Employees' Entrance

Ya gotta love these pre-code flicks. Women looked and acted like real women, and men acted like the cads they often are. Warren William plays the tyrannical owner of a department store down on its luck. He hires and fires with absolute glee, and is an unrepentant womanizer. He hires a new salesgirl, played by the incredibly beautiful Loretta Young, and soon has his way with her. She falls for a fellow employee (Wallace Ford) and marries him secretly. William then turns his attention back to Young and... The film is an absolute hoot, and even includes a highly suggestive rape about-to-happen. Young is almost ethereal in her beauty, but this one's William's film all the way. His character is a cad, but in a strange way, a likable cad.

A standout performance by Warren William as Anderson, the hard, uncompromising, ruthless and feared-by-most General Manager of a giant department store helps make this a really excellent and interesting film. With climbing profits over the years, the depression has hit the store with a downfall and Anderson is put in complete charge to boost up sales - and he will go so far as to ruin any man who doesn't live up to his high expectations. He likes women, but not for marriage - his motto towards females is "love 'em and leave 'em". He soon meets beautiful Loretta Young who is desperate to get a job at the store, apparently a hard nut to crack (and she, apparently, will do whatever it takes to get it as she spends the night with him at his apartment despite her indication she would like to go home). Anyway - she's hired on as a model even after she said she would like to be hired for her "brain" - okey dokey - and soon has met and married a gung-ho salesman (Wallace Ford) who has been promoted as Anderson's new assistant. Anderson believes that a man should be married to his "job" only - so the marriage is kept a secret, and the workaholic boss expects his assistant to be there by his side pretty much night and day.

Okay, this is a really terrific pre-code film, entertaining through every scene, and featuring one of my thirties favorites, Warren William, who pretty much steals the film. As for the women, though Loretta Young is fine in her part here and looks really gorgeous - it is the scenes with adorable Alice White that are the most fun to watch as she plays Polly, a blonde who takes extra pay from Anderson to do his bidding seducing male employees for various purposes. A very enjoyable film and a treat to see.

A very watchable pre-code film - not so only it's risque elements but for acting (particularly Warren William), plot, comedy and fast pace. One of my favorites of the era.

It's very interesting how Warren William - who treats women like objects, tries to break up a budding romance (by seducing and sleeping with Loretta Young, not once but twice!!), indirectly leads to a employees' suicide, etc - manages to "win" in the end. For the most part, the is the "bad guy" in the story...although he has a few redeeming characteristics.

It's worth owning the video.

I ran across this movie by chance and then ran to IMBD to learn more about it. I was amazed by how the film enlightened me on the era and actually how similar corporations and people in them still behave today.. William Warren is excellent in the role of the tyrannical boss with the hots for the married sales girl (Loretta Young). I was surprised by the the openness of the film (for the time), but apparently after reading some of the other comments, this is typical of the pre-code era of films. Too bad things had to change. You can pick up a lot of social history from this kind of film despite it being a bit one dimensional.

Behind the pedestrian title lurks a rather savage look at survival-era capitalism as played out during that desperate depression year of 1933. Who else is better outfitted to protect the average working stiff from cut-throat competition and unemployment than a tiger shark bigger than those circling around. Department store shark Warren William is in charge of 12,000 average Joe's, and by golly he's going to keep them swimming even if he has to eat half of them in the process. Bravura performance from William-- watch his eyes slink around the hallway before he enters the hotel room to ravish a drunkenly compliant Loretta Young. His authoritative presence commands the movie as completely as he does his underlings. Film may come as a revelation to viewers unfamiliar with pre-Code Hollywood, before the censors took over in 1934. Nonetheless, it was an era of social frankness that would not emerge again until the counter-cultural 1960's, while the movie itself would play as well today as it did then, as one reviewer sagely observes.

Much of film's value lies in getting us to think about the appeal a strongman-tyrant presents during turbulent times. We loathe William's ruthless and often cruel tactics. But at the same time he's inventive, decisive, and brutally logical-- with a single-minded dedication that goes beyond personal happiness. In short, he becomes The Department Store in the same way an effective tyrant can personify The State. He's a figure to be loathed, yet grudgingly admired at the same time, while it's a credit to the film-makers that they pull off the ambivalence as well as they do. Two scenes stay with me that help define William's compelling side--watch him nearly throw up at the smarmy speech given in behalf of the store's worthless owners, plus his face-to-face denunciation of bankers as parasitically unproductive, a passage that probably brought depression-era audiences to their feet.There are also unexpected deposits of humor, such as the bald man/balloon gag that is hilariously inventive and likely a brainstorm from ace director Roy del Ruth. On the other hand, Wallace Ford simply lacks the kind of edge to make his role as William's assistant plausible. Instead, a face-off between William and, say, Cagney would have exploded the screen.

Anyhow, don't let the forgettable title or the now obscure Warren William fool you. There are so many memorable glimpses of human honesty, that the movie must be seen to be appreciated, especially by those unfamiliar with the pre-Code era. So catch up with this cynical little gem if you can.