Fly-By-Night

Above-average Paramount "B" thriller from director Robert Siodmak. A few surprises (including an imaginative action sequence and a jolting revelation during a climatic confrontation) elevate a standard falsely-accused-man-on-the-lam plot. Well-paced and atmospheric.

FLY BY NIGHT was made in 1942, shortly after the USA had joined WWII, and you keep getting messages about buying goods to support the war effort. That said, the action in the movie is as far removed from the war as a mouse from a cat.

Director Siodmak does a good job of keeping the action ticking despite a script that, for the first third, struck me as a clear rip-off of Alfred Hitckcock's THE 39 STEPS (UK 1935), and that includes surprisingly pleasant touches of humor, especially as the couple pretend to be married and see circumstances force them into marriage.

Carlson and Kelly make a handsome and likable leading duo, aided by a good if largely unknown support cast. Photography is of an acceptable standard.

This B pic deserves watching - short, breezy, sweet, no waste of time!

I fell in love with black and white films of the '30s and '40s when I was a young teenager, and I always remembered Fly by Night as one of my favorites. For years I couldn't find it, and I was so happy to discover it this weekend again. I'm a bit more discerning than I was at 10 or 11 (at least of old movies), so I recognize now that it's not Hitchcock-caliber. But I still found it delightful. Richard Carlson and Nancy Kelly are wonderfully matched. There is just the right amount of light tension, lots of action, and throughout, after the first scene, humor and sophistication and unexpected fun. I must say, this is in no way a film noir! It has none of the elements of noir --- no antihero with moral qualms, no "bad girl," and especially because it's much too lighthearted (the music with the ending credits makes that clear, if you aren't sure!). I've seen it referred to as a screwball comedy-mystery, but I wouldn't call it that, either. It's not screwball, just fun with mystery and actors who can pull it off. It's a frothy concoction, a cocktail with a scoop of ice cream and unexpected lingering flavors. (I couldn't otherwise have remembered it for decades!) It's an original.

During WWII, most of the films coming out of Hollywood seemed to have a strong patriotic angle and many were about either the war or about Axis spies and the like. Some were very good,....many were very jingoistic and poorly written. "Fly-By-Night" is one of the latter films...a movie which entertained folks back in the day but which became very dated very quickly.

The film begins with an escaped mental patient sneaking into the car belonging to Dr. Burton (Richard Carlson). However, he turns out to be quite rational and was being held prisoner in a mental hospital run by Nazis! However, when the man is soon murdered, the police are quick to believe the Doctor did it and they ignore his pleas to investigate the hospital. So, he does something which no human being has ever done but which is COMMON in old B-movies....be pulls a gun on the cops and runs away in order to solve the case himself!! Talk about a B-movie cliche! What follows is predictable and a bit like a bad B-mystery combined with a WWII spy film and Hitchcock's "The 39 Steps". Silly writing make this a film that is easy to skip, even though the folks starring in it were pretty good and gave it their best. Filled with cliches and many plot holes and ridiculous characters....but also, in its own way, mildly entertaining as well.

A 39 Steps clone but not a bad one by any means. Richard Carlson plays a doctor who finds himself on the run accused of murder, which leads to Nazi business of course because it's 1942. I believe the term often used in wrongfully accused stories is "through no fault of his own." Well that's not the case here. Carlson's character is a total idiot who makes one mistake after another. I don't blame the police for suspecting him. The guy was acting guilty as sin.

Despite the writing for him, Carlson does a fine job. He's a likable guy even when he's manhandling half-dressed women, waving guns around at people without provocation, or robbing a sweet old couple. The rest of the cast is even better. No, not Nancy Kelly. She's pretty bland. I mean the list of notable character actors in this - Walter Kingsford, Cy Kendall, Miles Mander, Martin Kosleck, Albert Bassermann among others. Robert Siodmak directs and does a fine job with one of his earliest American movies. There's one scene near the end where things get dark in a shocking way that really surprised me. It's a tease of what would come later with Siodmak's film noir successes.