The Shadow

THE SHADOW is a British 'old dark house' production of 1933 which feels like it belongs in the silent era; indeed, all of the cast are still wearing clothing and collars belonging to the previous decade. The film pairs Henry Kendall and Felix Aylmer as two of the people gathered at a country abode who are shocked to discover that one of their number is a blackmailer known as The Shadow, and the rest of the film sees them trying to solve his identity. Kendall is a likeable lead here and an almost youthful Aylmer very good in support. Yes, it's very talky and rather slow by modern standards, but nevertheless this early talkie is a good product of its age.

Despite this film coming out in 1933 when the Shadow was a popular pulp character, this movie has nothing to do with this American character that fights crime. Instead, the Shadow in this British film is a scum-bag that is an expert at blackmail as well as murder--and Scotland Yard is at a loss for how to stop him or as to his identity. The film has a few things going for it--though the middle portion of the film is a bit slow and a couple of the characters are too broadly written--especially that awful old woman who cries way too intently! Overall, however, it is better than you'd expect for a low-budget mystery film. I've seen an awful lot of films similar to this one but "The Shadow" is a bit better--thanks to some interesting plot twists and a great first portion. Worth seeing if you like old-time B-movies, like I do.

A black mailer known only as The Shadow is terrorizing the rich in England. If you don't pay him he'll ruin you or worse. When a police detective on his trail is killed he leaves behind clue. Things come to a head as suspects and uninvited guests end up at the home of the Chief Inspector of the police on a fog shrouded night.

This is an entertaining mystery from England that could complete nicely with many of the programmers that the American Studios were churning out. Granted one should not look at it too closely since the film doesn't play fair or logically, but one should look at it simply because it's a great way to spend a dark and stormy night.

Not THE Shadow (as in, the Lamont Cranston Shadow) but more of A Shadow - and this one is villainous. It is an enjoyable mystery that employs many of the clichès of the old-dark-house genre, but does it in a self-aware way (would you ever believe that someone is killed at the exact moment he is about to reveal the hidden identity of the Shadow?). Perhaps overly talky, but the mystery does sustain your interest. Henry Kendall steals the show as an intentionally stereotypical perfectly-jolly-old-chap-fellow - a direct precursor to Charters and Caldicott in "The Lady Vanishes" a few years later. **1/2 out of 4.

In an old dark country house the police search for a killer known as The Shadow. A creaky old British drama starring stage revue artist Henry Kendall as the kind of bumbling upper class twit that must have been something of a cliche even in 1933. It's passable entertainment more because of its archaic attitudes ("As far as cunning is concerned, women... well you're all married," a police officer warns his colleagues at one point) than the quality of its plot. A young Felix Aylmer plays one of the suspects, and looks just like an old Felix Aylmer with dark hair.