Night Court

Walter Huston is as always excellent, here as a bad guy. He's a corrupt judge. He moves his girlfriend out of her tony digs and into a working class building. There, she lives next-door to a young cab driver, his wife, and infant. The wife happens to glance at a bankbook of the judge's that the baby took and next thing we know, the adoring young mother is set up on a charge of prostitution.

Phillips Holmes, the cabdriver, at first is devastated hat the young girl he married has turned to the streets. Then he starts to realize that she was framed.

He is tortured by hoods of the judge and other bad guys and then he gets the judge and tortures him till he tells the truth.

This was very shocking for its time. So was "Scarface," made at around the same time. Everyone knows about "Scarface" but "Night Court" is undeservedly unknown. Both are precursors t the very best of film noir.

(The only wrong note -- irrelevant to the plot but somewhat amusing -- is when the always fragile looking Holmes is given line describing himself as a big Palooka.)

Disregard the mundane title, this is a good movie. The website classifies its genre as a crime/ thriller picture, and it is exactly that. It stars Walter Huston, arguably America's best actor, as a terminally corrupt judge who is interested in self-aggrandizement and self-promotion. Rotten to the core, he victimizes a young couple with a baby he suspects knows something about his lurid after-hours affairs. Huston has never been better when at his worst and runs up against a good guy (in this case, a good judge), who, as they used to say in the 30's, wants to 'get the goods' on him. Good Guy Judge is played by Lewis Stone (Judge Hardy, of Andy Hardy fame).

Things get worse before they get better, and the scenes with Anita Page, as the young wife arrested on a phony charge, are hard to watch. Phillips Holmes plays her husband in one of the best roles of his short career (he was the cowardly weasel in "An American Tragedy").

The movie, made so long ago, is outdated particularly in the resolution of the cases that come before Judge Moffett. Defendants are held and tried at breakneck speed, often with out benefit of counsel. As we know, the wheels of justice grind very slowly nowadays. And everybody has at least one lawyer.

Do yourself a favor and get past the unimaginative title - this film is proof that you can't judge a book by its cover, or a movie by its title.

Night Court was a slight, but interesting, entry in the pre-code genre of social commentary or expose´ films of the early 1930s…I would say the same group that included the seminal `Public Enemy'. What made this film a joy to watch was not the revelatory peek of criminal machinations pervading the lower levels of the NYC justice system, but the relationship between the cabbie and his wife, unfettered by Production Code standards in effect just a few years later. The scenes of Mike and Mary and their baby in the one bedroom flat they shared were charming, and Anita Page evoked a warmth and naturalism uncommon in those days when the talkie was only 3 years old. No wonder she's still working 70 years later! Walter Huston was downright despicable, and his speeches to his night court denizens about maintaining law and order were rather chilling considering the depth of his criminal manipulations of the justice system. And the setting up of Mary Thomas as a prostitute to discredit her was an eye-opener and quite frank. The film moved along at a good clip, facilitated in no small measure I'm sure by the breezy direction of `One-Take' Woody Van Dyke who had a reputation for bringing a film ahead of schedule and under budget. Perhaps it is for this reason that scenes play out naturalistically, with the actors given what appears to be some latitude with the dialogue and action in order to move things along. Some occasional hammy acting doesn't really detract from the pre-code forthrightness of the picture.

After concealing his mistress in the office closet, corrupt New York "Night Court" Judge Walter Huston (as Andrew J. Moffett) answers a reporter's questions regarding an investigation led by fellow jurist Lewis Stone (as William "Will" Osgood). Denying all irregularities, Mr. Huston carries on his tough sentencing of prostitutes and petty thieves while letting hardened criminals off the hook. Later, Mr. Huston orders mistress Noel Francis (as Lillian "Lil" Baker) to lay low in a poor section of town, to avoid being questioned. She has some incriminating evidence in her purse, which is seen by pretty apartment neighbor Anita Page (as Mary)...

The young wife and mother decides to say noting about "Mrs. Moffett's" bank book, but Huston is taking no chances. He has Ms. Page railroaded. When her husband, handsome cab-driver Phillips Holmes (as Mike Thomas), shows up in court wondering what happened to his wife, the dirty judge takes the couple's baby away. The plot thickens with murder as Mr. Holmes endeavors to untangle the mess. This early "talkie" is nicely handled by all. An unusual pacing works to the film's advantage, making a series of shocking events engrossing. Holmes is an appealing "working class hero" and receives an outstanding cast of co-stars.

******* Night Court (4/23/32) W.S. Van Dyke ~ Phillips Holmes, Walter Huston, Anita Page, Noel Francis

Night Court is a gritty drama about graft and corruption in the US courts. Very well acted by a good cast, there are a few too many convenient plot devices but on the whole this is a terrific film.

Walter Huston stars as Judge Moffett, a rotten crooked judge who has a whole network of goons and thugs doing his dirty work. Lewis Stone is Judge Osgood, a crusader trying to pin Huston. Phillips Holmes and Anita Page play a sweet young couple caught up in the corruption. Noel Francis (excellent) plays Huston's cheap moll. Tully Marshall plays a goon. Mary Carlisle has a weird scene as Stone's daughter. John Miljan is a crooked lawyer. Eily Malyon plays a starving woman. Jean Hersholt is the tenement manager. Rafaella Ottiano plays a neighbor.

Huston, Francis, Page, and Holmes are all really good. I've seen Noel Francis in a few other films and wonder why she was not bigger. She's always good. Page has one of her best dramatic roles in this film.

Gritty story, good actors---worth a look!