4 Bewertungen
- dbborroughs
- 21. Dez. 2009
- Permalink
"The Midnight Lady" is a cheap reworked version of "Madame X" made by itty-bitty Chesterfield Pictures. And, for a movie by this poverty row studio, it's pretty good....even though it's not exactly original. On the other hand, there are better all-suffering mother films...not just "Madam X" but "So Big" and many other films of the classic era....films in which mothers give everything to protect their children who don't even know they exist.
The story begins with a troubled household. Although the family has money, there isn't a lot of love there and it's strongly impacted by the angry and prudish grandmother....who spends much of her energy controlling or trying to control everyone. As for the grown children, they are clearly rebelling against it. As a result, you really cannot like either extreme....the self-destructive rich kids nor their father and grandmother who are prudish and loveless.
What no one realizes is that the speakeasy that the kids frequent is run by their biological mother! Nita is loved by the kids, though she never divulges to them that she is their mother and she apparently left when they were tiny children. Late in the film, someone is murdered and Nita thinks her daughter did it...and so she takes the rap. Is this the end of the story? Nope.
The film is okay....mediocre in practically every way. But it is oddly entertaining and worth seeing if you love weepy self-sacrificing mommy films.
The story begins with a troubled household. Although the family has money, there isn't a lot of love there and it's strongly impacted by the angry and prudish grandmother....who spends much of her energy controlling or trying to control everyone. As for the grown children, they are clearly rebelling against it. As a result, you really cannot like either extreme....the self-destructive rich kids nor their father and grandmother who are prudish and loveless.
What no one realizes is that the speakeasy that the kids frequent is run by their biological mother! Nita is loved by the kids, though she never divulges to them that she is their mother and she apparently left when they were tiny children. Late in the film, someone is murdered and Nita thinks her daughter did it...and so she takes the rap. Is this the end of the story? Nope.
The film is okay....mediocre in practically every way. But it is oddly entertaining and worth seeing if you love weepy self-sacrificing mommy films.
- planktonrules
- 29. Jan. 2021
- Permalink
Sarah Padden runs an upscale speakeasy. She is also the mother of Claudia Dell and John Darrow, although no one knows that; in a Madame X-style plot, she gave her up to Montagu Love years ago and disappeared, dead so far as he is aware. But now Miss Dell is accused of murdering playboy-artist Theodore von Eltz. So Miss Padden thrusts herself forward as the actual murder suspect and is convicted
Like many a movie from Chesterfield, it offers good performers like Lucy Beaumont and Lina Basquette under a good director -- Richard Thorpe -- and still comes up short. Chesterfield was ambitious, but it lacked the resources to put much gloss on a movie, and that's what's required in a weeper to raise sympathy. I think Miss Padden plays the character as too practical to elicit much sympathy; it would require a director more prone to retakes than Thorpe to bring out her suffering.
Like many a movie from Chesterfield, it offers good performers like Lucy Beaumont and Lina Basquette under a good director -- Richard Thorpe -- and still comes up short. Chesterfield was ambitious, but it lacked the resources to put much gloss on a movie, and that's what's required in a weeper to raise sympathy. I think Miss Padden plays the character as too practical to elicit much sympathy; it would require a director more prone to retakes than Thorpe to bring out her suffering.