Spooks Run Wild

Fairly innocuous East Side Kids movie that's notable primarily for the presence of Bela Lugosi. Bela doesn't get much to do and appears to only be in this because of his name value. He doesn't seem to be taking the part seriously, either. This is also the first of several movies Bela did with dwarf Angelo Rossitto as his pointless sidekick.

This is one of the movies that is often cited when people talk about the crap movies Bela did when Universal wasn't calling. Truth be told, it's not a bad movie. I actually enjoyed it. But then, I happen to be a fan of the Bowery Boys. Well, they're the East Side Kids here. They were the Dead End Kids first, then East Side Kids, then the Bowery Boys. I like them a lot, especially the movies they made during the Bowery years. They made some of the better movies Poverty Row studio Monogram put out. Obviously, as with all comedy teams, their style won't appeal to everybody. Spooks Run Wild isn't their best movie, and God knows it isn't Lugosi's, but it's an enjoyable way to pass an hour.

As another reviewer has noted, SPOOKS RUN WILD is a film which perfectly captures the spirit of Halloween, American-style: that is, a night in which kids can be scared by dressed-up ghouls and ghosts and the macabre is celebrated. This film's one in the long-running series of East End Kids movies, in which a group of overage twentysomethings play a gang of feral youths who are always getting into trouble with both the law and various criminals.

This time around, things take a decidedly macabre turn with the police hunt for a serial killer, played to the hilt by a cameoing Bela Lugosi. All of the kids and Lugosi himself end up in a creepy old mansion, where lots of jokes and ghoulish gags arise. Lugosi doesn't have much screen time but is fun when he does show up, and there's a nice role for Angelo Rossitto (FREAKS) as his henchman.

Other than Lugosi, this film is pretty good for being a programmer from poverty-row studio Monogram Pictures. The cast are lively and give dedicated performances and the jokes come thick and fast. Yes, this is dated, but in a fun way, and I still prefer it to 90% of modern American comedy. Sunshine Sammy Morrison, playing the token black comic relief guy (a character trope that turns out to have existed since forever) steals the show with his likable, scaredy-cat humour.

In my opinion, one of the better Bowery Boys movies. As with other of their films, the comedy is simple and transparent. The boys play the roles of "spooked" kids very well, and the role played by Bela Lugosi adds much to the storyline. The settings are eerie enough to make the movie a good Halloween movie for both adults and kids. While it isn't spectacular, it is good entertainment if not taken too seriously. If you like old haunted house movies, it's worth a look.

Bowery Boys meet Bela Lugosi for the first (of two) collaborative efforts. In this standard entry in the comedy horror genre (in which the stereotypically evil character proves to be a good guy), the Boys – this time including Leo Gorcey and brother David, Huntz Hall and good old `Sunshine' Sammy (Ernest) Morrison – are shipped off to summer camp for the needy. On the way, they hear radio reports of a serial murder in the area, by which the boys pretend not to be affected. The camp escorts, played in an excessively understated manner by Dave O'Brien and Dorothy Short, are. When the Boys (who seem to be the only attendees of the camp) try to sneak into town for a collective hot date, they attempt a shortcut through the cemetery only to find a riled up graveyard attendant who grants the younger Gorcey a leg full of buckshot. They seek help at the ominous house on the hill, currently housing Lugosi and his dwarf assistant Angelo Rossitto. The Boys are scared shirtless (although they try to play it cool) as they wander through the haunted house, get lost and find secret passages etc etc etc. Somehow O'Brien emerges as the hero after he saves our mostly absent heroine and everything's okay, presumably for the rest of the disadvantaged summer. Veteran director Phil Rosen could claim scores of credits to his name, although this low-budget entry in a long-running series leaves little room for any cinematic flair he may have picked up over the years. Gorcey and Hall put in standard yet enjoyable performances, but Morrison, cast in a typically racist role but doing a good job of it, steals the show.

Just a few quick points. - This was one of the nine little gems that Lugosi made for Monogram (one of the better ones), and it's one of two he made with the East Side Kids. It's important to note that they WERE still kids (teenagers) when this film was made.-- They became "The Bowery Boys" when they grew up (It's mentioned in another comment that this film stars The Bowery Boys-- that's a BIG mistake!). The East Side Kids acted differently than, and looked different from, The Bowery Boys. -- The Bowery Boys films had more of a "Three Stooges" look and feel to them, and had none of the adolescent angst than can sometimes be seen in The East Side Kids films. And let's not forget that both groups grew out of the original Warner Brothers group: "The Dead End Kids."