Seven Miles from Alcatraz

Champ Larkin (James Craig) and the spartanly named Jimbo (Frank Jenks) are serving their sentences in Alcatraz. The narration by Larkin says that things are not so bad until the war breaks out and all material needed for the inmates to do their jobs - metal and fuel for example - dry up because they are needed on both the homefront and for wartime manufacturing. This causes unbearable boredom on Larkin's part and he and his cellmate break out of Alcatraz.

There have been entire movies made just about trying to break out of Alcatraz, but this programmer makes it look like kindergarten since the escape is not the point. Larkin and Jimbo make it to a lighthouse in the bay and hold the occupants prisoner. The fact that the occupants need to be in constant contact with the authorities to help the war effort means nothing to our escapees, since they are mercenary in character. But then a trio of Nazis show up and become the convicts' accidental hostages. The Nazis are eager to make a deal with the convicts in order to make their rendezvous on time. Will these convicts continue in their mercenary ways? Watch and find out.

James Craig was never an A-list star, but he was pretty good in the Bs of the era. You also have Bonita Granville and Cliff Edwards - who is in the biggest role I've seen him this late in his career. So the quality of the actors in this one makes it worthwhile with pretty good suspense throughout. Also consider that ace noir director Edward Dmytryk is in the director's chair here, so he brings his considerable talents to this production.

James Craig and Frank Jenks play cell-mates in Alcatraz. They manage to escape this supposedly escape-proof prison and manage to make their way to a lighthouse that is occupied by several folks (including Cliff Edwards and Bonita Granville)--who they then hold prisoner. Little do they know that a German u-boat is nearby--waiting to invade America. Also, little do they know that one of these captives is a German agent!! And, amazingly enough, soon you see that there are spies all over San Francisco awaiting their Nazi overlords--including folks in defense plants and in high society!! What's next? See the film and find out for yourself.

While much of this film is pretty silly and filled with very obvious propaganda, it's certainly understandable considering it was made during the early days of WWII for the United States. The story was meant to create a sense of patriotism in the audience as well as a tiny bit of paranoia concerning enemy agents. The idea of Germans being in San Francisco was pretty silly, as they would have been much more likely to attack on the East coast. Why not make them Japanese agents instead? Who knows. All I know is that you must judge the film, to some extent, on how well it meets these objectives--not just how entertaining the film is when you see it today. And, on this level the film is rousing--the sort of cheesy stuff the public loved. Technically speaking, this is a well-made B-movie--with slightly better acting and production values than you'd expect...but, of course, a silly story at times. Overall, fun but a bit dopey.

The Alcatraz workshop has gone silent during the war as all the needed material gets redirected towards the war effort. Champ Larkin is going stir crazy and ropes his cellmate Jimbo into escaping. They end up stranded on a lighthouse island and take a group of civilians hostage. Then there are the Nazis.

This is a wartime propaganda film. This is the standard message where even the lowest of the low can contribute to the war effort. While I get the message, I don't know if it's the most effective. The plot is already convoluted before the Nazis. Apparently, Nazi operatives were all over the place.

Two convicts manage to escape from Alcatraz (they won't tell us how: "trade secrets") and make it to a lighthouse island just off the coast, where they hold 3 men and a woman (Granville) hostage. Luckily for them, the soldier they kill turns out to be a Nazi spy, as they discover when his compatriots arrive in a boat -- just what the 2 convicts need to escape, if they're willing to deal with the Nazis and let them escape with maps of the San Francisco municipal/military works.

Exciting action, some moments of genuine humor, and likeable, human characters make this propaganda pill an easy one to swallow.

This is a neat little RKO programmer from 1942. We were in full patriotic fervor and it shows. All the ingredients are present. A couple of scoundrels escape from Alcatraz and end up at a remote lighthouse somewhere in San Francisco Bay. Although we know that only the worst of the worst were ever sent there, somehow this movie would like us to think they were arrested for selling ties on the street corner without a permit. There is an appealing cast of characters at the lighthouse, including Bonita Granville, and a weasel played by Erford Gage who is an undercover Nazi spy. The cons inadvertently kill the spy just before he is to pass on some valuable information from a Nazi sub to a cosmopolitan spy ring in SF. There is the inevitable confrontation between the Nazi spies and the cons - and guess who wins. According to the protocol of the times, even vicious gangsters were preferable to these Nazi vermin.

A note about the cast. James Craig must be the worst actor ever to work in Hollywood. He looks good, but he telegraphs every move he makes and acts like a Ray Harryhausen mockup. Frank Jenks made a great living playing wisecracking sidekicks - and for good reason. Bonita Granville looks as good as ever, but she underplays her role for a change to good advantage. John Banner (from Hogan's Heros) plays the Nazi big cheese. If it weren't for his voice, I would never have recognized him. Slender, sophisticated, and rather handsome. Nobody else is really notable except, perhaps, Erford Gage who plays the undercover Nazi spy. What an odd looking guy.

At 65 minutes this won't take up much of your time, but I think it's worth it. But then I was a fan of Brass Bancroft and Dick Tracy. Besides, I like lighthouses.