Füge eine Handlung in deiner Sprache hinzuTwo men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.Two men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.Two men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.
- Regie
- Drehbuch
- Hauptbesetzung
Rita Carlyle
- Mrs. Shippam
- (Nicht genannt)
Ramsay Hill
- Police Inspector
- (Nicht genannt)
Olaf Hytten
- Wilson
- (Nicht genannt)
Richard Lancaster
- English Constable
- (Nicht genannt)
Edgar Norton
- Mr. Henry Shippam
- (Nicht genannt)
Tom Ricketts
- Peters
- (Nicht genannt)
Empfohlene Bewertungen
Although not perfect, this is a film that cheats its audience in order to have a proper running time, this is still a good film. The basic plot has a man from America going to England because he has inherited a house. Amazingly when he gets there, he finds that there are people there already who threaten him and run him off. With the help of a friend who is a well known detective he tries to get to the bottom of it all and falls in love in the process.
This is a very good old dark house story, or would be if the film were really set in the house. Much of the movie is involved in getting into the house and in wooing the girl.
As I mentioned earlier this is also a movie that can be frustrating since several times characters are about to talk about whats going on when the movie fades to black or cuts to the next scene. Its annoying, for some fatally so, for me I just shrugged and went with it. There is no reason for the fades , other than to annoy the audience since in all but one instance and earlier fade out would have been less maddening.
Should you run across this on late night TV give it a shot. Its a nice way to spend an hour.
This is a very good old dark house story, or would be if the film were really set in the house. Much of the movie is involved in getting into the house and in wooing the girl.
As I mentioned earlier this is also a movie that can be frustrating since several times characters are about to talk about whats going on when the movie fades to black or cuts to the next scene. Its annoying, for some fatally so, for me I just shrugged and went with it. There is no reason for the fades , other than to annoy the audience since in all but one instance and earlier fade out would have been less maddening.
Should you run across this on late night TV give it a shot. Its a nice way to spend an hour.
Sailing from the United States to London, chivalrous Leslie Fenton (as Barry Wilding) saves pretty Muriel Evans (as Julie Kenmore) from the advances of brutish Matty Kemp. The lady is grateful, but rejects Mr. Fenton's more mannered advances. After debarking, Fenton learns he has inherited a deceased uncle's estate. But, when he visits his mansion, Fenton is chased off the property, by interloping inhabitants. Surprisingly, Ms. Evans (the woman he saved on the ship) is among the uninvited tenants. During the running time, you go from wondering what's happening in "The House of Secrets", to indifference. Fenton and a good cast, including pal Sidney Blackmer (as Tom Starr), try to keep it simmering.
**** The House of Secrets (10/28/36) Roland D. Reed ~ Leslie Fenton, Muriel Evans, Sidney Blackmer
**** The House of Secrets (10/28/36) Roland D. Reed ~ Leslie Fenton, Muriel Evans, Sidney Blackmer
I like the Chesterfield stable of 1930s mysteries which is where this one hails from. This film is a modest affair but it does have an out and out mystery thing going for it.
An American man finds he has inherited a property in England but he is barred from entering it from the outset. He's unable to trust anyone as he is sold all sorts of information about this old country house. He doesn't know if the Hawk's Nest manor is already occupied by a bunch of crooks or a bunch of cranks. There are all kinds of mystery ingredients to the story which include a 300 year old manuscript and scientific experiments and a couple of big mysterious cellars.
There are no characters that immediately spring out. My favorite is the friend of the American inheritor. A fellow American man called Tom who is solidly played by Sidney Blackmer. He got to play the lead in a later mystery called 'The Panther's Claw' (1942) which I recommend to genre fans.
Some of the dialog is fairly good. I like the posters for this film especially the green ghoulish one that has the Hawk's Nest in the background. As expected the critical rating by the film general viewer is never going to be that great for this one. But I think the typical 1930s B-mystery fan will find it irresistible.
An American man finds he has inherited a property in England but he is barred from entering it from the outset. He's unable to trust anyone as he is sold all sorts of information about this old country house. He doesn't know if the Hawk's Nest manor is already occupied by a bunch of crooks or a bunch of cranks. There are all kinds of mystery ingredients to the story which include a 300 year old manuscript and scientific experiments and a couple of big mysterious cellars.
There are no characters that immediately spring out. My favorite is the friend of the American inheritor. A fellow American man called Tom who is solidly played by Sidney Blackmer. He got to play the lead in a later mystery called 'The Panther's Claw' (1942) which I recommend to genre fans.
Some of the dialog is fairly good. I like the posters for this film especially the green ghoulish one that has the Hawk's Nest in the background. As expected the critical rating by the film general viewer is never going to be that great for this one. But I think the typical 1930s B-mystery fan will find it irresistible.
An American, who has inherited a stately British house, travels to the UK to take ownership of his new estate. What he finds though, are a group of shady individuals living in it, who are seemingly up to no good. Our hero then tries to get to the bottom of this mysterious situation.
House of Secrets is another in the seemingly endless cycle of 30's mystery films. I found it all-in-all to be one of the more enjoyable ones, as there are quite a few plot threads going on, so the film never drags. When it comes to old creaky Poverty Row movies you do have to keep your expectations in check, as these old flicks do have definite limitations. This one does have many of the deficits of these pictures – flat dialogue, a lack of suspense and a ridiculous plot – but it at least tries to keep us entertained throughout with plenty of characters and plot avenues. So overall, as these films go, this one's not too bad at all.
House of Secrets is another in the seemingly endless cycle of 30's mystery films. I found it all-in-all to be one of the more enjoyable ones, as there are quite a few plot threads going on, so the film never drags. When it comes to old creaky Poverty Row movies you do have to keep your expectations in check, as these old flicks do have definite limitations. This one does have many of the deficits of these pictures – flat dialogue, a lack of suspense and a ridiculous plot – but it at least tries to keep us entertained throughout with plenty of characters and plot avenues. So overall, as these films go, this one's not too bad at all.
The wise-cracking Leslie Fenton (as "Barry") sounds quite a bit like James Cagney in his gangster days. The lovely Muriel Evans (as "Julie") looks quite a bit like Jean Harlow. The movie is not a true "Old Dark House" movie, because it doesn't have some of the elements required to qualify, but there is an old dark house, a hidden treasure, & lots of mystery. "House of Secrets" is interesting, the dialog is snappy with lots of current day (copyright 1936) slang, the acting is good, the sets are dark & spooky, & there are a few neat sub-plots (one involving Chicago mobsters). What drags this movie down a bit is the redundancy. I couldn't count the number of times Barry asks "What's going on?" & Julie (among many others) replies "I can't tell you." Although I was eventually able to guess the ending, it was difficult to figure out, & fun meanwhile. I rate it 6/10.
Wusstest du schon
- WissenswertesThe earliest documented telecast of this film took place in New York City 11/13/48 on WATV (Channel 13). It first aired in Cincinnati 11/10/49 on WKRC (Channel 11).
- Zitate
Dan Wharton: That dick can see with his ears and with the back of his head.
- VerbindungenRemake of The House of Secrets (1929)
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- Erscheinungsdatum
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- Auch bekannt als
- House of Secrets
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- Laufzeit1 Stunde 10 Minuten
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- Seitenverhältnis
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By what name was The House of Secrets (1936) officially released in Canada in English?
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