Alexander Newski

I've loved this movie since the first time I saw it lo these many years ago. I'm not sure how many times I've seen it, perhaps 10, perhaps 20. This last time I watched it I was struck by a detail that I hadn't noticed before.

Toward the end of the picture, the slain heroes are conveyed back to the town via sled. There are a couple of closeups of the dead men. The one that struck me most was a shot of the blond youth. All you see on the screen is his profile from head to hands. His hands hold a flickering candle. The wind is blowing and his thick blond hair is dancing in the wind, in sync with the flicker of the candle flame. The contrast between death and the life he has lost is incredibly powerful. The moving hair and candle flame remind us of the life force that once inhabited his body.

Every time I revisit this film I see something new.

There is a version of "Nevsky" that is shown with a live symphony orchestra, chorus, soloist and the movie. If it's EVER performed within a day's travel of you see "Nevsky" done that way. The Oklahoma City Philharmonic did it with the OKC Canterbury Choir (one of the finest anywhere) a couple of years ago. I think I cried through the whole thing, it was one of the most emotionally powerful movie experiences of my life. I'm listening to "Nevsky" on the radio right now and it still tears me up. There are movies that I love, and classical music pieces I love, but there is no combination I can think of that comes close to the impact of "Nevsky" performed in real time.

I think it's a superb cinematography experience, once again Einsenstein goes beyond the conventional visual elements of the movies, lets take an example, we are used to see the white color as a sign of purity, and the black color as the "bad" element. Here this visual elements are twisted, showing the enemy in white and the russians in dark uniforms. Certainly there is a propaganda tone in the whole story, but it's quite comprehensible for the time (previous to WWII) and the country. There is another element for which this movie is so touching, the excellent music by Serge Prokofiev, and specially the part of the battle. Alexander Nevsky is very much worth seeing not seeking for a conventional war movie, but as an alternative way of cinematic expression.

Alexander Nevsky (1938) is a brilliant piece of cinematic propaganda. The people of Russia are threatened by two major enemies, the Mongols and the Teutonic Knights of the Holy Roman Empire. In ordered to unite the warring, rival Princes in the Russian Realm, Nevsky takes charge and fights the lesser of two evils (The Teutonics). This influential film was copied many times over and it still holds up to this day. The soundtrack by composer Prokiev and Eisentstein's direction are a sight and sound to behold Many years later, John Milius used many of the movies scenes, set pieces and costumes from this film and incorporated them into Conan.

One of my favorite lines from Conan was taken from this movie. "It's not the strength of the iron in a weapon but the strength of the person that wields it is what matters." The comparisons are unmistakable. The armor that James Earl Jones and the Leader of the Teutonic Knights wear are virtually identical. A true tribute paid from one director to another.

I give Alexander Nevsky one of my highest recommendations. The movie plays like the final Act of Richard III. The presence of Prince Alexander on the screen is truly amazing.

Eisenstein's "Alexander Nevsky" was made mostly for propaganda purposes in 1938. It was a reminder to all Russians of their dastardly neighbors (the Nazis) to their west. The film plays on this comparison and several others to a lesser degree. The evil Germanic Teutonic Knights just happen to be of the Christian faith and their religious leaders make for very effective villians. Although Nikolai Cherkasov as Nevsky and Nikolai Okhlopkov as his right-hand man, Vasili, are commanding in their roles, this movie is mainly noted for the final climactic battle between good (the Russians) and pure evil (the Germans). Eisenstein purposely covers the Germans with over-sized helmets so that they're totally devoid of any human facial expressions. On the contrary, the Russian peasants who comprise most of Nevsky's army are portrayed with a variety of emotions and their humanity is not only recognizable but refreshing and appealing to the viewer. When the Teutonic Knights make their charge on the Russian position, the action is fast and furious and it would be difficult to find any other film which stages its action scenes as well as Eisenstein does here. Although a bit dated in the print that I saw (the sound was certainly a bit off) this movie is a must-see for anyone interested in foreign films and especially the Russian cinema during the days of Stalin. The Germans might have thought twice about attacking Russia in 1941 if they had seen this film beforehand. The message was clear back then. In the words of Alexander Nevsky himself: "Do not enter Russia with a sword in your hand." Well, you can't say they weren't warned.