Woman Who Came Back

After a two-year absence Lorna Webster (Nancy Kelly) is returning to her hometown. Beside her on the bus is a crone looking woman, Jezebel Trister (Elspeth Dudgeon,) who is also traveling to the town to get revenge on the descendent of the Webster that burned her as a witch 300 years ago. The bus veers off the road in crashes into the lake. Only Lorna survives and the body of the old lady is not found.

Was there an old lady? Or was it an imaginary figment? This and other strange coincidences are convincing Lorna that she is being possessed with whtchyness and the town is going along with her.?

Will she and her little dog too, dispatch the town's people one by one or will they have the courage to do unto her first?

As a psychological thriller, some may want to compare this film to Val Lewton. I think more in the line of Die Werwölfin von London (1946) with June Lockhart.

The Woman Who Came Back is a largely unknown little forties horror film; but it's a rather good one also. The film focuses on witchcraft, and in particular the idea of a witch coming back to avenge her death. This idea would of course go on to be used in many, many films after 1945; but this is one of the earlier examples. The Woman Who Came Back is an eerie horror film that mostly relies on its atmosphere and inventiveness in order to deliver the chills, and this works quite effectively. The plot focuses on a young woman named Lorna Webster who catches a bus back home to Eben Rock. She finds herself sitting next to a cackling old woman, and before she knows it; the bus has been involved in an accident and Lorna is the only survivor. She then goes back to her old house and is reacquainted with her old lover; but she's haunted by the old woman on the bus who told Lorna of an old town legend regarding a witch that swore vengeance on her executioner. One thing leads to another, and Lorna comes to believe she is the reincarnation of that witch...

The film is very short at just sixty eight minutes, but this time is used very well and the film doesn't feel rushed or underdone for most of the duration. The plot flows very well too and director Walter Colmes keeps his audience interested by constantly feeding us with new ideas and pieces of information. There isn't a great deal of films about witchcraft (compared to other subgenres) and that's a shame really because it certainly is very interesting. This film manages to get most of things that most people would associate with witchcraft into it; including spells and the witch's familiar, which helps to make the proceedings more interesting. The performances are all very strong; with Nancy Kelly giving a particularly convincing performance in the central role. It's the atmosphere that is the real star, however, and a sequence midway through with a storm is a real standout. The film is good for about the first hour but unfortunately it's let down more than just a little bit by the ending; which does wrap things up a bit too quickly. However, this is still a very good little film and one that I'm sure will please most people with a mind to see it.

THE WOMAN WHO CAME BACK stars Nancy Kelly (THE BAD SEED) as Lorna Webster, direct descendent of the 17th Century magistrate responsible for "sending eighteen women to their fiery deaths," in the infamous Massachusetts town of Eben Rock. Coming back by bus, Lorna shares her seat with a black-veiled hag (THE OLD DARK HOUSE's Elspeth Dudgeon) who claims to be Jezebel Trister, Judge Elijah Webster's most famous victim. When the bus plunges into Shadow Lake, Lorna is the sole survivor - with the body of the strange woman nowhere to be found. So begins a series of strange encounters that threaten to plunge modern Eben Rock back into the dark ages.

THE WOMAN WHO CAME BACK is a neat little Lewtonian drama about Old Country superstitions festering in the New World. Eben Rock is a town unable to rest comfortably on its own foundations (the Webster family tree hangs heavy with the kind of scoundrels that found nations), making less a story about the supernatural than of how superstition drives the sensitive and marginal away from reason and true faith (embodied here by the friendship between John Loder's town doctor and Otto Kruger's sage minister).

Although THE WOMAN WHO CAME BACK seems influenced by the psychological horror films being produced by Val Lewton at RKO around the same time, the film also anticipates a key bit of business in the later CARNIVAL OF SOULS (the survivor of an aquatic auto accident later coming to doubt her sanity). Highly recommended.

Nancy Kelly (Lorna) returns to her small town after a 2 year absence. She is on the bus into town when cackling hag Elspeth Dudgeon (Jezebel) gets on and sits next to her. This old lady seems to know Nancy and claims to be 300 years old. The next thing that happens is the bus crashes into a lake and there are no survivors. Except Nancy. What is eerier is that there is no body of the old woman, she has just disappeared and no-one believes Nancy that she even ever existed. Well, she did exist. And Nancy seems to now possess some kind of evil spirit and be in tune with the darker forces of nature. There is a reason as foretold by a curse that tells of the revenge of an innocent woman burnt at the stake after being accused of a witch - she will return after a 300 year period and take over the body of a young woman to exact revenge. Uh-oh, guess who Nancy has just had an encounter with…..

This film has great potential and a good beginning but just sort of meanders until a real let-down of an ending that doesn't make sense. Shame. And why is John Loder (Matt) topping the bill in this film? It's Nancy Kelly's film – she's even in the goddam title, folks! There are some nice touches and spooky sequences but the film lacks that "kerpow!" factor, especially with the let-down of an ending. Could have been a strong, spooky witch film. As it is, it's OK as something different to watch.

"Woman Who Came Back" is an okay film made by one of the best 'poverty row' studios, Republic. It's a little better than average for one of their films but the ending just left me very cold and unsatisfied.

The film begins with a weird old lady and her dog stopping a bus. The lady climbs aboard and begins regaling a young lady (Nancy Kelly) with stories about how she is the spirit of a centuries-old witch! Soon, the bus plunges over an embankment and everyone aboard, aside from the young lady, is killed. Soon, strange thing happen around town (such as the dog appearing to the lady and refusing to leave her side) and slowly the idiots in the town and the lady begin to wonder if she is the reincarnation of the witch who was burned so long ago.

So far, the film is a bit silly but well done and entertaining. But the studio insisted on explaining away everything at the end--so much so that I felt it undermined the story. Still, it was mildly enjoyable and I always like seeing Otto Kruger in any film. Not great but a decent time-passer.