Dschungel im Sturm

For those that have never seen a pre-Code film, RED DUST is a great film to begin with. It certainly isn't shy about dealing with adultery, prostitution, or heavy drinking. Although it was made over 70 years ago, it holds up extremely well by today's standards. This is due to a well written script that dealt with these subjects directly and wasn't restrained by the Production Code that was enacted 2 years later. Later films either didn't deal with this type of content or did so in a way that was ridiculous. It is also due to the performances of a rugged and virile Clark Gable and a strong willed and street smart Jean Harlow and a strong supporting cast. There is no doubt as to the sexual stamina of their two characters. We find this out early and often. One example is when Gable tucks money down Harlow's dress and says, "It's been nice having you." and spanks her behind. Most modern films would have shown a sex scene while films subject to the code would have treated its audience as children and made us aware in a ridiculous way that would satisfy the censors. The scene where he warns her against misusing the plumbing and attempts to pull her out of the water barrel(yes, she's naked, but we don't see the nudity) while the society woman he is trying to seduce watches on is hilarious. Clark Gable and Jean Harlow made one the better on screen couples of that time. It is a shame that her career was tragically cut short. I also enjoyed the scene where a frightened Mary Astor slaps him across the face for his indifference to the plight of her sick husband and he responds with a smug and confident grin. The movie also gives one an appreciation of the primitive conditions people lived in on a rubber plantation during that time. RED DUST is directed by Victor Fleming who would later direct THE WIZARD OF OZ and Clark Gable in GONE WITH THE WIND. People have complained that this film is racist, but need to realize that the world was a much different place in 1932 than in 2003. If you can do that, you'll probably enjoy this film. 9/10

To me this is one of the films that defined the Pre-Code Era. Complete with prostitution, adultery, sex as a major plot point, partial nudity (well, much more than was allowed during the Code enforcement), drunkenness, and strong women characters, this film has it all. Plus, it has an extremely engaging storyline, interesting setting, and an explanation of how rubber is made. Aside from the racism present, this film is great. One of the most interesting things about this film, which I have studied a great deal as a part of my senior thesis in undergrad film school, is the freshness of the dialogue. Coming only a few years after the addition of sound to films I was shocked to find how fun and refreshing the dialogue was. Whereas lots of films these days disappoint me in that the dialogue is so overly cliched and stale, Red Dust has lines about favorite cheeses and stories read about bunnies-- how fun!

All and all, this movie is terrific. Clark is as virile as anything and Jean Harlow is full of strength and sass and dimensions-- just a great female character. And hell if she isn't going to fight for her man! Mary Astor's character is also very well done as we see and believe that Clark is just so tempted by her and she by him. I recommend this movie to anyone and everyone-- It's a 120 times better than its remake, Mogambo, which despite Gable's presence just totally loses everything that Red Dust had.

A pretty good movie. Red Dust is one of the films that made Clark Gable a star and it's easy to see why. In it, he plays the kind of likable rogue character that audiences would come to know him as. Gable is Dennis Carson, the operator of a rubber plantation in Indochina, who is all business until his world is turned upside down by two women. First Vantine Jefferson (Jean Harlow), a prostitute looking for a place to lie low arrives. Then a prospector and his wife, Barbara (Mary Astor), show up at the plantation. Both women are unwelcome intruders into Carson's world at first, but soon they each end up igniting his desire. Fooling around with the floozy Vantine is easy, but things get complicated when Carson's eye falls on the married Barbara. With his more than questionable actions, any other actor might have been completely unlikeable in the role, but Gable somehow pulls it off. Harlow and Astor also give very good performances. It helps that the heavy subject matter and brash duologue, adapted from a stage play, was not watered down too much for the screen version. Definitely a well made film worth seeing.

Erotically highly charged melodrama that fairly sizzles, even today, more than 70 years later. Cinematography has a plasticity and a sheen to it that makes the film gorgeous to look at, editing is highly efficient and gets the job done and the story told, and the acting is fabulous. I wasn't prepared for the physical impact of the young Gable, how he makes absolutely no excuses for his raw sexuality and libido and how amazingly attractive he was. Harlow as well, I was prepared to find her vulgar and shallow, but she was quite good and certainly had a chemistry thing going with Gable.

Recommended, and please, all of you insisting that this is an inexcusably racist picture, any work of art needs to be judged by its own unique standards, and those of its time. Racism in movies today is a lot subtler, but certainly exists just like it did in the early 30s, and politics or no politics it doesn't detract from the greatness of this genre movie.

Heartily recommended.

Excellent drama set on a rubber plantation stars Clark Gable as a rough-and- tough boss who drives his men to produce rubber in a harsh southeast Asian locale (they mention Saigon a lot). He's awaiting a new surveyor to join his small band on white men (Tully Marshall, Donald Crisp) and Asian workers. But the boat brings Jean Harlow instead, a call girl who has fled the city for a while. Gable and Harlow are terrific as they spit and snarl at each other befall falling into each others' arms. But then the new kid arrives (Gene Raymond) with a wife! Mary Astor (the wife) has one of her first great roles in talkies in this film. Her arrival sets off all kinds of sparks with Gable and with Harlow. The husband is sick right off, allowing Gable and Astor to get friendly. Great chemistry among the stars here, and a very adult script for 1932. Two memorable scenes: Harlow taking a bath in the water barrel; Gable carrying Astor through the torrential monsoon rains. Certainly ranks among the best performances of the 3 stars. Raymond has the thankless role of the wimp husband; Crisp is the drunk; Marshall is the loyal sidekick. Willie Fung (Hoy) and Forrester Harvey (Limey) round out the cast. Hard to believe Harlow is only 21 here and had already made more than 25 films, dating back to silent films in 1928. Oddly, Harlow, Astor, Gable, Marhsall, and Crisp had all started in silent films. It's wonderful to see these stars at their peak. Not to be missed.