Hi Diddle Diddle

HI DIDDLE DIDDLE is one of those pictures that, because it has fallen into public domain, is almost always seen in dreadful dupe prints. Well, don't let that dissuade you from seeing this picture. It is one of the fastest-paced, downright hilarious comedies of the early 40's. The combination of sharp dialogue and impeccable characterizations make this a real winner. Here is Dennis O'Keefe at his farceur best. He's a sailor-on-leave-bridegroom who spends his wedding night doing everything EXCEPT what he's supposed to be doing. Adolph Menjou is his pop, a conniver (not Connover this time!) who pledges to help Dennis' mom-in-law, dizzy Billie Burke, regain her fortune. Menjou is married to Pola Negri, a domineering Wagnerian opera singer. June Havoc is a lady friend of Menjou's and is she hot! They're all a riot. One of my favorite bits is when waiter Joe Devlin, taking Billie's order at a night club, does a double take and walks away. Billie exclaims - "He did a double take - just like in the movies!" Then Billie, Martha Scott (the bride), Walter Kingsford and Barton Hepburn all proceed to practice doing double takes. Devlin gets a gander at this and does - A DOUBLE TAKE! A wonderful musical moment is June Havoc singing alongside herself in a Panaogram Soundie machine. Composer Richard Hageman, who also appears in director Andrew Stone's SENSATIONS OF 1945, does a very wry bit as a brokerage firm president.

If you need a laugh - see HI DIDDLE DIDDLE by any and all means!

This period in American movies saw such delights as "Hellzapoppin". Here the actors bring to attention that they are playing in a film. They make faces at the audience, wallpaper comes alive, there is a woman who keeps popping up in scenes where she isn't even acting. The dialog and the plot move lightning fast and there's no time at all to waste in this pleasant and often hilarious comedy. There's a wedding reception before the wedding, fortunes earned and lost in a space of minutes, a married couple disunited throughout. What's not to like? This film has been in public domain and has been copied, often badly and on stock of poor quality, so viewer beware...

This movie presents serious problems for me. First, I couldn't stand the fact that an admitted felon, a swindler (Barton Hepburn), was wandering through the movie without anyone thinking to call the police. Not only did he swindle Billy Burke of everything, but then proceeds to disrupt everyone's life and PEOPLE LISTEN TO HIM!!! I also have no patience for Ms. Burke's as a ditz. She is capable of so much more.

Sailor Dennis O'Keefe has a two-day shore leave and the wedding is all planned out by bride Martha Scott and her family. Unfortunately, O'Keefe's ship comes in late and that delay is followed by the discovery that Scott's mother has been swindled out of her fortune....Can they manage to get hitched before O'Keefe is called back to his ship?

O'Keefe and Scott are attractive and funny, and Adolph Menjou is outstanding as O'Keefe's father, a con man who means well but never quite hits it big. Menjou vows to help restore the lost fortune and sets about using his connections at the casino.

A wonderful and unique supporting cast includes Billie Burke as Scott's mother, cheerfully goofy as always; June Havoc as a spirited song-and-dance girl who helps Menjou out; and Pola Negri as a temperamental opera singer who loves Wagner ("She half wildcat!" a casino employee exclaims—a clever nod to Negri's wacky 1921 picture The Wildcat.)

The plot itself is just okay but much enhanced by memorable little bits that surprise and delight. One such moment features Burke and friends sitting around a nightclub table practicing doing double takes; another is the musical number in which Havoc duets with a movie of herself. Then there's the slinky babe who keeps popping up in different scenes for no apparent reason—until Burke finally fills us in: "She's a very particular friend of the director who's making this picture. He sticks her in every scene he can."

It doesn't aim too high but it sure is lots of fun.

A B film but a very funny comedy starring Martha Scott and Dennis O'Keefe as newlyweds who get caught up in the schemes of daddy (Adolphe Menjou) as he tries to win back mama's (Billie Burke) money at a crooked roulette wheel. Not much on plot but very funny with Menjou's opera singer wife (Pola Negri in her first American film in more than a decade)) singing Wagner at any given moment.

The film rushes between standard comedy and weird comments to the camera. There's also a running gag about an actress who is only in the film because she's dating the director. And then there's that animated wallpaper.

Co-Stars include June Havoc, who steals the film as a nightclub singer who at one point sings a duet with herself, Walter Kingsford, Bess Flowers, Barton Hepburn, Georges Metaxa, Paul Porcasi, Harry Tyler, Matt McHugh, and Bert Roach. as the flustered cab rider.

The real interest here is of course Pola Negri in a talkie ... and she's very funny indeed and looks great.