athleticism and wonderful screen presence must have played a huge part in their selecting his son for this 1947 film--especially since Fairbanks, Jr. was a very good actor but really was NOT known for this sort of film. However, despite being far less athletic than Dad, he was quite handsome and very good here...but his dialog....yecch! Overall, the film is an enjoyable escapist film with dialog that will make decent writers cry. The film has action, lovely sets, Maureen O'Hara (playing her rather clichéd petulant woman once again) and is pure escapism. But it plays like a B-movie with a great budget.
This is not an action adventure movie like the more recent Sinbad the Sailor movies (with the Ray Harryhausen special effects). This is a movie with great wit and outstanding dialog. Grand set design makes it visually exciting; remember, it's from the 40's so don't expect the kind of special effects we're use to today.
This is really a romantic comedy set in the time of the Arabian Nights. Sinbad is more rogue than adventure hero. You get the impression that some of his exploits are more 'tall tale' than fact. Most of all I liked the dynamic between Douglas Fairbanks Jr. and Maureen O'Hara. Walter Slezak and Anthony Quinn are also very good. If you like good dialog, and romantic adventure - give it a try.
This is really a romantic comedy set in the time of the Arabian Nights. Sinbad is more rogue than adventure hero. You get the impression that some of his exploits are more 'tall tale' than fact. Most of all I liked the dynamic between Douglas Fairbanks Jr. and Maureen O'Hara. Walter Slezak and Anthony Quinn are also very good. If you like good dialog, and romantic adventure - give it a try.
Wusstest du schon
- WissenswertesRKO had to scuttle its plan to present this film as a 1946 Christmas-season attraction when a strike at the Technicolor processing plant delayed the making of prints. The wide-release date would be moved up to January 13, 1947, with the Manhattan opening at the Palace Theatre following on January 22, 1947. Needing a black-and-white movie for its 1946 yuletide schedule, RKO chose a film destined to become a holiday perennial: Frank Capra's Ist das Leben nicht schön? (1946).
- PatzerWires are visible on the black bird as it circles the ship's mast.
- Crazy CreditsThe title appears as if it were being poured, in colored water, by faucets into a reflecting pool.
- VerbindungenEdited into Geschichte(n) des Kinos: Une histoire seule (1989)
Top-Auswahl
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Details
Box Office
- Budget
- 2.459.000 $ (geschätzt)
- Laufzeit1 Stunde 14 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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