Füge eine Handlung in deiner Sprache hinzuYoung Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love, so Armstrong tells him the story of ... Alles lesenYoung Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love, so Armstrong tells him the story of Rita and himself. Rita was an opera star singing in New York, who was at a party given by ... Alles lesenYoung Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love, so Armstrong tells him the story of Rita and himself. Rita was an opera star singing in New York, who was at a party given by Cornelius. Armstrong was a 28-year-old rector. He fell for Rita when he saw her and after ... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 4 Gewinne & 2 Nominierungen insgesamt
- Nina
- (as Countess De Rina)
- Organ Grinder
- (Nicht genannt)
- Minor Role
- (Nicht genannt)
- Taxi Driver
- (Nicht genannt)
- Jason - Armstrong's Butler
- (Nicht genannt)
- Opera Audience Member
- (Nicht genannt)
- Opera Audience Member
- (Nicht genannt)
- Party Guest Gossiper
- (Nicht genannt)
Empfohlene Bewertungen
** (out of 4)
An Italian opera diva (Greta Garbo) with a troubled past falls in love with a priest (Gavin Gordon). Like many early sound films this one here talks and talks and talks but sadly most of the talk isn't very interesting. Garbo is very good in her role, although it's a bit hard to believe her as an opera star. Gordon on the other hand is fairly weak and it's a shame Garbo couldn't get Gary Cooper like she wanted. The ending is so incredibly bad you can't help but laughs but hey, there's Garbo.
Inspiration (1931)
** 1/2 (out of 4)
A beautiful model (Greta Garbo) begins dating a good, shy guy (Robert Montgomery) but things hit hard times when he learns of her rather sluttish past. Once again Garbo is quite good and Montgomery is strong but the story lets both of them down. Things start off quite nice and move well but at the 45-minute mark things just fall apart because the story keeps repeating itself. He forgives her, learns something else, hates her, forgives her, learns something else and hates her again. A nice ending almost saves the film but not quite.
'Romance' was Garbo's second talkie and while she comes off well, as does Stone, she and he were well above what they are given here (though they do the best they can with it). One of her weaker early talkies and a lesser early effort. Same goes for Stone. 'Romance' doesn't see Brown on form either. It was nominated for two Oscars/Academy Awards, Best Actress and Best Director, both puzzling in my humble opinion and am saying this with a heavy heart.
Both Garbo and Stone, as said, are not bad at all. Garbo's presence is magical and she gives a sincere performance. Stone is distinguished and has the film's most interesting character. They have nice chemistry which is far more interesting and makes much more sense than that between Garbo and Gavin Gordon.
Production values are high in quality and not too primitive, beautifully photographed and the interiors and costumes don't look too stage-bound. William Axt's music score doesn't get over-bearing and is quite lush.
However, the script is far too talky, which makes it feel very stagy and the talk itself is not engaging or natural in the least. While the story does nothing with a premise that was a stretch to begin with, it badly drags frequently, is incredibly flimsy (not enough content and the content never comes to life) and some of it is even more of a stretch than the premise itself. Brown's direction is undistinguished at best, he has been far more engaging and accomodating in other films of his.
Didn't believe in the chemistry between Garbo and Gordon for a second, there is no spark at all between them, no charm and the not explored enough relationship between Garbo and Stone rings true far more. It doesn't help that Gordon is incredibly weak in his role, the character is a dull one and Gordon makes him even more dreary and personality-void. The ending is hokey and felt last minute throw in. Nothing memorable about the rest of the cast.
On the whole, watchable for curiosity and completest sake but look elsewhere if you want Garbo especially done justice. 5/10
So, is ROMANCE good? Yes, it's good. Not great but good. The fact that the story resembles so many other Garbo films, which are better than this one, sorta makes it less good or original. It's probably Garbo's least "sleazy" story. She's not a tramp or prostitute. She plays an opera singer. There's something chaste about ROMANCE, which is probably the film's most original aspect.
Needless to say, ROMANCE is a must see for fans of Garbo. She's looks lovely and she's good in it, even if she's, like the story, a bit stagy herself.
There is one main thing worthy of attention in this movie. It's Garbo. She is the magnetic center of this. I am less impressed with the directing although both the director and Garbo received Oscar nominations. The direction are functional. Maybe it's less dynamic due to its era. The plot is rather slow and it's a matter of waiting for the reveal. I do wish the guy to be more charismatic. He's written a little light. He needs more boyish charms.
Wusstest du schon
- WissenswertesLeading man Gavin Gordon was hit by another vehicle while driving his car to the set the first day of shooting. He was flung onto the pavement and fractured a collarbone, as well as dislocating his shoulder. Gordon was determined to play alongside Greta Garbo and feared his part might be recast if he went to the hospital, therefore proceeding to the set in spite of great pain. He managed to get through the first scene, whereupon he fainted. Garbo visited his bedside at the hospital and told him, production would wait for him. Director Clarence Brown therefore had to shoot all the scenes first in which Gordon didn't appear.
- Zitate
Madame Rita Cavallini: Love is just a beast that you feed all through the night, and when the morning comes, love dies.
- Alternative VersionenMGM also issued this movie as a silent, but few details are known.
- VerbindungenFeatured in MGM Parade: Folge #1.30 (1956)
- SoundtracksRomance in Eb, Op.44 No.1
(ca 1860) (uncredited)
Music by Anton Rubinstein
Played as background during the opening credits
Top-Auswahl
- How long is Romance?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Romance
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 496.000 $ (geschätzt)
- Laufzeit1 Stunde 16 Minuten
- Farbe