Singapore Woman

Singapore Woman stars Brenda Marshall in the eponymous role, from 1941, directed by Jean Negulesco.

Said woman is Vicki Moore, who considers herself a jinx, with good reason. Her father's tin mines were flooded and rendered useless, her husband was lost at sea, and a suitor kills himself.

On night an associate (David Ritchie) of her father discovers her soaking up gin in a cheap waterfront bar. He decides to help her get her life back.

The dark, exotically beautiful Marshall was Mrs. William Holden for 30 years. She's not really photographed to her best advantage in parts of this film. Nor is she surrounded by top Warner stars.

Nevertheless, it's a kind of Singapore riff on Dangerous, and she's interesting to watch.

The movie's problem isn't the reuse sets or the reused plot. The new settings and the old plot are fine. The problem is that a down and out Brenda Marshall still looks better than most women do when they are dressed up. In "Dangerous" when Bette Davis is on the skids, she looks it. Brenda Marshall was meant to play society dames not drunks in sleazy bars drinking straight gin. She is not believable. Her attempt to channel Bette Davis's abuse from "Of Human Bondage" doesn't ring true.

Her recovery from alcoholism is too abrupt and her constant changes of mood leave one reeling. This could have been a much better movie with a character actress in the lead.

This is one of the love triangle stories that takes place in a faraway exotic land, but it's really the hollywood lot. David ritchie gets caught up in a death at the moore household. Roy bennet is dead, and his widow puts a curse on the moores. Of course, david meets up with vicki moore again in singapore, where he's trying to start up a rubber plant operation. Is the curse still on them? Released in may 1941, even before the united states was involved in the war. It's pretty good. Pretty low budget stuff. Check out the trivia section for connections to the 1940 version of the letter, and the 1935 version of dangerous! Directed by jean negulesco. Worked with some huge stars, made many HUGE familiar films. River of no return, how to marry a millionaire, three coins in the fountain.

Brenda Marshall's father was a rubber plantation supervisor in Malaysia. Then he died and everything went to pot. The current manager, David Bruce, has scraped together enough money to buy the needed equipment when Miss Marshall descends on him, wrecking a bar in town and captivating him. She won't commit, though. She knows she's a jinx.

Jean Negulesco's first feature is a switched-location version of DANGEROUS, with set design by Charles Novi and a good-girl-bad-girl dichotomy that might make you think it's an early example of film noir. It's not. The ropes and scrims soon vanish, letting you know it's intended as the closely allied genre of magical realism, albeit one with a surprisingly feminist slant. Even that vanishes in the end with a rushed and silly ending, sending Negulesco back to musical shorts for the next three years. With Virginia Field, Jerome Cowan, Rose Hobart, Heather Angel, and Dorothy Tree.

Brenda Marshall in the part that Bette Davis got an Oscar for - aw c'mon fellers!

The art department wheel out the tropical foliage they are used to rigging, and the verandah from THE LETTER. However despite occasional bursts of production value like the opening dockside activity, the seedy Crows Nest bar brawl or a dozen extras tin mining, most of the film is Miss Marshal in awful Damon Giffard outfits emoting about the jinx that makes her destroy the lives of the men in the support cast. She gets to smash her mirror reflection with a liquor bottle too.

Negulesco on his first feature is trying but he's got a long way to go to the excellence of JOHNNY BELINDA and HUMORESQUE. Featured players are a drab lot with the good people making fleeting appearances - Tony Warde, Ian Wolfe and (you have to be quick) Alexis Smith.