Fires Were Started

This film is a remarkable document. Jennings extracts actor-quality performances - plus that bit extra from using actual firemen and firewomen - from the cast. Add a good story, quality editing and Jennings' eye for a scene or situation and you have a real masterpiece.

Most of the East End of London has now been more successfully bombed by Hitler's successors - the planners and developers - but, miracle of miracles, the fire station at Wellclose Square is still there, back as a school again. Go there!

With respect to other reviews, stock footage IS used - but it doesn't detract. As for the reviewer from New York. I wonder if he can see this film in a more charitable light since 9-11?

Produced to celebrate the work of the Auxiliary Fire Service (AFS), FIRES WERE STARTED is a drama-documentary recounting a day in the life of those men charged with the responsibility of dousing fires during the Blitz of 1940-41 in London's Docklands. None of the actors are professional; they have been encouraged to play the roles of 'ordinary' people. As a result some of the performances are better than others. What renders the film truly remarkable is the fact that it was produced under very difficult conditions with high production values: the re- enactments of the nighttime air raids are convincing, with staged scenes intercut with actual footage. Produced as a propaganda piece to celebrate the virtues of community, of people pulling together at a time of great stress, FIRES WERE STARTED shows the difficulties experienced by Londoners at that time; not only during but after the nightly raids; how the city picked itself up and continued working, even after the heaviest bombing. The actors manage to create a spirit of community - not only through working but also singing, eating and drinking together. The film is an invaluable record of life during the Second World War: should be required viewing for any social historians interested in the period.

Fires Were Started has no stock footage. However, it is similar to such in that an ignorant 1990s eye risks being unable to see through the strangeness of 1940s Britain to the lives and tensions portrayed in this film. Fires Were Started is a witty, poetic account of the war effort understood as the acts of everyday Londoners. You can work hard watching it dissecting the poetic sequences of imagery; you can take it easy and enjoy the people we meet or you can follow the exciting narrative of 24 hours during the bombing of London. Poetry.

This is among the best "British Home" movies I know. I'm watching a few of these because I'm involved with the 7-up series and am fascinated by how the Brits like to define themselves in film.

This has a lot that recommends it in that way. It was made about the war during the war. Nearly all films of that period focused on the elements of being English that the citizens themselves wanted woven into their story.

It is about firefighters, a sort of military type but placed in the middle of lives. At home, not abroad. So they dance and joke as men in their native land, not in an alien place. Its defense in the purest of senses. The story in fact involves the Germans trying to bomb the docks to prevent war materiel from embarking. And you see valiant acts to protect the ships from the burning warehouses.

But most of all, it employs non-actors, real firemen of the time in their real firehouses and suits, more or less acting as they would (but we discover, with no swearing).

The whole thing is amazingly engaging. Sure the story is trite; nearly all are. Sure the actual cinematic values are ordinary. But it gobsmacks you to know that you are not seeing a set with actors. This is the real destruction. These are the real men.

Its no slick "Ladder 49" or "Private Ryan." Its far better.

Ted's Evaluation -- 3 of 3: Worth watching.

I'd been trying to track this movie down for a while so I had high expectations of it, and on some counts it disappointed and on others it actually excelled. I was expecting a propaganda film with a plummy BBC voice-over intoning: 'Here we see the lads of Heavy Unit one, sector c 14, enjoying a pint of bitter and a sing song before their shift.' Instead, I was presented with a proper film with characters and a plot and everything! This struck me as particularly extraordinary having seen the first film on the DVD which was a motley collection of clips of Britain at work for the War Effort, inter-spliced with a lunchtime concert (blitz spirit etc.) featuring Myra Hess wearing what looked like a lab-coat playing piano rather animatedly.

To make a film with such high production values in wartime, with everything seriously rationed is quite extraordinary. Okay, it portrays the firemen as heroes, but it presents them in a light that is far from uplifting. They are men who work tirelessly and they take great risks, and then they go and do it all over again the next night – none of this wandering off into the sunset with a girl on your arm. By 1943, when the film was made, the blitz was pretty much over, but the horror and uncertainty of the V1s and V2s was yet to come and although the tide seemed to have turned, there was no end in sight at this point. Jennings' stroke of genius was to create a film that identified with its audience and was honest with them, while actually having the humour to keep morale up.

The use of actual firemen for the characters has its pros and cons – some of them are decent actors, others are very poor, but I should imagine that in 1943 people in possession of an equity card were rather few and far between. There is obviously some stock footage used in the long shots of the burning warehouses, giving a broader picture of what the crew of one pump were up against, which is no bad thing. The stock footage is actually pretty important as it gives a reality that would otherwise be lacking (see also Malta Story).

All in all this is a triumph of realistic, humanist film-making from the darkest days of our darkest hours.