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The Age of Consent

  • 1932
  • Passed
  • 1 Std. 3 Min.
IMDb-BEWERTUNG
6,0/10
469
IHRE BEWERTUNG
Richard Cromwell, Arline Judge, and Dorothy Wilson in The Age of Consent (1932)
Coming-of-AgeSteamy RomanceTeen DramaDramaRomance

Füge eine Handlung in deiner Sprache hinzuCollege co-eds learn to handle the responsibilities of romance.College co-eds learn to handle the responsibilities of romance.College co-eds learn to handle the responsibilities of romance.

  • Regie
    • Gregory La Cava
  • Drehbuch
    • Sarah Y. Mason
    • Francis M. Cockrell
    • Martin Flavin
  • Hauptbesetzung
    • Dorothy Wilson
    • Arline Judge
    • Richard Cromwell
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    469
    IHRE BEWERTUNG
    • Regie
      • Gregory La Cava
    • Drehbuch
      • Sarah Y. Mason
      • Francis M. Cockrell
      • Martin Flavin
    • Hauptbesetzung
      • Dorothy Wilson
      • Arline Judge
      • Richard Cromwell
    • 21Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 wins total

    Fotos7

    Poster ansehen
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    Topbesetzung15

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    Dorothy Wilson
    Dorothy Wilson
    • Betty
    Arline Judge
    Arline Judge
    • Dora
    Richard Cromwell
    Richard Cromwell
    • Michael
    Eric Linden
    Eric Linden
    • The Duke
    John Halliday
    John Halliday
    • David
    Aileen Pringle
    Aileen Pringle
    • Barbara
    Reginald Barlow
    Reginald Barlow
    • Mr. Swale
    Frederick Burton
    Frederick Burton
    • Asst. Dist. Atty. Gifford
    • (Nicht genannt)
    Phyllis Fraser
    Phyllis Fraser
    • Student
    • (Nicht genannt)
    Betty Grable
    Betty Grable
    • Student at Dormitory
    • (Nicht genannt)
    Howard Hickman
    Howard Hickman
    • Doctor
    • (Nicht genannt)
    Buddy Messinger
    Buddy Messinger
    • Junior - A Student)
    • (Nicht genannt)
    Spec O'Donnell
    Spec O'Donnell
    • Confused Student in Cafe
    • (Nicht genannt)
    Mildred Shay
    Mildred Shay
    • Student at Dormitory
    • (Nicht genannt)
    Grady Sutton
    Grady Sutton
    • Student at Dormitory
    • (Nicht genannt)
    • Regie
      • Gregory La Cava
    • Drehbuch
      • Sarah Y. Mason
      • Francis M. Cockrell
      • Martin Flavin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    6,0469
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    Empfohlene Bewertungen

    6bkoganbing

    Marry Her Or Else

    The Age Of Consent is a terribly dated before the Code film with a Victorian era plot and loaded with sexual innuendo. This would have made a great Cecil B. DeMille silent film.

    The Age Of Consent began as a play called Cross Roads which had the misfortune of opening on Broadway within two weeks of the Stock Market crash. After that Broadway closed a lot of shows because folks couldn't afford the theater. Cross Roads only ran 28 performances and Franchot Tone and Sylvia Sidney were in the supporting roles that Eric Linden and Arline Judge play on the screen.

    The leads are Richard Cromwell and Dorothy Wilson who are in love and going through a lot of angst. Dorothy's a good kid who doesn't want to give it up before she has a wedding ring on her finger. Richard's even ready to quit school. But when she says no he goes off with the local waitress at the college hangout Arline Judge.

    Catching him alone with his daughter puritanical dad Richard Barlow says no one is going to disgrace my daughter, marry her or else because she's still a minor. Poor Cromwell sees his whole life slipping away, all the plans he had for his future, just gone up in smoke.

    It all kind of works out for most of the cast. John Halliday is her as the wise science professor who acts as mentor and father figure to the college kids. Barlow's part is interesting his type is still around today, ignorant and proud of it. Look for a young Betty Grable as one of the coeds.

    It's an interesting story and typical of the times. But thank God we seem to have moved away from the attitudes expressed by Barlow in The Age Of Consent.
    6ldeangelis-75708

    Pretty good for a Old Talkie

    Unlike a lot of early sound films, where the actors don't know quite what to do with their voices, so the dialog's either stilted or exaggerated (more like on stage), this one came across pretty good. There wasn't all that exaggeration or over-the-top melodrama, and I credit the actor for that.

    The story's not bad either, as two young college students try to navigate a society that's quite a bit different than when their parents were their age. (This movie is from 1931, so Mom and Dad were probably college age in the 1900's, so that says a lot.) Betty's an old-fashioned girl who thinks she should be more modern, while Michael wants to hold onto traditional values and ideals, despite pressure and temptation.

    When a modern mistake is made, an old-fashioned correction seems in order, which may ruin the couple's chance for happiness.

    There is also educational/life choice issues: is it okay to leave college and get a job, start your adult life a bit sooner than planned, even if it means postponing or giving a degree and career goals, if you have what you believe is a valid reason for doing so?

    This movie has a bittersweet ending, and I could have done without the bitter, as a character of questionable ethics shows himself to be a better person and deserved a better fate.

    Worth watching.
    10dbm-8

    Dirty

    Even for pre-Hayes code cinema, this one is particularly smutty. Not to say there's nudity or whatever, but the sexuality positively drips off the screen, and very little is said which doesn't have to do with intercourse of one sort or another. They probably had fun making this one. Highly recommended if you can find it. Thanks to the American Film Institute for their preserving this film.
    5blanche-2

    College in 1932

    Gregory LaCava directed this 1932 film, The Age of Consent, starring Richard Cromwell, Dorothy Wilson, Aileen Pringle, John Halliday, and Arline Judge.

    It's a precode story of kids in college, with lots of talk encouraging young women to loosen their morals, all kinds of sexual innuendo.

    Michael (Cromwell) is a young man of high ideals who doesn't appreciate his buddy Duke's (Eric Linden) outrageous flirting and sexy talk, especially when it comes to Michael's girlfriend Betty (Wilson).

    He confides to one of the professors (Halliday) that he's thinking of giving up college for marriage. This is evidently because of raging hormones.

    When he's caught with an underage waitress, Dora (Judge), after a night of drinking, Dora's father demands they marry at once. This is one of those so subtle blink and you miss it. We are given the impression that they maybe kissed while drunk. I don't think so. She asks, are you sorry - I think they had sex. Other reviewers weren't sure.

    The premise seems to be, leave college and get married rather than just shack up. In a way it's odd, since other precodes have people living together before marriage.

    Anyway I have a soft spot for Richard Cromwell due to Emma and the fact that he was briefly married to Angela Lansbury. He did not stay in show business. He was a very talented artist and died at 50.
    4planktonrules

    It's pretty easy to see that this is a Pre-Code tale.

    The Pre-Code era lasted from about 1930 to mid-1934. During this time, Hollywood had a production code but routinely ignored it. In other words, though they set up a board to oversee films to ensure that they were wholesome, these folks were essentially a rubber stamp for the studios. As a result, all sorts of amazingly adult plots made their way to the big screen. Plots involving abortion, adultery, homosexuality and premarital sex were surprisingly common...that is, until the new and tougher Production Code was enforced starting in July, 1934...after which, films became quite sanitized and wholesome...and occasionally a bit dull or cryptic. In other words movies either needed to be nice and sweet or they needed to talk around subjects...implying much but saying and doing very little.

    It's very obvious that "The Age of Consent" is a Pre-Code picture....and it seems to loudly scream that when the story begins. With frequent mentions of sex, petting and lines like "You'd be much nicer is you loosened your morals", you can't help but be shocked at the sort of stuff our grandparents and great-grandparents were watching way back in the day.

    The story is set at a sex-crazed college where students never seem to be in classes and mostly spend their time trying to get their dates into the sack. In the case of Mike, he and his girlfriend are interesting because they are clearly being overwhelmed by their hormones...so much so that they debate about dropping out of college in their final year because they can't wait to to the old horizontal mambo. But problems develop when Mike foolishly goes out with another girl...and finds that she's both underage AND her father threatens to press charges unless he marries her! Oddly, it appears in the film as if the pair never really did anything other than drink a bit and stay out late at her house. So what's to become of Mike? Will one night of foolishness destroy his life?

    The message to the film is oddly Pre-Code and essentially says that it's a good idea to drop out of college because sex is grand! I am sure some parents back in the day did not appreciate this! Overall, a film that isn't very good but it never is dull!

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      The mention of the Jericho Turnpike places the setting as being on Long Island, New York. State Route 25 is known at the Jericho Turnpike for most of its length across Long Island.
    • Patzer
      (at around 28 mins) When Betty lays back after Mike kisses her, the ground can be seen moving under her head when she moves.
    • Zitate

      Dora Swale: [as Mike enters the restaurant where she is a waitress] Hello, pollywog.

      Michael 'Mike' Harvey: Hello, Dora.

      [while looking for an empty booth to sit in, he overhears a couple talking loudly]

      Unseen Female I: Whaddyou care if they're sharp or not? You can rub your beard off with a towel.

      Unseen Male I: Wait'll you start to shave. Alright, alright, what about free love?

      Unseen Female I: There's nothing free about MY love, Romeo. Just remember that.

      Unseen Male I: You for sale?

      Unseen Female I: Let's broaden the conversation.

      Unseen Male I: When I get on a subject I like to stay with it. Hey, how about that butter?

      [Disgusted with what he's hearing Mike gets up and moves to a different booth]

      Unseen Female II: Stop it!

      Unseen Male II: [Brays stupidly] I'm gonna find out things for myself. How do I know? Ya may be knock-kneed.

      [Brays again]

      Unseen Female II: I thoughtcha came to college to develop your brain.

      Unseen Male II: Aw, who cares about brains? I come from a long line of people who work with their hands.

      [Brays yet again, and we hear a slap]

      Unseen Male II: Alright, alright, whaddya wanna talk about?

      [Girl giggles incessantly]

      Unseen Male II: That's not so funny.

      [Mike rolls his eyes and moves a second time]

      Dora Swale: Are you working out for the track team or is this a new game?

      Michael 'Mike' Harvey: I don't like free love with my meals.

      Boy in next booth: Trouble is with you, you're old fashioned.

      Girl in next booth: Maybe so, but what was good enough for my grandmother is good enough for me.

      [She picks up her purse and starts to leave]

      Boy in next booth: Well I don't want to be honorable with you unless it's absolutely necessary.

      Girl in next booth: I'll call ya up sometime when I break training.

      [laughs and walks out]

      Michael 'Mike' Harvey: Don't they ever talk about anything else?

      Dora Swale: What else is there to talk about? How about somethin' to eat?

      Michael 'Mike' Harvey: Oh, I don't know what I want.

      Dora Swale: Gimme three guesses?

      Michael 'Mike' Harvey: People ever talk about marriage any more?

      Dora Swale: Some of the older people.

      Michael 'Mike' Harvey: Why don't you get married? What do you hang around a dump like this for?

      Dora Swale: Scrambled eggs are nice.

    • Soundtracks
      Paradise
      (1931) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Nacio Herb Brown and Gordon Clifford

      Played at the dance and danced by Dorothy Wilson and Eric Linden and other couples

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 19. August 1932 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Crossroads
    • Drehorte
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • RKO Radio Pictures
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    Box Office

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    • Budget
      • 125.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 3 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Richard Cromwell, Arline Judge, and Dorothy Wilson in The Age of Consent (1932)
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