Amerikanisches Gesellschaftsdrama Mit Kriminalzusatz. Schildert Romanhaft Die Liebe Zweier Menschen, DieSich Erst Nach Gefaehrlichen Zwischenfaellen Findenefaehrlichen ZwischEnfaellen Finden... Alles lesenAmerikanisches Gesellschaftsdrama Mit Kriminalzusatz. Schildert Romanhaft Die Liebe Zweier Menschen, DieSich Erst Nach Gefaehrlichen Zwischenfaellen Findenefaehrlichen ZwischEnfaellen Finden. Kritiklose Hinnahme Der Ehescheidung.Amerikanisches Gesellschaftsdrama Mit Kriminalzusatz. Schildert Romanhaft Die Liebe Zweier Menschen, DieSich Erst Nach Gefaehrlichen Zwischenfaellen Findenefaehrlichen ZwischEnfaellen Finden. Kritiklose Hinnahme Der Ehescheidung.
- Auszeichnungen
- 3 wins total
- Paul
- (Nicht genannt)
- Undetermined Secondary Role
- (Nicht genannt)
- Headwaiter at Victor's
- (Nicht genannt)
- Undetermined Secondary Role
- (Nicht genannt)
- Clumsy Waiter at Cesare's
- (Nicht genannt)
- Victor
- (Nicht genannt)
- Dowager
- (Nicht genannt)
- French Woman
- (Nicht genannt)
- Waiting Customer at Victor's
- (Nicht genannt)
- Ship's Officer Talking to Captain Alden
- (Nicht genannt)
Empfohlene Bewertungen
Poor Jean Arthur, trying to get loose from a really ruthless, jealous soon-to-be ex, is set up in her Paris hotel room by husband who has hired a gigolo to sneak in. Boyer, on the balcony, gets wind of it and spoils it and steals her away. They wind up at his place of work, a elegant Paris restaurant, and they dance, dine, laugh, and begin to fall in love. But when she returns to the hotel, it seems the hired gigolo is dead, and her husband coerces her back, threatening scandal, making her give up the divorce final.
Broken-hearted, Boyer and his chef friend go to America to try to find the lady, but cannot, so decide to go to work at an upscale café where Boyer hopes she may patronize. She does and they reunite and the cruel almost-ex-husband, who is a very wealthy shipower and builder, fixes it so Boyer is about to get arrested for the Paris murder. Jean and Boyer try to return to Paris on board a new ship of her husband's and he orders the captain to go full speed into a dense fog...and, well, it is suspenseful and frightening and wonderful. It plays up the speed competitions of the great Ocean Liners, the luxuries and yet dangers of this mode of travel. I learned all I know of Ocean Liners of the time thru movies like this, Love Affair, and Now Voyager, etc, because I would never have the opportunity to sail on one myself. Movies were always a great source of learning to me! But this film is especially entertaining, even though Jean Arthur is playing a straight romantic drama this time. Boyer never disappoints. I count this as another of the late 1930's golden crop of finest all-time films...
"History is Made at Night" is a dated melodrama, but extremely romantic. Jean Arthur and Charles Boyer show an amazing chemistry in this delightful romance. The friendship of Cesare and Paul is quite unbelievable in the present days, but gives the funniest moments in this film. Colin Clive performs an obsessive and totally insane villain, with his sick jealousy. But in the end, love wins for the pleasure of the romantic viewers. My vote is eight.
Title (Brazil): "A História Começou A Noite" ("The History Has Begun at Night")
Note: On 05 March 2012 I saw this film again.
*** from ****
Wusstest du schon
- WissenswertesThe Hindenburg is mentioned as (successfully) completing a trans-Atlantic trip, with the husband on board. This movie was released in the USA on March 5, 1937. The Hindenburg disaster occurred on May 6, 1937. It never made its return flight to Europe.
- PatzerWhen dancing together in the closed restaurant near the beginning, Charles Boyer is clearly wearing shoes designed to make him look taller. Note the high heel and thick soles. In close-ups, he has on normal men's dress shoes instead. (Interestingly, in the stacked shoes, he's only a few inches taller than the barefoot Jean Arthur, suggesting that at least one of them lied about their heights throughout their careers. She's on record as 5'3" and he's on record as 5'9".)
- Zitate
Irene Vail: You're right, Bruce. This time you're right. This time there *is* another man. You set a trap to catch me with one... and another came instead, to tell me that he loves me, and for me to tell him I love him too. And *you* did it! You did it all by yourself! Isn't that funny? Don't you think that's funny? Before he came, I never even looked at another man. But you wouldn't believe me! So you created one, and you sent him right into my arms...
- VerbindungenFeatured in One Step Beyond: Night of April 14th (1959)
- SoundtracksAdios Muchachos
(uncredited)
Written by Julio Sanders
Played by the band at Cesare's
[Reprised from a record on the ship to Paris]
Top-Auswahl
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Details
Box Office
- Budget
- 821.791 $ (geschätzt)
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1