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One Good Turn

  • 1931
  • 0
  • 20 Min.
IMDb-BEWERTUNG
7,1/10
1768
IHRE BEWERTUNG
Oliver Hardy and Stan Laurel in One Good Turn (1931)
SlapstickComedyShort

Füge eine Handlung in deiner Sprache hinzuA kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.A kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.A kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.

  • Regie
    • James W. Horne
  • Drehbuch
    • H.M. Walker
    • Stan Laurel
    • James Parrott
  • Hauptbesetzung
    • Stan Laurel
    • Oliver Hardy
    • Mary Carr
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    1768
    IHRE BEWERTUNG
    • Regie
      • James W. Horne
    • Drehbuch
      • H.M. Walker
      • Stan Laurel
      • James Parrott
    • Hauptbesetzung
      • Stan Laurel
      • Oliver Hardy
      • Mary Carr
    • 26Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos20

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    Topbesetzung16

    Ändern
    Stan Laurel
    Stan Laurel
    • Stan
    Oliver Hardy
    Oliver Hardy
    • Ollie
    Mary Carr
    Mary Carr
    • Old Lady
    James Finlayson
    James Finlayson
    • A Community Player
    Baldwin Cooke
    Baldwin Cooke
    • Bit Part
    • (Nicht genannt)
    Gordon Douglas
    Gordon Douglas
    • A Community Player
    • (Nicht genannt)
    Billy Gilbert
    Billy Gilbert
    • Drunk
    • (Nicht genannt)
    Dick Gilbert
    Dick Gilbert
    • Bit Part
    • (Nicht genannt)
    William Gillespie
    William Gillespie
    • Bit Part
    • (Nicht genannt)
    Dorothy Granger
    Dorothy Granger
    • A Community Player
    • (Nicht genannt)
    Ham Kinsey
    Ham Kinsey
    • Bit Part
    • (Nicht genannt)
    Bob Minford
    • Auction Passerby
    • (Nicht genannt)
    Retta Palmer
    • Bit Part
    • (Nicht genannt)
    'Snub' Pollard
    'Snub' Pollard
    • A Community Player
    • (Nicht genannt)
    Lyle Tayo
    Lyle Tayo
    • A Community Player
    • (Nicht genannt)
    Charley Young
    • Bit Part
    • (Nicht genannt)
    • Regie
      • James W. Horne
    • Drehbuch
      • H.M. Walker
      • Stan Laurel
      • James Parrott
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen26

    7,11.7K
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    Empfohlene Bewertungen

    Michael_Elliott

    Laurel and Hardy

    One Good Turn (1931)

    ** 1/2 (out of 4)

    L&H set out to raise $100 when they overhear an elderly woman say she's going to be evicted. Not too many laughs in this one outside the opening sequence in the woods.

    Leave 'Em Laughing (1928)

    ** 1/2 (out of 4)

    Laurel is suffering from a toothache so Hardy takes him to the dentist who accidentally fills them with laughing gas. The early gags of Hardy trying to pull the tooth are funny but the ending with the cars goes on a bit too long and gets rather tiresome.

    They Go Boom! (1929)

    *** (out of 4)

    Hardy has a cold so it's up to Laurel to try and find a cure so that they can get a good night's sleep. Highlights include the mustard bath and the exploding mattress.

    Thicker Than Water (1935)

    ** 1/2 (out of 4)

    Laurel and Hardy waste $300 on a grandfather clock so Hardy's wife hits him with a frying pan and sends him to the hospital. Again, not too funny and the worst part is the ending where the two change personalities. This here should have been a lot funnier than it turned out.
    7Hitchcoc

    A Bit Harsh

    I'm not sure how to take this one. Stan and Ollie have hit bottom during the depression. All they have is an old car and a tent, which is soon destroyed They are reduced to begging and an old lady gives them some food. But because they can't get along, they waste the food, throwing it at each other. When they hear a melodrama being practiced behind closed doors, they think that the old lady is being foreclosed on by Jimmy Finlayson. It is actually a rehearsal for a community play. They decide to sell their car to help the kind old lady out. Well things go south. The thing with this episode is that they end up in a confrontation that detracts form their normal relationships. It's still worth a watch with quite a surprise ending.
    7paul_haakonsen

    One of the better Laurel and Hardy movies...

    The 1931 comedy short film "One Good Turn" is without a doubt a classic Laurel and Hardy movie, and I am glad that I had the opportunity to sit down and watch it here in 2022.

    The storyline told in this movie is straight forward, and certainly is one of the more enjoyable storylines in all the Laurel and Hardy movies I've seen so far, especially since there is an aspect of being a good samaritan to it.

    Of course you have all the usual witty banter and funny slapstick comedy, and that is one of the major ingredients that make these classic comedy movies so enjoyable. And it was something that Stan Laurel and Oliver Hardy had managed to get to work in perfect unison.

    I had some genuinely good laughs throughout the 20 minutes that "One Good Turn" ran for. And if you enjoy comedy, then you definitely have to sit down and watch "One Good Turn".

    My rating of "One Good Turn" lands on a seven out of ten stars.
    8TheLittleSongbird

    Gentle Laurel and Hardy

    Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

    Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'One Good Turn' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.

    The story is slight, though more discernible than most Laurel and Hardy shorts at this point. and the first part takes a little bit too time to get going.

    Did appreciate its more gentle approach and it was touching to see a sympathetic side to Laurel and Hardy.

    When 'One Good Turn' does get going, which it does do quite quickly, it is great fun, not always hilarious but has enough amusing parts. It is never too silly, it doesn't lose its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. The unexpected and wonderfully strange ending here is the highlight.

    Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'One Good Turn' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable, especially Laurel's though Hardy at the end is one of the pleasures here.

    'One Good Turn' looks good visually, has energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

    Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox
    Snow Leopard

    Some Good Moments

    "One Good Turn" is a Laurel & Hardy short with some good moments. Stan and Ollie are reduced to begging, and arrive at the home of a friendly old woman who offers them a meal. While in her house, the boys misunderstand some events in the woman's life, and their well-meant but misguided attempts to help her out create more problems than they solve. The build-up to the gags in this one takes a bit longer than usual, but there are some good laughs to make up for it. One of the funniest parts is near the beginning when Stanley tries to extinguish an out-of-control campfire.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The finale in the film, where Stan Laurel retaliates against Oliver Hardy, was inspired by Stan's daughter Lois Laurel. . After Lois had seen so many movies in which Ollie mistreated Stan, she became fearful of Ollie (known to her as "Uncle Babe"). So Stan decided to write a scene that showed his character could stand up for himself. After that, Lois got along just fine with Ollie.
    • Patzer
      The opening titles claim Stan and Ollie's Model T Ford is a 1911, but it actually the 1921 model, which they've used in other shorts as their trademark car.
    • Zitate

      Oliver: Now I see it all.

      Stanley: What?

      Oliver: "What". Don't try to alibi. You know you stole this money from that old lady. Why guilt is written all over you.

      Stanley: What do you mean?

      Oliver: I mean that you're going to give this money back and make a full confession!

      Stanley: A confession of what?

      Oliver: And to think after all these years I've been fostering a common theif. A viper in my bosom!

      Stanley: Whose bosom? What are you talking about?

      Oliver: Don't try to bluff me! To think you would bite the hand that was feeding you. You snake in the grass. You traitor! You sheep in wolf's clothing. You double-crosser. You Judas! You... You...!

      Stanley: Stop! Don't call me a "You-you".

    • Alternative Versionen
      There is also a colorized version.
    • Verbindungen
      Edited into Zwei Ritter ohne Furcht und Tadel (1932)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 28. Januar 1964 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Retter in der Not
    • Drehorte
      • Hal Roach Studios - 8822 Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Hal Roach Studios
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    Technische Daten

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    • Laufzeit
      20 Minuten
    • Farbe
      • Black and White

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