Piraten im Karibischen Meer

DeMille epic about salvagers off the Georgia coast and Key west in the 1840s where takes place several ship wrecks . Mighty thrills with the screen's most romantic adventurer , including a fine cast , lesser story , and nice underwater cinematography . Along the Florida Keys, the beauty Loxi Claiborne (Paulette Goddard) along with the old captain Philip (Lynne Overman) carry out ship salvage business, rivalled only by the ruthless and unscrupulous King Cutler (Raymond Massey) and his brother Dan (Robert Preston) . As Loxi and Philip contend with Cutler taking place unexpected consequences . Meanwhile , Loxi rescues and falls in love with Jack Stuart (John Wayne), who comes to believe that his contender for Loxi, Stephen Tolliver (Ray Milland) , has sabotaged his chance at a new ship.

This is an exciting 19th century romp dealing with the freight route of America's Eastern seaboard prey to cruel salvagers along with the treacherous Florida coast . Adventure/romance/action movie featuring Wayne as a tough captain , the nasty Raymond Massey and a giant squid. It packs great sea spectacle , fist fights , shipwrecks , voodoo drums , lavish balls , dreary courtroom confrontation and a breathtaking giant octopus saves the day .Based on a novel published on Evening Post 1940 , being adapted by Jesse Lasky Jr , Charles Bennett, and Alan Le May . As Cecil DeMille who had directed in 1938 The Buccaneer referred to the famous battlle 1812 between the British and the USA in which pirate Jean Lafitte took part in the New Orleans battle . Then , Cecil along with his collaborators : Willam H Pine , Victor Milner , Arigley , Anderson from previous film made another epic , this ¨Reap of the woild wind¨in similar style and during 8 weeks . Being assisted by a real ship captain , Frank Ellis as technical assistant . John Wayne gives a good acting , as usual , as the stubborn captain who mistaken but vengeful joins forces with an enemy with tragic results. Flighty Southern belle Paulette Goddard is gorgeous as Loxi who soon finds herself turned apart between Milland's dandish insurance inspector and Wayne's brawny captain . Ray Milland arranges to put in a credible acting despite an embarrassing suit and a penchant for canine ventriloquism . Raymond Massey provides the best acting as an extreme villain , the ambitious , rolling-eyed salvager Cutler . Suport cast is pretty good , such as Lynne Overman , Martha O'Driscoll , Susan Hayward , Charles Bickford , Hedda Hooper , Walter Hampden , Beavers , and Robert Preston , among others .

It displays a colorful photography from Victor Milmer , and William Skall , shot on location in South Carolina, Kay West and Florida . Including excellent special effects by Academy Award winning Gordon Jennings . Along with impressive production design by Hans Dreier . Thrilling as well as romantic musical score by the classic Victor Young . This vigorous motion picture was realized in Cecil B DeMille's ordinary style , supported by a magnificent second unit by Harold Rosson ; both of them made some greatests spectacles of all time . Although a nimbler action filmmaker than Cecil might have made even more of the Oscar-winning effects work . Cecil produced and directed 70 films and was involved in many more . Many of his films were romantic sexual comedies , as he is supposed to have believed that Americans were curious only about money and sex . His best-known were biblical epics that further established him as the symbol of Hollywood such as King of Kings (1927), The ten Commandments (1923) , The Crusades (1935) and , of course , Charlton Heston's Ten commandments (1956) and he made two versions about The Buccaneer : 1938 and 1958 that was ended by Anthony Quinn and Arthur Rosson .

Cecil B. DeMille, other than THE GREATEST SHOW ON EARTH, produced and directed one of his best films, in this swashbuckler. Along with rough seas, sailing ships, beautiful southern ladies, sea wrecks [he always has to have that disasterous wreck] a giant squid in a spectacular underwater scene in the hull of a wrecked ship, villains and heroes, DeMille rounds up a stellar cast in the likes of Paulette Goddard, fresh from her almost getting the role of Scarlett O'Hara in GONE WITH THE WIND, as Loxi Claiborne, who is in love with handsome Captain Jack, [John Wayne] who was just beginning to gain world wide fame and Steve Toliver, played by suave and sharp tongued Ray Milland, one of his best acting roles, along with a young Robert Preston and Susan Hayward as young lovers who become victims of the war over salvage rights of wrecked ships. Then there's Raymond Massey, as the villain, Cutler, Charles Bickford, Walter Hampden, famous for his stage performance of Cyrano, colorful Lynne Overman as Loxi's ship captain, Hedda Hopper [without a fancy hat] and Louise Beaver as a Mammy-type servant to Paulette [very Gone With Wind stuff]. The color of technicolor still holds up [not used that often in the 40s]. Goddard's performance alone is worth the admission. This was her second film for DeMille [the first being NORTHWEST MOUNTED POLICE] but not her last [ahead she was to play opposite Gary Cooper in UNCONQUERED]. In this film she shows why she came that close to getting Scarlett. Beautiful, oh, those green eyes, and feisty, like Scarlett, Paulette gives her best, including singing a rather salty sea chant at a social elite gathering of all of Savannah's fine ladies. This is available on VHS and worth getting a copy to view if you want to see the magical world of films of the forties. And the stars that made them.

Reap the Wild Wind (1942)

*** (out of 4)

Cecil B. DeMille's over-the-top but fun adventure takes place in the 1840s as ships try to reach the Atlantic ocean but often end up wrecked on the shoals of Florida. Southern belle Loxi Claiborne (Paulette Goddard) has Captain Jack Stuart (John Wayne) and Stephen Tolliver (Ray Milland) battling for her before the men end up battling a giant squid. REAP THE WILD WIND is a pretty fun movie, although there's no question that it doesn't rank among the director's best work and there are some fairly big flaws scattered throughout the picture. I love Milland but I thought he just wasn't right for this role. In later years John Wayne would say that he was cast in the movie to make Milland seem more like a man and perhaps that's true. There just wasn't a single second where I bought Milland and Wayne battling each other for this woman and their fight scenes aren't very believable either. Milland gives a good performance, don't get me wrong, but he just wasn't right for the part. Wayne, still not a star, does a nice job in his role, although there's a scene early on where he gets knocked out and the way Wayne does this is somewhat laughable. Goddard is her usual good self and we get nice support from villain Raymond Massey, Robert Preston, Charles Bickford and Susan Hayward. The visual effects ended up winning an Oscar when this was originally released and I'm sure people only used to CGI effects are going to think these here are awful. For 1942 they're actually pretty good and this includes the scenes with the ships on the sea. I'm not exactly sure what DeMille put into the pool that they were shooting these scenes but the water looks beautiful. As for the giant squid at the end, it's certainly very fake looking and I was a little surprised that they didn't do more with it as the fight is pretty small. REAP THE WILD WIND isn't a classic by any stretch of the imagination but it's certainly worth watching.

I loved this movie. All the stars were at their peak. They looked so glamorous and young and vital in their careers. I loved Paulette Goddard.

In my personal opinion, she has been overlooked by so many. She was a wonderful beautiful star. Can't believe in the re-release they put Susan Hayward ahead of Paulette. Hayward had a very small part. Paulette was the star of the movie. It's not the first time they have put Goddard last. Too bad. I think she's terrific. She had the ability to do comedy as well as drama. And she was a very gorgeous woman. That wonderful laugh of hers.

Yet another star-studded box office hit few people have today even heard of. (Years later Raymond Massey remembered so little of this film that when he observed to John Wayne they ought to do a movie together it fell to Wayne to remind him that they already had.)

By the time he made this Cecil B. DeMille was leaving all the location work in the hands of second unit director Arthur Rosson and the scenes at sea are otherwise achieved with obvious models (although the giant squid is memorable enough for the film to collect its one Oscar, for special effects).

No matter. It doesn't take itself too seriously, and with a cast like that burnished with plush costume design and interior decor in sumptuous Technicolor it's an agreeable way to squander a couple of hours.