Fog Island

Although "Fog Island" is very stagy (which is understandable, seeing as it was adapted from a play), and the acting is often atrocious, it's very enjoyable for its black and white mystery atmosphere. It reminded me of the kind of drama that used to be produced for the radio on shows like "Inner Sanctum." The admittedly contrived story takes place predominantly in an old dark mansion which is, we are told, located on an island where the fog is constant and overpowering. Lionel Atwill, who was framed and sent up the river by some shifty associates in his business, devises a scheme to lure the conspirators to his remote home and have them kill each other for the fortune they think is hidden there.

The creaky story relies on all of the characters being murderously greedy, and this is the kind of movie where booby traps exist alongside secret passages and hidden compartments. Did houses like this really exist anywhere other than the movies?

Interestingly, although the plot comes off as contrived, it's not entirely predictable, either. It also benefits from not being overly long, clocking in at just about an hour. The presence of Lionel Atwill helps immensely. Would be great on a double bill with "Secret of the Blue Room".

First time of watching: entertaining low budget spooky house mystery with Zucco and Atwill at their eye-popping peaks. Terrible print - the negative must look transparent, so I would definitely recommend switching the lights off (or a cinema) for optimum viewing.

It's a PRC stagey mix of And Then There Were None (in this case, Two) and The Cat And The Canary, with a few extra twists, but with only nine characters. The butler was a short-lived oddball however, quickly dispatched with gusto from the plot to the cynical amusement of Zucco. To my cynical amusement it's at that moment that Zucco is reminded that he "blew his top" when he was in prison - not hard to imagine!

The male romantic lead was even more wooden, impetuous and prescient than the rest of the cast (Jerome Cowan was wasted yet again), but overall I enjoyed the film, nice atmosphere when the print allowed and an almost believable nasty-revenge storyline.

Watching this reminded me of staying up late at night in the early 50s after mom and dad went to bed. Cheaply made, mediocre acting, and a spooky soundtrack.

It was interesting to hear the Theme from "The Whistler" radio show in the first few moments after the opening credits. But there is no other mention of a conn3ction to the radio show in the film.

This genre of mystery film began in the twenties and ended in the early 1940's. It is a good late night movie to be seen before bedtime. It has none of the overkill of the movies of the 1990's.

This crime/mystery drama is pretty murky in a number of respects, but it holds your interest most of the time with a tense and rather complicated story. George Zucco and Lionel Atwill are right at home in this kind of material, and the rest of the cast is solid if unspectacular.

The setup has Zucco as an ex-convict who has a mysterious home on "Fog Island", to which he lures an assortment of persons whom he holds responsible for framing him and for killing his wife. Zucco is convincing as a half-mad plotter, and although parts of his plan remain obscure or confusing, it's interesting in that his approach to revenge is not the usual one of direct confrontation.

Atwill and Veda Ann Borg are the liveliest of the supporting characters. John Whitney and Sharon Douglas are at least likable, but they are too plain to arouse much interest in their characters, who are significant to the story.

The fog and darkness that dominate the settings help to hide the low-budget production, and they also help in setting the atmosphere of confusion and distrust. There are a fair number of interesting moments, and although it doesn't all fit together as well as it could have, it's a fairly interesting offbeat feature of its kind.