Die legendären Dorseys

Engaging enough fictionalised musical biopic which sees the brothers (who play themselves) playing second fiddle to a lukewarm romance between William Lundigan and the rather lovely Janet Blair for much of the running time.

This black-and-white film seems almost like a documentary, with legendary big band leaders Tommy and Jimmy Dorsey playing fictionalized versions of themselves and delivering many of the hits that made them famous, including "Green Eyes," "I'm Getting Sentimental Over You," and "Marie." Performances by big band musicians and singers from the 1940s, including Art Tatum, Charlie Barnet, Bob Everly, Paul Whiteman, and Helen O'Connell help convey a sense of why this music is such a perfect expression of the American generation that won World War II with its determination and cockeyed optimism. ---from Musicals on the Silver Screen, American Library Association, 2013

The Dorsey Brothers were great musicians, and I admire their work greatly, but they weren't actors. They could carry off reasonable performances in cameo roles in films, like Tommy Dorsey did in the film "a star is born" but other than that, they were not worthy of a main role.

However, I am not here to dump this film; it has some fantastic music in it, including a great jam session with Art Tatum. We are treated to a fabulous amount of Dorsey hits like Tommy Dorsey's soulful rendition of "I'm Getting Sentimental over you" and Jimmy Dorsey's swingey rendition of "Tangerine".

Also, there are some enjoyable cameo appearances (apart from Tatum) that include the famous bandleader Paul Whiteman and the singer Bob Eberle.

The worst thing about this film is a romantic relationship that occurs between the DB band's pianist and the singer. This relationship has virtually nothing to do with the film, and amounts to an unbearable schmaltz.

"The fabulous Dorseys" isn't a bad film but you probably have to be a massive fan of the talented brothers to truly like this film. Enjoy the music! 7/10

I watched this film this afternoon and I am amazed that Janet Blair didn't become one of the great sex symbols of the era. It was only for this beautiful, sexy woman that made me stay with it, (plus the fabulous music). The script was dreadful, the acting (apart from Ms Blair), was embarrasing and the storyline was desperately dull. So in summary if an actress can make me stick like glue to a bomb of a movie like that, she must be something special. Surely we can at least have a headshot!

The true story of the rise of jazz/swing bandleaders Tommy and Jimmy Dorsey, The Fabulous Dorseys' appeal rests primarily on its basis in reality (the Dorseys portray themselves, in fact) and the many live performances recreated for the film. As for plot, well, it has none to speak of. The supporting cast is ornamental, and character development consists, for all but the last 15 minutes, of little more than establishing that the brothers don't always see eye to eye. Also, the film commands top honors when it comes to abysmal lip-synching and faux piano-playing. Nevertheless, it's clear that the point is to showcase the Dorsey's music and quell any gossip that may have been going around, at the time, about the tension between the Fabulous Dorseys, and on that level, this musical biography is pleasantly entertaining.