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Der Morgen gehört uns

Originaltitel: And Now Tomorrow
  • 1944
  • 12
  • 1 Std. 26 Min.
IMDb-BEWERTUNG
6,8/10
497
IHRE BEWERTUNG
Alan Ladd and Loretta Young in Der Morgen gehört uns (1944)
DramaRomance

Füge eine Handlung in deiner Sprache hinzuA wealthy woman who lost her hearing to meningitis meets a doctor who is concocting a serum that will cure deafness.A wealthy woman who lost her hearing to meningitis meets a doctor who is concocting a serum that will cure deafness.A wealthy woman who lost her hearing to meningitis meets a doctor who is concocting a serum that will cure deafness.

  • Regie
    • Irving Pichel
  • Drehbuch
    • Frank Partos
    • Raymond Chandler
    • Rachel Field
  • Hauptbesetzung
    • Alan Ladd
    • Loretta Young
    • Susan Hayward
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    497
    IHRE BEWERTUNG
    • Regie
      • Irving Pichel
    • Drehbuch
      • Frank Partos
      • Raymond Chandler
      • Rachel Field
    • Hauptbesetzung
      • Alan Ladd
      • Loretta Young
      • Susan Hayward
    • 20Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos6

    Poster ansehen
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    Topbesetzung50

    Ändern
    Alan Ladd
    Alan Ladd
    • Doctor Merek Vance
    Loretta Young
    Loretta Young
    • Emily Blair
    Susan Hayward
    Susan Hayward
    • Janice Blair
    Barry Sullivan
    Barry Sullivan
    • Jeff Stoddard
    Beulah Bondi
    Beulah Bondi
    • Aunt Em
    Cecil Kellaway
    Cecil Kellaway
    • Doctor Weeks
    Grant Mitchell
    Grant Mitchell
    • Uncle Wallace
    Helen Mack
    Helen Mack
    • Angeletta Gallo
    Bobby Barber
    Bobby Barber
    • Mill Worker
    • (Nicht genannt)
    Charles Bates
    Charles Bates
    • Frightened Boy
    • (Nicht genannt)
    Conrad Binyon
    • Bobby
    • (Nicht genannt)
    Harry C. Bradley
    Harry C. Bradley
    • Episcopalian Minister
    • (Nicht genannt)
    Leo Bulgakov
    Leo Bulgakov
    • Jan Vankovitch
    • (Nicht genannt)
    George M. Carleton
    George M. Carleton
    • Meeker
    • (Nicht genannt)
    Ann Carter
    Ann Carter
    • Emily - Age 7
    • (Nicht genannt)
    Anthony Caruso
    Anthony Caruso
    • Peter Gallo
    • (Nicht genannt)
    Russ Clark
    • Patient
    • (Nicht genannt)
    Mae Clarke
    Mae Clarke
    • Receptionist
    • (Nicht genannt)
    • Regie
      • Irving Pichel
    • Drehbuch
      • Frank Partos
      • Raymond Chandler
      • Rachel Field
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen20

    6,8497
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    Empfohlene Bewertungen

    6killercharm

    melodrama made more interesting by the caliber of the actors

    Loretta Young has lost her hearing due to a bout of meningitis. She meets a hollywood handsome doctor who has decided to try to cure her. He falls for her beautiful self, only thing is she's engaged to a man she loves. Unbeknownst to her the fiancé has fallen in love with her sister. Also unbeknownst to her she has fallen for the doctor. This is a melodrama made more interesting by the caliber of the actors, especially Susan Hayward.
    8planktonrules

    Sure, it's got a few problems and clichés...but it's still a marvelous movie.

    meningitis several years before--learned to read lips awfully fast but she was speaking...easier lipreading NOT that accurate didn't' ask people to say things twice disdain for Blairs

    I have a different insight into this film than most viewers since I am the father of a deaf daughter. So, I realized there were a few mistakes...but they certainly won't bother the average viewer. So, when I laugh when I see a woman learn to PERFECTLY speech read (the newer term for lip reading)...as almost no one can do it like the character does in this movie and most other films featuring deaf folks. No, deaf people cannot magically and perfectly understand folks by watching their lips...just like blind people cannot read with their fingers like Daredevil!

    When the story begins, Emily Blair (Loretta Young) is seeing yet another specialist who informs her they cannot cure her deafness. You see, she recently lost her hearing due to meningitis (and learned to read lips almost INSTANTLY). However, a very grouchy young doctor, Dr. Vance (Alan Ladd) MIGHT be able to help her. So she puts her life into his hands...which is tough since he HATES the Blair family and has a hard time separating that from Emily.

    At the same time, Emily's fiancée (Barry Sullivan) is waiting and waiting...two years. And, not surprisingly, he's tired of waiting and has fallen in love with Emily's sister (Susan Hayward). But, because he wants to be a good and faithful guy he STILL plans to marry Emily...but his heart certainly isn't in it!

    So what's to become of all this melodrama? See the film...you'll enjoy it. Overall, it well acted though I WISH they had Ladd play someone who WASN'T grouchy as he played a grouch in MOST of his films!! Still, despite this, Young and the rest are quite good and the film a nice date night film...provided your date likes old films. If she doesn't...dump her (I am kidding).
    6bkoganbing

    Class resentments

    And Now Tomorrow was the second of two films that Alan Ladd did with Loretta Young. The first one was China an action/adventure wartime potboiler of a film. It was Alan Ladd's type of film that was made just before he was drafted. It was also not one of his best. And Now Tomorrow is more Loretta's kind of film and while it's better than China it will never be ranked as in the top ten for either Ladd or Young.

    This one is a medical soap opera, the only time Ladd ever did one of these kind of films in his career. Young is a socialite who never thought about social problems in the town that she was brought up in which incidentally is named after her family, the town's chief employer. They own a mill from which Ladd's father was fired years ago. Now all grown up Ladd's got class resentments.

    And he's back in his hometown at the behest of Dr. Cecil Kellaway who has heard of his experiments with curing deaf people who got it as a result of spinal meningitis. That's what gave Young her deafness and among other things postponed her marriage to another yuppie Barry Sullivan.

    The main focus in this film is the growing mutual attraction between doctor and patient despite all their differences. A subplot also involves Sullivan seeing Young's sister Susan Hayward on the side.

    And Now Tomorrow is kind of a secular version of Magnificent Obsession without all the religious folderol that Lloyd C. Douglas put into his work involved. For those who like soap opera type films And Now Tomorrow will do. Young made a ton of these in her career, but it wasn't Alan Ladd's cup of tea.
    7HotToastyRag

    Well-acted drama similar to Dark Victory

    I don't usually like Loretta Young, but I admit when actors or actresses I don't care for give objectively good performances. Loretta plays a deaf woman, ill with meningitis, and she's very good. Her eyes are glued to her fellow actors' lips, and when they turn away from her for a moment, she gets a bewildered look on her face until they return to face her. She wipes the fear and shame away and asks, even though it humiliates her to do it, them to repeat themselves. It's very realistic and natural.

    When she falls ill, Loretta breaks her engagement to Barry Sullivan, so that his quality of life isn't diminished for having to care for a sick person. Alan Ladd, a new, unknown doctor, wants to experiment on Loretta to see if he can cure her, and in the many months of the treatment, Barry falls in love with Loretta's sister, Susan Hayward.

    And Now Tomorrow is very similar to Dark Victory, so if you liked one, there's a good chance you'll like the other. Part medical drama, part love story, and chalk full of beautiful clothes from Edith Head, this is an overlooked classic that's great to watch with a bowl of popcorn on a rainy afternoon.
    7silvershadows-09863

    And Now Tomorrow 1944

    Alan Ladd and Loretta Young were teamed up again after starring together in China 1943. Both are well suited to their roles in And Now Tomorrow. Ladd, as the hard working doctor, who works at a Pittsburgh free clinic. Young, as the wealthy heiress, who travels the globe. looking for a cure for her deafness.

    Dr. Vance (Ladd) arrives at the home of his friend and mentor, Dr. Meeks (Cecil Kellaway), who asks Lance for a favor. He wants Vance to use his new methods of curing hearing loss on socialite, Emily Blair. Vance refuses, saying he is much to busy helping the poor. However, Vance does have a grudge with the Blair family. He doesn't like that they live like royalty, while the people who work their mills, live difficult lives. Furthermore, Vance's father had a run in with Emily's father years before and was fired.

    Yet, with a twinkle in his eye, Vance agrees to dine at the Blair palace with Dr. Meeks. During the evening, Dr. Vance and Emily are alone together. Vance mentions Dr. Meeks plan to have him help Emily. She is startled and amused. She has traveled the globe to find a cure for her deafness. How could this doctor, a man no one has heard of, help her? Vance had expected such a response. He gets up to leave and says, "Deafness isn't the only thing I'd like to cure you of."

    Dr. Meeks eventually gets Vance to agree to treat Emily. It's a long procedure that will take months and may not be successful. Initially the two are at odds with each other. Vance doesn't think the Blair's wealth enables Emily to show up late for appointments. Emily thinks Vance is lacking in manners.

    A pivotal part of the movie occurs when Dr. Vance is called to shantytown to look at a man's (Anthony Caruso) sick child. Emily is with Vance and helps him perform an emergency operation. Emily gets to see a different world first hand. Vance is impressed that Emily comes through in the clutch. As a side note, it's not the first or last time Caruso appeared in a Alan Ladd film. Caruso was a busy, talented actor, who appeared in ten Alan Ladd films. It wasn't a coincidence. When Ladd and Caruso were struggling actors they sat together at an audition. Afterwards, Caruso asked Ladd to lunch, but Ladd was broke and had to refuse. Caruso's father stepped in and bought lunch. Ladd never forgot the act of kindness and gave Caruso a part in his films if he could. And Caruso couldn't believe the loyalty you just don't find in Hollywood.

    Unfortunately, the treatments aren't working on Emily. Vance decides to go back to the clinic in Pittsburgh. Emily, gets back to her life and her fiance (Barry Sullivan). She plans to get married and is resigned to the fact she will never be cured. On the eve of her wedding Emily learns that Vance has had a success with a new method. She rushes to Vance and begs him to try the method on her, although it hasn't been tested on humans. He relents, and gives her the treatment. She reacts badly and collapses. There is a fear she won't live, but she survives.

    The next morning Emily wakes to learn she can now hear. She soon learns her fiance has been having an affair with her sister. The wedding is officially off. She rushes to Pittsburgh to thank Dr. Vance. She phones him from his outer office, commenting he has a lovely voice. He realizes that she can hear and that his treatment has worked. She informs him the wedding is off and she'd like to repay him. They embrace.

    It's an excellent film with many strong performances. The plot wobbles occasionally, but the cast really holds things together. Young gives her usual excellent performance. Both Susan Hayward and Barry Sullivan are excellent in small roles. But for me, it's Ladd's work that is most enjoyable. Years ago, film critics, like Bosley Crowther, delighted in telling us what a terrible actor Ladd was. Later, authors of film history books repeated the same old legends. Even noted television hosts, like Dick Cavett, would ridicule his talents. Funny thing is audiences enjoyed his work and flocked to his films for 20 years. He has always been one of my favorites. I guess I always made my own decisions on what was good and what I liked. Alan Ladd was simply one of the best.

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    Handlung

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    • Wissenswertes
      One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Boston Saturday 11 October 1958 on WBZ (Channel 4); it first aired in Phoenix Thursday 12 February 1959 on KVAR (Channel 12), followed by Milwaukee 16 May 1959 on WITI (Channel 6), by Minneapolis 7 July 1959 on WTCN (Channel 11), by Asheville 30 August 1959 on WLOS (Channel 13), by Pittsburgh 8 October 1959 on KDKA (Channel 2), by Omaha 2 November 1959 on KETV (Channel 7), by both Denver and Johnstown 19 November 1959 on KBTV (Channel 9) & WJAC (Channel 6), by St. Louis 11 December 1959 on KMOX (Channel 4), and by Detroit 18 December 1959 on WJBK (Channel 2). It was released on DVD 1 March 2016 as part of the Universal Vault Series.
    • Zitate

      Emily Blair: You're not very polite this afternoon, are you?

      Doctor Merek Vance: About average for me, Miss Blair, about average.

    • Verbindungen
      Featured in The 67th Annual Academy Awards (1995)

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    Details

    Ändern
    • Erscheinungsdatum
      • 11. August 1950 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • And Now Tomorrow
    • Drehorte
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Paramount Pictures
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    Technische Daten

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    • Laufzeit
      1 Stunde 26 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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