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Tomorrow We Live

  • 1942
  • Approved
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
6,3/10
289
IHRE BEWERTUNG
John Clements and Greta Gynt in Tomorrow We Live (1942)
DramaRomanceThrillerWar

Füge eine Handlung in deiner Sprache hinzuA mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.A mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.A mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.

  • Regie
    • George King
  • Drehbuch
    • Anatole de Grunwald
    • Dorothy Hope
    • Katherine Strueby
  • Hauptbesetzung
    • John Clements
    • Godfrey Tearle
    • Hugh Sinclair
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    289
    IHRE BEWERTUNG
    • Regie
      • George King
    • Drehbuch
      • Anatole de Grunwald
      • Dorothy Hope
      • Katherine Strueby
    • Hauptbesetzung
      • John Clements
      • Godfrey Tearle
      • Hugh Sinclair
    • 10Benutzerrezensionen
    • 4Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos77

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    Topbesetzung26

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    John Clements
    John Clements
    • Jean Baptiste
    Godfrey Tearle
    Godfrey Tearle
    • Mayor Pierre Duchesne
    Hugh Sinclair
    Hugh Sinclair
    • Maj. von Kleist
    Greta Gynt
    Greta Gynt
    • Marie Duchesne
    Judy Kelly
    Judy Kelly
    • Germaine Bertan
    Yvonne Arnaud
    Yvonne Arnaud
    • Mme. L. Labouche
    Karel Stepanek
    Karel Stepanek
    • Seitz
    Bransby Williams
    Bransby Williams
    • Matthieu
    Fritz Wendhausen
    • Commandant
    • (as F.R. Wendhausen)
    Allan Jeayes
    Allan Jeayes
    • Pogo
    • (as Allen Jeayes)
    Gabrielle Brune
    Gabrielle Brune
    • Mrs. Frissette
    Margaret Yarde
    Margaret Yarde
    • Fauntel
    David Keir
    • Jacquier
    Anthony Holles
    • Stationmaster
    Olaf Olsen
    • Sergeant Major
    D.J. Williams
    • Boileau
    John Salew
    John Salew
    • Marcel LaBlanc
    Walter Gotell
    Walter Gotell
    • Hans
    • Regie
      • George King
    • Drehbuch
      • Anatole de Grunwald
      • Dorothy Hope
      • Katherine Strueby
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    6,3289
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    5boblipton

    Stereotypical Resistance Movie

    One of the titles this movie played under is AT DAWN WE DIE; confusingly, another is TOMORROW WE LIVE. It's directed by George King, who made his mark with cheap quota quickies in the 1930s, most notably the Tod Slaughter melodramas; it stars John Clements, the distinguished stage actor-manager, whose best-known movie role was as Harry Faversham in the great 1939 THE FOUR FEATHERS. That was British film making in the War, when the cinematic world turned upside down, and this story of how Clements wandered into town and found himself in the middle of underground operations and sabotage that was invariably forewarned with the Cross of Lorraine (the symbol of the Free French), drives everyone crazy.

    It's certainly not a subtle movie on any terms; the mystery, of who was actually in charge of the Resistance in town and who were the collaborators were easy to figure out, simply by assuming this would hit every stereotype of the genre. Yet I found it carried out with such easy confidence in its competent cast, that it rolled right along, as easily as any American movie of the period. If you're in the mood for one of those movies with evil Nazis, freedom-loving Frenchmen who face a firing squad singing "Le Marseillaise" and the inevitable triumph of good over evil, this should fit the bill.
    5ib011f9545i

    tomorrow we watch a better film.

    This is a ww2 drama made in 1943.

    It is exactly my sort of film but I don't recall seeing it before I bought an expensive remastered blu ray.

    I value the fact that I can buy remastered forgotten classics.

    The blu ray comes with a 40 page booklet that claims the director is underrated,disagree there is a reason why his films are not well known,they are weak.

    I can't buy Operation Secret or Cross Of Lorraine but somebody decided to issue this film? Crazy.

    My god I can see why it is never on tv or why I don't remember it.

    I am British,my parents used to groan when most British films came on tv when I was a kid.

    I thought this was unfair and I love lots of British films from 1940s and 1950s.

    But this film was not known to me and I miss I had not bought it without seeing it previously.

    I a trying to not be negative but I can't find much to like about this film.

    I have a high tolerance for war films but this disappointed me.
    6Leofwine_draca

    Worthy propaganda film and a decent thriller to boot

    TOMORROW WE LIVE is an odd and obscure little wartime thriller that was made slap bang in the middle of WW2 when an Allied victory was hardly assured. Thus the film serves as something of a propaganda movie particularly in its depiction of the French resistance tirelessly fighting against the Nazi oppressors in occupied France. The movie was made with the cooperation of the Charles de Gaulle government (exiled in London at the time) and thus in itself serves as an important historical document of its time.

    It's also a pretty good thriller and as with many resistance thrillers there's plenty of suspense inherent in the proceedings. While the settings and characters might scream 'ALLO 'ALLO a bit, there's an air of authenticity to the proceedings and a cast of actors all of whom give it their best in their roles. John Clements headlines as Jean Baptiste, a man desperately trying to avoid the Nazis and escape to Britain. Greta Gynt bags the most interesting part as the daughter of a loyal mayor with a few dark secrets of her own. The likes of Herbert Lom and Walter Gotell have little early career cameos. TOMORROW WE LIVE is the kind of film that just gets better as it goes on, building to a climax which is equally thrilling and moving.
    4EdgarST

    Too Soft for Ulmer

    I have seen around 20 features by Edgar G. Ulmer, and this is perhaps the worst of the group. I saw very good films that surprised me, but among the not-too-good pack, even "The Naked Venus" has some redeeming value. There is nothing to do about this one. It is even unintenionally funny, as in the final confrontation between Pops and The Ghost (who goes nuts) or the "propaganda scene" the next morning. It somehow made me remember the resolution of Emilio Fernández's masterpiece "Enamorada", when aristocratic María Félix takes the "soldadera" route and decides to follow her lover and join the Mexican revolution. But there is no revolution in this one, just a silly mellow date in San Francisco, too sticky for Ulmer's cynic universe.
    6ZeddaZogenau

    World War Two Drama

    War time drama about a French Resistance Group

    Very interesting British film from the 1940s that can be seen on NETFLIX! A young man arrives in a French town occupied by the National Socialists who has explosive information from the Nazi troops that the British could put to good use. At first everything seems to be going quite smoothly, but after an attack by the Resistance, the SS takes care of the matter...

    What was initially a tranquil film turns into a grim war drama in the second half, with surprising levels of harshness for the 1940s.

    Not a masterpiece, but definitely worth discovering as a film document of the time!

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    Handlung

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    Ändern
    • Wissenswertes
      This film's earliest documented USA telecasts took place as the second entry in the American Broadcasting Company's short-lived First Nighter Theater television series. It first aired in New York City on WJZ (Channel 7) and in Chicago on WENR (Channel 7) and in Detroit on WXYZ (Channel 7) Wednesday 25 October 1950; in Baltimore Sunday 5 November 1950 on WAAM (Channel 13), in Cincinnati Sunday 12 November 1950 on WLW-T (Channel 4), in San Francisco Monday 13 November 1950 on KGO (Channel 7), in Los Angeles Tuesday 9 January 1951 on KECA (Channel 7),
    • Crazy Credits
      The last shot shows a Cross of Lorraine, with the tile of the movie in a large arc, and with the following text underneath - "... the growing light of dawn red-hued but clear ..." The source of the text is unknown but could be based on Proverbs 4: 18 "But the path of the just is as the shining light, that shineth more and more unto the perfect day."
    • Verbindungen
      Featured in Turning Heads: Pamela Hutchinson on the life and films of Greta Gynt (2024)
    • Soundtracks
      La Marseillaise
      (uncredited)

      Written by Claude Joseph Rouget de Lisle

      Sung by the hostages, and also heard during open titles and occasionally as a theme

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 5. April 1943 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprachen
      • Deutsch
      • Französisch
      • Englisch
    • Auch bekannt als
      • At Dawn We Die!
    • Produktionsfirma
      • British Aviation Pictures
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    Technische Daten

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    • Laufzeit
      1 Stunde 25 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    John Clements and Greta Gynt in Tomorrow We Live (1942)
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    By what name was Tomorrow We Live (1942) officially released in Canada in English?
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