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A Night at the Movies is an amusing Robert Benchley short about him and his wife having trouble knowing which way to go for their movie, getting confused about whether the tickets were for the feature or a car that's being offered in the building, having to switch seats because of a kid that keeps staring and a man ahead of them blocking the view, and a few other things that I won't reveal here. Mr. Benchley looks constantly bemused throughout and it's pretty fun seeing him flustered at every turn. This Oscar-nominated one-reel short is available on the DVD of the Marx Brothers' A Day at the Races. Worth a look for any fan of vintage short comedy.

This short comedy was recently selected for inclusion as a special feature in the new DVD release of the Marx Brothers' A Day at the Races. Based on the evidence at hand, viewers unfamiliar with Robert Benchley may find it hard to believe that the guy was a first class wit on par with Groucho himself, in his own understated way, but you'll just have to take my word for it. Better still, take a look at some of the comic articles he wrote for magazines and newspapers, most of which have been collected in book form. Benchley's nonsense pieces and essays on the frustrations of day-to-day life are still funny, and often hilarious.

Benchley's short films are generally pleasant, but only occasionally rise to the level of his written output. Many of them focus on the foibles of bourgeois domestic life, and come off rather like the later TV sitcoms of the '50s. However, the filmed versions of Benchley's double-talk lectures sometimes scale the heights of inspired insanity he regularly reached in his magazine pieces, and one very early talkie from 1928, The Sex Life of the Polyp, is one of my favorite Benchley shorts, a perfect little gem of comic absurdity.

As for the item at hand, A Night at the Movies is a pleasant but unremarkable effort devoted to the petty irritations encountered by Mr. and Mrs. Average during an evening at the local Bijou. There is confusion with the tickets, difficulty finding seats, a tall fat man who sits directly in front and blocks the screen, someone with a persistent cough, and a moment of strangeness involving a small boy with an eerie stare. (Today, of course, a major problem would be pagers and cell-phones going off during the show.) For modern viewers this short may be more valuable as social history than as comedy, seeing as how it was made in an era when men in public places had to find a place to stow their hats, and dancers performed at movie theaters between the features. On that level this film is an interesting time capsule.

This modest comedy short may not look like much alongside the Marx Brothers, but don't dismiss Robert Benchley. You'll just need to look elsewhere for his funniest and freshest work.

Robert Benchley stars in yet another short film about a poor schnook who seems to always get getting the short of things in life. In this case, the schnook (Benchley) and his wife want to go to the movies but 1001 little annoyances occur. The summary says that Benchley leaves the ticket in the car...that is NOT the case. Apparently, there was a prize drawing and he accidentally dropped the movie tickets into the slot for that and tried to use the raffle tickets to get into the theater. Then, annoyances about--such as an incredibly large man who sits in front of him and, ultimately, his accidentally walking up on stage and embarrassing himself. All in all, it's pretty typical of a Benchley short with very few belly laughs but plenty of fun, gentle entertainment as he plays his put-upon character. Worth seeing but far from a must-see.

Night at the Movies, A (1937)

*** (out of 4)

Oscar-nominated Robert Benchley short has a couple (Benchley, Betty Ross Clarke) going to the movie where all sorts of trouble starts. Benchley has to put up with losing his tickets, sitting behind a tale man and then getting lost while trying to find an exit. This comedy doesn't feature too many laughs but it's still highly entertaining just because it's fun seeing someone else go through various trouble that could happen at a movie theater. Benchley's style of comedy does aim for laugh-out-loud moments but instead just mild smiles seeing stuff that I'm sure we've all gone through and it's rather funny how this film, now seventy-two-years old, is still relevant today. I've seen quite a few of Benchley's shorts but I've read that none of them could compare to his comic writing but as of this date I've yet to read anything from him.

Robert Benchley and wife Betty Rose Clarke decide to go to the movies, and that's where their troubles begin in this typically amusing Benchley short.

His vehicles were moving from the ones in which he lectured vaguely on subjects which left the viewer knowing less than when he started, to ones in which he performed as the befuddled man ever in quest of a decent good time and doomed to failure. Although the sight of a movie house packed with thousands of attendees, and a disdainful staff to supervise their comings and going may confuse the modern viewer, still we can feel his consternation at trying to find a movie that neither he nor his wife have seen before. After all, although we may no longer go to the movies several times a week, we do have to deal with cable or TV service with thousands of channels and offerings.... and nothing on.

Finally agreeing on which film to see, Robert Benchley and his (uncredited) wife Betty Ross Clarke set off in time to watch the feature. There is a free lottery to win a shiny new car in the foyer and that's where the tickets are accidentally placed, so ensuring the rest of their visit gets off on a typically unfortunate foot! It pans out with the usual cinema nuisances and as Benchley gets more irritated by his experience, he leaves the auditorium and struggles to find his way back into what appears to be the world's s largest circular cinema. It's an amiable critique of going to the movies, and for those of us who regularly attend them there are certainly some truths that ring true around selfishness and lack of self-awareness, but I think this rather over-contrives the scenarios and his bumbling can go wrong, will go wrong character actually began to annoy me quite quickly.

I found the film trite and really boring, there wasn't a single part of the movie that didn't feel like it was drawing on the same old tired Hollywood formulary to turn out a film. I'm still trying to wrap my head around who exactly it was that thought this was Oscar worthy? And can I get some of whatever it is that they're smoking?

Husband (Robert Benchley) and wife go to the movies. They are not that excited. At the theater, they are given two tickets, one for the movie and one for a raffle to win a new car. It's a series of bad experiences.

Is this actually funny? I know Benchley was some kind of comedy star of his day. I don't really get it. It's complaining about the movie going experience as it gets played in the movie theaters. I guess that could work if done well. First, I don't like this couple. I don't care about their movie going experience. The kid is almost funny. I can see the attempt, but the result is no laughs.

An MGM ROBERT BENCHLEY Short Subject.

Trying to quietly spend A NIGHT AT THE MOVIES isn't so simple for hapless Robert Benchley.

Nominated for the Best One-Reel Short Subject Academy Award, this was one of a series of little films to feature the gentle humor of Robert Benchley (1889-1945). Watching him deal with the unexpected difficulties of simply enjoying a movie elicits much quiet amusement.

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Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.

AS VALUABLE TODAY as both a fine example of what the old short subjects were to the movies in Hollywood's Golden Age, as well as a sort of historical piece who's unintentional chronicling of the movie house of that era, A NIGHT AT THE MOVIES is an all around gem of a mini-movie. One can learn more about life in that period between World Wars from it than many a history book on domestic life in the USA.

THE PRODUCTION TEAM takes great care in putting everyone's favourite everyman, Robert Benchley, at the center of what seems like a very simple, uncomplicated premise; being that of going to the local movie palace to see a highly rated, new release. It is a first run picture and would be playing at the big theatre, downtown; rather than at the local show in the neighborhoods.

THIS WAS LONG before anyone had thought of a Shopping Centre Multi-Plex, or even a Shopping Mall, for that matter. It was a time when moviegoers expected and received a sort of "royal" type of treatment and received same. The importance and seriousness of the occasion is emphasized by the manner of dress one sees in the many patrons who fill the theatre. One's "Sunday Best" was the order of the day when attending any public performances; be they a baseball game, football, boxing, wrestling, a concert in the park or the movies.

THE FACT THAT everything seems to happen to poor Bob Benchley is at the center of this one. No matter what the situation from buying the tickets for he and his spouse, being seated or what have you, they all revolve around Benchley's very urbane appearance and very refined and dignified manners. It is a case of the most refined of the Homo Sapiens being in competition with a bunch of Paleolithic Neanderthals.

THE FACT THAT Mr. Benchley was not primarily an actor, but rather a gifted writer who was coaxed to step before the cameras and deliver his own words, seems to have added to his on screen personality and appeal to his audience. While certainly no virtuoso of an accomplished thespian, his sort of amateurish characterization of this very genteel individual's coping with the trials and tribulations of modern life were well served in this series of shorts.

THIS BASIC PREMISE had been done before. In the 1929 silent two reeler, MOVIE NIGHT, it is Charley Chase who is put through the running of the gauntlet of multiple mishaps at the cinema. This was a Hal Roach Production, written by Chase & Leo McCarey and directed by Lewis R. Foster.

Another fun Benchley short about he and his wife going to see a movie and the various foibles they go through before and during.

As an aside, I can't imagine having a kid staring at me like that. I can laugh at it in this context, but if it really happened to me, I'd change seats way faster than he did!

TEN darn funny minutes of Robert Benchley, at his frustrated, yet gentlemanly best.

Yes, nominated for an Oscar. Even though the short film lost, it lead to Robert having his contract extended at MGM to do more comedies. A year earlier his film, HOW TO SLEEP, did, in fact, win an Oscar. Not a bad score.

File under: "Has this ever happened to you.." OR "This MAY happen to you..." when Benchley and his wife (played by silent screen actress Betty Ross Clarke) step out for the night, planning for a pleasant time at the movies. NOT SO FAST.

Everything that could go wrong, does. I'll bet Robert Lees and Frederic I. Rinaldo (who wrote some of the best films for Abbott & Costello), based this on personal experience. Among the goofy distractions; Benchley and his wife mix up their tickets, finally getting to their seat, only to sit behind some guy with a BIG head? And what about the kid who likes to stare at YOU?

Also holds the distinction of featuring some well known silent film actors. King Baggot plays an audience patron, famous for the original DR JEKYLL AND MR. HYDE. Playing another patron is Flora Finch, known for her comedy appearances opposite John Bunny. Francis X. Bushman, Jr., son of the silent star, plays a ticket taker.

Roy Rowland directed, known for classics like OUR VINES HAVE TENDER GRAPES, though I suspect he just let the camera roll and allow Benchley to work his magic.

Many thanks to TCM for running these golden oldies. According to notes, this film appears in A DAY AT THE RACES dvd, starring the Marx Brothers, although there are box sets featuring a collection of Robert Benchley shorts.