Kleinstadtmädel

An interesting film with a playful seduction, which it does everything to avoid throughout, between a rich, young Boston doctor (Robert Taylor) from an old money family who's out carousing around in his convertible roadster after the "Big" Harvard-Yale game and by chance picks up a dissatisfied "small town girl" (Janet Gaynor) who's out aimlessly walking the streets in her little town. The socio-economic strata between old money wealth and idyllic small town middle class America (Andy Devine and James Stewart) is bridged by a love (you can't help but think it's his position and money she's after, though the film tries in just about every scene to make you believe it's real). After a few drinks at a nearby roadhouse, they stumble upon a justice of the peace in the middle of the night and (from Taylor's perspective) just for the heck of it, get married, a marriage that he must maintain for six months in light of his position in Boston society, which we see snippets of, the best one being a gala dance in Boston after they've been married for five months or so, and Taylor's original fiancé (Binnie Barnes), makes her move to reclaim him . Taylor is probably the best part in the film, though the story could have been sharper.

Traffic sends the rich crowd attending the Yale-Harvard football game to drive through a small town. Local guy Elmer Clampett (James Stewart) likes small town girl Kay Brannan (Janet Gaynor) but she doesn't feel the same. She encounters rich Boston doctor Bob Dakin (Robert Taylor) asking for directions. A drunken Dakin marries Kay who only wants to leave her small town. He's supposed to marry girlfriend Priscilla Hyde in two weeks. He wants an annulment but his father refuses to give him the easy way out for many reasons.

This is very early in Jimmy Stewart's career so it's reasonable that he's not the leading man. It doesn't stop me from wondering if he would be the better one to lead in this movie. That's not to say that Robert Taylor is a nobody. He's definitely a leading man of his era and he fits a little better as the rich playboy. It's to his credit that he is able to maintain some sympathies despite what the character could have been. As it stands, the rooting interest is still for Kay to go with Elmer. Jimmy is quite a catch.

I'm always leery of any film in which a couple marry when they are drunk and then can't remember what happened later when they are sober. That is partially the premise in this film; it is Robert Taylor who is the drunkard and he recalls what happened with great difficulty. Janet Gaynor had been drinking, but she knew what she was doing and took the opportunity to get out of her small-town humdrum life. To me, the situation is virtually impossible, and what J.P. would marry a man who is that pie-eyed? Still, once the event happens, I found myself rather enjoying most of the rest of the movie despite its predictability. Only the yacht trip dragged a little.

I confess I was never a Taylor or Gaynor fan when I say that the best one in the film is 8th-billed James Stewart, playing Gaynor's home-town boyfriend. It wasn't too much longer when his star shone much brighter than either of the two stars in this film.

For most of her career Janet Gaynor did nothing, but play small town girls, the best known being Esther Blodgett. But I've seen her in films like State Fair and Three Loves Has Nancy and it's the same part, the girl from the tiny hamlet who conquers the big city and the men in it. With a title like this, there was only one casting possibility.

Janet's a girl who's thoroughly stuck in a rut in her New England hamlet and yearns for a little adventure. She finds it in the person of Robert Taylor, a young doctor who comes from a wealthy Boston family. After a night's carousing Gaynor and Taylor are married, to the chagrin of his fiancé, Binnie Barnes and her boyfriend James Stewart.

Remember this is Boston so Taylor's father Lewis Stone prevails on Taylor to give the marriage a few months trial. Of course this is where the balance of the story comes in. In many ways this plot seems like a harbinger of The Way We Were.

Taylor's career was now in full swing as Small Town Girl was the next film after his breakout performance in Magnificent Obsession. Remember in that film he was a playboy who became a doctor. Here's he's a doctor who doubles as a playboy. Never mind though, feminine hearts all over the English speaking world were fluttering over MGM's latest heartthrob. My mother who was a juvenile at this time told me that Taylor's appeal back in these days was just about the same as Elvis's.

James Stewart was at the beginning of his career as well as MGM had him in about seven features in 1936, mostly in support. Interesting though with worse career management, he could have gone on playing hick roles like Elmer the boyfriend. But it was also obvious there was a spark of stardom with him as well.

Gaynor would leave the screen a few years later, Taylor was at the beginning of his career. He'd have better acting roles in his future, but for now Small Town Girl is a great example of the screen heartthrob he was at the beginning of his stardom. Fans of both stars will like what they see in Small Town Girl.

Wonderful Janet Gaynor and Robert Taylor comedy depicting the differences between the upper and middle classes of society.

Gaynor longs for a life outside of her town and Taylor represents everything that she wants. Though meeting him in an unusual way, and marrying him while he is drunk, he turns his part as a total heel when he becomes sober. Reluctantly, she agrees to stay with him for 6 months in pretending that there is wedded bliss.

We know that the picture shall be devoted to how the two will find their way to love despite there being Taylor's fiancée, nicely played by a bitchy Binnie Barnes. Despite his cruelty to his wife, Taylor shows an element of compassion in his treating of a brain injured child. Somehow that child will become the link that will bring this couple together and start Barnes packing.