Abbott und Costello auf Glatteis

Photographers Flash and Tubby believe they have land a paying job when they agree to cover a group of men coming out of a bank. Little do they know that the men are bank robbers who have mistaken the two for hired guns, booked to cover the entrance during the job. They discovery this too late and suddenly find themselves suspected of the robbery themselves. With only the photographs they took as leverage, the two follow the crooks to a mountain ski resort where they plan to expose them and clear their own names.

Abbott & Costello are always a duo I come back to but yet they are also a duo that tend to deliver solid amusement rather than great films. Hit the Ice is another one of those because it is roundly "ok" even if it does have some bits that capture why people love these two. The plot is a simple affair with the usual misunderstandings and scrapes along the way but it does work, providing the love interest for Costello to flirt with and also the tough guys for him to face off against. There are a few routines that are good fun like the "teller" one or the bit where Costello packs and unpacks repeatedly, while the pratfalls and chases are amusing and are done with energy. It doesn't have enough to be considered a great film or anything but it is amusing enough to please fans and also children.

The film is padded far too much with musical numbers. You expect one or maybe two but there are loads of them here and they never feel like anything other than filler. Abbott and Costello are both on pretty good form here, they feel like they are working well off one another – with Costello in particular putting effort into his falls and double-takes. Simms' songs perhaps don't appeal but she certainly does – stunningly beautiful and she has an easy screen presence that helps as well – I feel for Knox who has to compete but doesn't really. Leonard is fun as the main villain while Knowles is about as vanilla and dull as he could have been.

Overall this is an OK piece of comedy that fans will like as well as kids. There are a couple of funny routines and, although it has too much of it, the pratfall-style comedy is OK too. The musical numbers are overused and slow the film down but at least you get to look at Simms while they are on (well, mostly). Solid but unremarkable.

HIT THE ICE (Universal, 1943), directed by Charles Lamont, certainly has the distinction of being another one of many ice skating musicals starring Olympic skating champion, Sonja Henie. Though Henie doesn't appear, much of the icing goes to Universal's top comedy team of Bud Abbott and Lou Costello. While there are good songs and some ice skating involved, HIT THE ICE also has the distinction of other fine things presented that truly indicate why Abbott and Costello movies were so successful during the World War II years. Though they don't really hit the ice, they surely were hitting their stride.

The story opens at Fulton Hospital where Harry "Silky" Fellowsby (Sheldon Leonard) occupies a room feigning feverish illness in order to establish an alibi as he and his fellow mobster pals, Phil (Marc Lawrence) and Buster (Joseph Sawyer) sneak out of the hospital to rob the bank across the street. While Bill Burns (Patric Knowles) is doctor in the case, his nurse, Peggy Osborne (Elyse Knox) suspects foul play. As the gangsters await for the arrival of a couple of gunmen from Detroit, Doctor Burns meets up with a couple of friends from his childhood days, Flash Fulton (Bud Abbott) and Tubby McCoy (Lou Costello), now photographers hoping to get some pictures for the newspaper where they hope to obtain employment. Inviting the boys to come along on an emergency call via ambulance, naturally when Flash and Tubby unintentionally encounter Silky and his gang at the hospital, they are mistaken for the boys from Detroit. Unwittingly assisting the gangsters in the bank robbery, it's Flash and Tubby who are accused with their photo sketches placed on the newspaper's front page. As the dual attempt to prove their innocence and return the bank money by following the gangsters via train to Sun Valley, Silky and his gang keep watch on Flash and Tubby believing they hold actual photos of them at the robbery. In the meantime, as Silky hides the loot in his mountain cabin, Burns, now a resident physician at Sun Valley accompanied by his ever suspicious nurse, Flash and Tubby, working as waiters, soon meet up with another friend from their boyhood days, orchestra leader Johnny Long (Johnny Long), whose vocalist, Marcia Manning (Ginny Simms), might have some connection with Silky and his gang. Then the fun really begins.

Aside from great comedy routines in the true Abbott and Costello fashion, including some clever verbal exchanges (one resembling their classic "baseball" routine), pack and unpack, Costello's "all right" piano playing to a recording (a scene usually edited from broadcast TV channels to allot for extended commercial breaks, and a routine later recreated in an episode to their 1950s TV series, "The Abbott and Costello Show"), and the handkerchief and punch-me gag, there's the usual time-out song interludes to showcase some musical talent, in this case, the vocalization of the gorgeous Ginny Simms. Songs scored by Harry Revel and Paul Francis Webster include: "I'm Like a Fish Out of Water" (no connection to the same title tune from the 1937 Warner Brothers musical, "Hollywood Hotel"); "I Like to Set You to Music" (sung by Ginny Simms, The Four Teens, and Johnny Long); "Slap Happy Polka" (sung by Simms and skaters) and "Happiness Bound" (sung by band members). Of the four tunes, "Slap Happy Polka" and "Happiness Bound" are at its listening best, with the Polka number staged in hilarious fashion as Costello gets himself entangled in an ice skating ensemble, to hilarious results. If that's not hilarious enough, be sure not to miss Abbott and Costello's climatic chase coming down the mountain on skis.

With frequent broadcast television revivals, especially on New York City's WPIX Channel 11 Abbott and Costello Sunday morning movies(1971-1990), and prior to that on WNBC, Channel 4's late show through much of the late sixties, HIT THE ICE, which was then one of the most widely known among Abbott and Costello film titles, has become sadly overlooked through the passage of time, which is a shame because it's still 84 minutes of old-style non-stop fun.

Formerly available on video cassette around the 1990s, HIT THE ICE can still be seen in its full glory on DVD, along with other Abbott and Costello titles on the same disc as IN SOCIETY (1944) and THE NAUGHTY NINETIES (1945). Take note that while Costello is called "Tubby" throughout the story, he's listed in the closing cast credits under the name of "Weejie." Now that's really hitting the ice. (***)

Underrated A&C slapstick. The boys are photographers who get mixed up with bank robbers, ending up in a whirlwind ski run at Sun Valley. It's a darn near perfect mix of Costello prat-falls, big band tunes, and mock theatrics. Note how Lou often plays to the camera, acknowledging our presence in humorous fashion.

Plus, it's a great supporting cast of baddies, including a menacing Sheldon Leonard, a sinister Marc Lawrence, and a thuggish Joe Sawyer. And get a load of songstress Ginny Simms-. I'd stamp her name on my fuselage any day. Then there's the sweetly pretty Elyse Knox who, unfortunately, passed away just a short time ago.

Happily, the gags fly thick and fast in a script loaded with clever gimmicks, such as the handkerchief trick that's no sure thing as Lou finds out. Plus, there's the ice rink that made me appreciate what an expert athlete Costello is despite his ungainly appearance.

Anyway, the material is fresh, the boys are energetic, and the pacing is snappy, making this a top-notch entry in the A&C sweepstakes.

Hit The Ice was Universal Studio's attempt to cash in on the popularity of 20th Century Fox's Sun Valley Serenade which mixed swing music with Sonja Henie's ice skating. Universal didn't have an ice skater of the caliber of Sonja Henie, but they did have Abbott&Costello and Costello on the ice was a sight to see.

As for the swing music, Glenn Miller and his Orchestra were in Sun Valley Serenade and Universal didn't have them either. By this time Glenn Miller had gone to war. So they hired one of the good second line swing orchestras of the period led by violinist Johnny Long. And they also acquired Ginny Simms one of the best female singers from the Forties to appear with Long.

However first and foremost the film is an Abbott&Costello effort and the boys do come through. They're first free lance photographers who take a picture of gangsters Sheldon Leonard, Marc Lawrence, and Joe Sawyer robbing a bank while Leonard is supposed to be in a hospital. Leonard's set up careful alibi about that even with doctor Patric Knowles and nurse Elyse Knox suspicious. Costello's camera work threatens to blow up some best laid plans.

The whole cast winds up at Sun Valley during the ski season, setting up a most excellent chase sequence with the boys and the crooks going down slope. We're not quite sure who's chasing who, but the loot from the robbery is involved.

Bud and Lou do some very good work. Sad to say that the film was badly edited and there are some plot problems because of it. Towards the end you see the boys in tuxedos waiting for Ginny Simms at a train station with no real explanation as to why they're in the formal wear. Simms also gets to play straight girl for the boys, part of her role is to vamp Costello and she does a good job. All that beauty and an incredible set of pipes.

Hit The Ice is not one of their best efforts, but still better than some of what they did in the Fifties and should please Bud and Lou's strong legion of fans the world over.

...but dangerously close.

However, there is still enough here to keep the grin on the face and there is still a high production value within the structure, if only the same could be said of the writing! I tend to feel with Abbott & Costello movies it pays to take a break for a few months and then go back to further viewings refreshed and not feeling a sense of seen this before repetitiveness.

This one sees the boys as photographers who unwittingly get mixed up in a bank robbery and have to flee to a ski resort to hopefully prove their innocence. The usual pratfalls are abound as Tubby constantly loses his pants, gets his bum set on fire, skis with a grizzly bear, and of course he tries to woo the pretty lady by bluffing he can play the piano. Music comes courtesy of Ginny Simms and the Johnny Long Orchestra, with stoic supporting acting duties falling to Patric Knowles, Elyse Knox and the always great Sheldon Leonard as the chief villain.

Not close to being in the top five outings from the guys, but certainly an above average offering showing glimpses of just why they really were a special talent back in the day. 6/10