Füge eine Handlung in deiner Sprache hinzuA lawyer's wife starts an affair with a mobster but is confronted by his other flame who ends up murdered and the adulterous wife is set up to take the blame for the killing.A lawyer's wife starts an affair with a mobster but is confronted by his other flame who ends up murdered and the adulterous wife is set up to take the blame for the killing.A lawyer's wife starts an affair with a mobster but is confronted by his other flame who ends up murdered and the adulterous wife is set up to take the blame for the killing.
Archie Twitchell
- Roger Alison
- (as Michael Branden)
Frank Wilcox
- McKingby
- (Gelöschte Szenen)
Griff Barnett
- Mr. Adams
- (Nicht genannt)
Barbara Billingsley
- Weil
- (Nicht genannt)
Lillian Bronson
- Secretary
- (Nicht genannt)
George M. Carleton
- Attendant
- (Nicht genannt)
James Carlisle
- Member
- (Nicht genannt)
Thaddeus Jones
- Mr. Porterville
- (Nicht genannt)
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The Arnelo Affair has John Hodiak in the title role of a nightclub owner with tax troubles getting an affair going with his lawyer's wife Frances Gifford.
Frances is a woman with an itch and Hodiak is quite willing to scratch it. But as it turns out he's doing a bit of two timing himself on actress Joan Woodbury. Later on when Woodbury is murdered Hodiak is on the short list of Detective Warner Anderson suspects, but so is Gifford.
This film is a great example of the Code strangling the creativity of film making. Today it would be quite explicitly filmed with proper sex scenes in their place.
George Murphy played Gifford's husband and his is a strangely underwritten role. If I were doing the film and being that Hodiak is having tax troubles, when Murphy does find out there are hundreds of creative ways he could have done Hodiak good and proper.
Eve Arden is in the film in an Eve Arden part. Though in this one she's sporting a hint of jealousy that Hodiak isn't giving her a tumble. That too should have been brought out more.
The Arnelo Affair if someone decides to remake it has lots of room for improvement.
Frances is a woman with an itch and Hodiak is quite willing to scratch it. But as it turns out he's doing a bit of two timing himself on actress Joan Woodbury. Later on when Woodbury is murdered Hodiak is on the short list of Detective Warner Anderson suspects, but so is Gifford.
This film is a great example of the Code strangling the creativity of film making. Today it would be quite explicitly filmed with proper sex scenes in their place.
George Murphy played Gifford's husband and his is a strangely underwritten role. If I were doing the film and being that Hodiak is having tax troubles, when Murphy does find out there are hundreds of creative ways he could have done Hodiak good and proper.
Eve Arden is in the film in an Eve Arden part. Though in this one she's sporting a hint of jealousy that Hodiak isn't giving her a tumble. That too should have been brought out more.
The Arnelo Affair if someone decides to remake it has lots of room for improvement.
Okay crime drama is helped by the competence of the film makers but hindered by the flat performance of one of the leads.
The actual story of a bored housewife seemingly framed for murder by a cad certainly isn't fresh but Frances Gifford is properly anguished in the lead. MGM was giving her the big push at this time but almost immediately after this was completed she was involved in a major car accident in which she sustained severe injuries which effectively ending her career and causing her mental problems for the remainder of her days.
Hodiak is also quite good as the rotten Arnelo of the title who manages to shade his rather contemptible character with a bit of conflict. The divine Eve Arden is also in the cast proving once again she's the best friend a leading lady ever had. In addition to being a bright spot she looks sensational in one glamorous outfit after another.
Where the film suffers is in the role of the husband portrayed by George Murphy. He could not possibly have played the role more flatly if he actually tried. It's as if everyone else learned their lines and he's reading them off a cue card, badly. He's a major flaw in the film.
Shot when noir was in its heyday the film is full of shadows and deep focus. Not a classic of the genre but a decent entry of its type.
The actual story of a bored housewife seemingly framed for murder by a cad certainly isn't fresh but Frances Gifford is properly anguished in the lead. MGM was giving her the big push at this time but almost immediately after this was completed she was involved in a major car accident in which she sustained severe injuries which effectively ending her career and causing her mental problems for the remainder of her days.
Hodiak is also quite good as the rotten Arnelo of the title who manages to shade his rather contemptible character with a bit of conflict. The divine Eve Arden is also in the cast proving once again she's the best friend a leading lady ever had. In addition to being a bright spot she looks sensational in one glamorous outfit after another.
Where the film suffers is in the role of the husband portrayed by George Murphy. He could not possibly have played the role more flatly if he actually tried. It's as if everyone else learned their lines and he's reading them off a cue card, badly. He's a major flaw in the film.
Shot when noir was in its heyday the film is full of shadows and deep focus. Not a classic of the genre but a decent entry of its type.
Frances Gifford gets mixed up in "The Arnelo Affair," a 1947 film also starring George Murphy, John Hodiak, Eve Arden and Dean Stockwell. In fact, the film was on TCM as part of Dean Stockwell's birthday. He certainly was an adorable little boy.
Gifford plays Anne Parkson, the neglected wife of a successful attorney, Ted Parkson (Murphy). One night, Ted brings home a shady client, Tony Arnelo (Hodiak), who owns a nightclub. Arnelo has an immediate attraction to Anne and, upon learning that she has dabbled in room design, he invites her to decorate his club. Of course, he couldn't care less if his club ever gets decorated or not. Though Anne hasn't yet said "yes," he gives her a key to his place after their first meeting and invites her back the next day at 2. She arrives the next day and is confronted by an actress-girlfriend of Tony's. Tony slaps the woman and the frightened Anne runs away, the compact that her husband gave her falling out of her purse. The next day, she sees in the paper that the woman has been killed. In exchange for the compact and a letter he later steals, Tony wants Anne.
This is a good-looking film, with beautifully tailored mens suits on Hodiak and Murphy and smashing clothes for Gifford and Eve Arden, who owns her own dress shop. And that's about it. The dialogue is totally predictable - when Anne asks her husband to go away with her, the words were out of my mouth 30 seconds before she said the line. The attractive Gifford is a bore and gives no shading to her role at all. MGM never could figure out what to do with Laraine Day - why didn't she make this? Murphy has a pleasant way about him and Hodiak is okay, but frankly, Dean Stockwell as Anne's son steals that show. That's not saying much. Eve Arden is good but wasted.
The music is overpowering, and the pacing is slow. "The Arnelo Affair" needed a strong actress in the lead, better dialogue and faster pacing. Without those elements, it's pretty dull.
Gifford plays Anne Parkson, the neglected wife of a successful attorney, Ted Parkson (Murphy). One night, Ted brings home a shady client, Tony Arnelo (Hodiak), who owns a nightclub. Arnelo has an immediate attraction to Anne and, upon learning that she has dabbled in room design, he invites her to decorate his club. Of course, he couldn't care less if his club ever gets decorated or not. Though Anne hasn't yet said "yes," he gives her a key to his place after their first meeting and invites her back the next day at 2. She arrives the next day and is confronted by an actress-girlfriend of Tony's. Tony slaps the woman and the frightened Anne runs away, the compact that her husband gave her falling out of her purse. The next day, she sees in the paper that the woman has been killed. In exchange for the compact and a letter he later steals, Tony wants Anne.
This is a good-looking film, with beautifully tailored mens suits on Hodiak and Murphy and smashing clothes for Gifford and Eve Arden, who owns her own dress shop. And that's about it. The dialogue is totally predictable - when Anne asks her husband to go away with her, the words were out of my mouth 30 seconds before she said the line. The attractive Gifford is a bore and gives no shading to her role at all. MGM never could figure out what to do with Laraine Day - why didn't she make this? Murphy has a pleasant way about him and Hodiak is okay, but frankly, Dean Stockwell as Anne's son steals that show. That's not saying much. Eve Arden is good but wasted.
The music is overpowering, and the pacing is slow. "The Arnelo Affair" needed a strong actress in the lead, better dialogue and faster pacing. Without those elements, it's pretty dull.
This movie is unsuccessful as a noir, a crime drama -- as anything, really.
John Hodiak is always compelling, though he isn't a convincing villain here. George Murphy is barely adequate.
Frances Gifford -- whose bio I just read here, and who had a tragic life -- is very beautiful but directed to act as if in a coma.
Even Eve Arden's quips fall uneasily flat in this context.
The best performance is given by Dean Stockwell, as the strangely troubled child Murphy and Gifford profess to adore but who seems to be ignored by his father and to have an extreme affection for his mother.
John Hodiak is always compelling, though he isn't a convincing villain here. George Murphy is barely adequate.
Frances Gifford -- whose bio I just read here, and who had a tragic life -- is very beautiful but directed to act as if in a coma.
Even Eve Arden's quips fall uneasily flat in this context.
The best performance is given by Dean Stockwell, as the strangely troubled child Murphy and Gifford profess to adore but who seems to be ignored by his father and to have an extreme affection for his mother.
I have just caught this Movie on TCM, and can understand why George Murphy went into Politics if this was the best MGM could serve up to him. It is so slow-moving that the attempt to make it a real film-noir effort does not come off. It featured two of my favourite
players in Eve Arden (completely wasted) and Dean Stockwell(the best actor in the Film), but what really hit me was that the leading lady Frances Gifford went through some 90 minutes (it seemed longer!) without changing the expression on her face--her fainting scene was comical. John Hodiak played his role OK, but the script let him, and the rest of the cast, down very badly. I gave it 4 stars mainly because of the photography. It would have been on the first half of the Program when double features were the go.
players in Eve Arden (completely wasted) and Dean Stockwell(the best actor in the Film), but what really hit me was that the leading lady Frances Gifford went through some 90 minutes (it seemed longer!) without changing the expression on her face--her fainting scene was comical. John Hodiak played his role OK, but the script let him, and the rest of the cast, down very badly. I gave it 4 stars mainly because of the photography. It would have been on the first half of the Program when double features were the go.
Wusstest du schon
- WissenswertesThe address for Arnelo's club, given on his business card as 25 W. Chicago Ave. is a real address, and is the site of the One Chicago twin tower development, consisting mainly of condominiums and apartments that opened in 2022.
- PatzerThe newspaper report of the murder spells the word 'clue' as 'clew'. The use of the word "clew" for "clue" is old British English; a high-brow, literary spelling of the word. It is now considered archaic.
- Zitate
Vivian Delwyn: Aah, the man with the four alarm eyes!
- VerbindungenReferenced in Akvaariorakkaus (1993)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hemligt möte
- Drehorte
- Art Institute of Chicago - 111 S. Michigan Avenue, Downtown, Chicago, Illinois, USA(Opening shot when Tony Arnelo picks up Anne Parkson in his car)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 892.000 $ (geschätzt)
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was The Arnelo Affair (1947) officially released in India in English?
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