Zombies on Broadway

Brown and Carney were not too bad. They were better than some of the comments make them out to be. They couldn't touch Abbott and Costello, but I have seen far worse from more famous duos. I would have liked to have seen them with better writers. Just a note that Brown and Carney were reunited briefly in the 1961 film "the Absent Minded Professor". This is an OK comedy for those who like old fashioned comedy like I do. The thing that disappoints is that the title itself gives rise to images of zombies invading a Busby Berkley type musical or an army of zombies pursuing fleeing New Yorkers through the theater district. I was imagining the scene from Golddiggers of 1933 with Ginger Rogers singing "We're in the money" being invaded not by the cops but by zombies. Sadly, we get none of that. If you can get past the title then you will find an amusing little film. I would like to see George Romero remake it.

Advertising that the opening act of the "Zombie Hut" nightclub will be a real live honest to goodness Zombie the two press agents Mike & Jerry, Alan Carney & Wally Brown,come up empty by trying to pawn off a punch drunk boxer, with what looks like a face packed with talcum powder, as a walking dead man. This has them both put on the sh*t list of the gangster owner of the nightclub Ace Miller, Sheldon Leonard.

Needing a Zombie in order to save their necks Mike & Jerry bust their way into a closed midtown museum, thinking that theirs Zombie's in it, and despite the half-hearted objections of the museum janitor Worthington (Nick Stewart),who never thought of calling the police, the two buffoon's end up with the nutty curator Prof. Hopkins, Ian Wolf. Prof. Hopkis tells them that the only person who can get them a true live, or dead, Zombie is the mysterious Dr. Paul Renault (Bela Lugosi), if he's still alive, who was last known to be residing on the small Carribriean island of San Sabastian.

Put on a banana boat by Ace and the boys Jerry & Mike are told that if they don't come back with a Zombie they can forget to come back at all. The two stumble bums end up not only getting involved with Dr. Renault Zombie experiments but end up becoming part of them.

Getting in touch with San Sabastian nightclub singer and dancer gorgeous Jean LaDance (Ann Jeffareys), who's dying to get off the island, the trio end up in the middle of a full-moon Zombie ceremony by the local natives. Escaping from the mob of angry native warriors Mike Jerry & Jean end up getting captured by Dr. Renault and his seven foot tall Zombie assistant Kolaga,Darby Jones, with Mike getting Zombified as a victim of Dr. Renault's Zombie experiments.

Finally getting away from both Dr. Renault and the angry Zombie-worshiping natives the three Mike Jerry & Jean together with a cute little monkey, who took a shine to Mike back at San Sabastian, get on a ship as they sail back to New York City. Getting to the Big Apple just in time for the "Zombie Hut's" opening night's feature Zombie performance With Mike, his eyes bugged out and in a state of suspended animation. As the long sought Zombie is about to make his grand entrance the serum that Dr.Renault injected him with starts to wear off. Unlike the people in the movie it's the monkey who ends up not only saving the show but the necks of Mike and Jerry from getting broken by Ace's thugs.

So-so comedy/horror flick with Bela Lugosi in a very small, despite his top billing in the movie,role as Dr. Renault with the monkey getting all the laughs as well as best lines in the movie.

Somewhat tepid but occasionally funny as Brown and Carney do their best to be RKO's Abbott & Costello. They play press agents for a nightclub who promise a "real live zombie", which their mobster boss insists they produce. This leads them to San Sebastian, Bela Lugosi, and the guy who was the zombie in "I Walked with a Zombie" and other films. Many scenes are played very straight -- of course, with bad jokes and puns thrown in. Lugosi, in particularly, is asked to play everything straight as a scientist after the secret of zombie making.

Uninspired, but Anne Jeffries does look great.

This kind of movie just doesn't exist in history books anymore. When I was young and went to the "movie theater", ate Turkish taffy till I pulled a tooth, this kind of movie made me happy. I loved the silliness even when I was small. Today, I fear, not much happiness leaves the theater these days, only sophistication. Until this film was ran on TCM, I forgot about how much I liked the actors, Walley Brown, Alan Carney, Bela and Anne Jefferys. I believe Anne could still make it today in movies, 61 years after this film was made. If you love cinema that was actually made, but not PC, this is a funny film. I guess you can sum it up..I like ALL the actors. Hey, but then again, I guess little today about American history is PC today. Wish I could buy it.

1945's "Zombies on Broadway" marked the first of three titles under Bela Lugosi's new RKO contract, his first teaming opposite the studio's answer to Abbott and Costello, tall and thin Wally Brown with short and pudgy Alan Carney. Like the later "Bela Lugosi Meets a Brooklyn Gorilla," he reigns in a studio jungle conducting sinister experiments, here a zombie master unlike Murder Legendre from "White Zombie," attempting scientific means to produce zombies using a special serum of his own making. Brown and Carney play their regular characters of Jerry Miles and Mike Strager, working as publicity agents for a new club owned by gangster Ace Miller (Sheldon Leonard), but in promising a genuine zombie for The Zombie Hut they are forced to journey to the Caribbean island of San Sebastian to seek out Lugosi's Dr. Paul Renault, on the advice of museum curator Hopkins (Ian Wolfe). Renault would rather the world believe him dead, delighted to test his new serum on Mike, kidnapped from his bed by actual zombie Kolaga (Darby Jones). Jones and unbilled calypso singer Sir Lancelot repeat their roles from Val Lewton's "I Walked with a Zombie," five zombie masks called for by makeup artist Maurice Seiderman, little more than bulging pop eyes for an effect both comic and creepy, Lugosi confined almost entirely to the film's second half with only 10 minutes screen time. He actually gets a chuckle when assistant Joseph (Joseph Vitale) tells Miles and Strager that Dr. Renault is merely studying a banana blight, but the doctor insists it is coconuts: "oh, Joseph is color blind!" The antics of Brown and Carney offer some amusement but the material for surefire laughs just isn't there, later reunited with Bela for a much better comedy, "Genius at Work," offering a larger part for Lugosi and a last pairing with master screen villain Lionel Atwill (only a few weeks after completing this mad scientist fiasco, he would be cast as Joseph in Val Lewton's Boris Karloff vehicle "The Body Snatcher").