Shadow of Chinatown

SHADOW OF CHINATOWN is hardly the zenith of serials, but time has lent it a certain amount of charm as a period piece, showing a romanticized vision of a 1930s city and Chinatown, both of which would have been equally exotic to most of the serial's viewers at the time. It possesses a certain wisecracking humour, especially from Lugosi's henchman, lacking in all the later serials. The cast rise above the material, and some of the portrayals verge upon endearing; Lugosi is always a pleasure to watch, and you get a glimpse of his acting ability, his adeptness with nuances and subtleties, even when dealing with one-dimensional characters with over-the-top declarations. Say what you want about this serial, but it's on my view-annually list.

First off the main character in this movie is Chinatown of course,, what a magnificent area to visit if you ever get the chance like I did in 1994. 2nd Bela Lugosi's performance was immpecible, I love all of his little disguises. he specializes in hypnotizing people into deep trances and he is usually the only one who can bring them out of it,, he is hired by a local pretty Asian girl who wants to bring down the Chinese merchants in san Francisco,, he has a very strong distant for Eurasian,, and Chinese, and will stop and nothing to destroy all of them.. there is a young lady reporter, who is so annoying,, and get's into all sorts of trouble in this movie,, and constantly has to be saved the whole movie long from her being nosy,, and not following orders. excellent movie,, for the most part.

As I often say, I enjoy watching the master, Lugosi, in just about anything. The problem with this is he doesn't have much to do. In order to create a serial, it's necessary for the bad guy to continue to goof up, leaving his adversaries alive to continue the pursuit. The episodes are an endless trapezing of zombie like lackeys and air headed reporters. There's enough sexism to go around for a long time. The conclusion will make some gag. Chinatown businesses are the target of Lugosi who is "Eurasian" and very angry about something, I guess being Eurasian. He tries to destroy the town just for spite. It's an endless parade of pratfalls and silly hypnotism. The one young Asian woman is very beautiful. She is the honorable one in the film, but has been used by Lugosi and he has a hypnotic control over her. It all comes out in the wash, as if we cared.

As long as Bela Lugosi was not playing the part of "Bela Lugosi" he was great. In Shadow of Chinatown he plays Victor Poten, the Eurasian scientist intent on destroying the Chinese people in Chinatown. Poten is hired by Sonya Rokoff, another Eurasian, to put an end to the tourist trade in San Francisco's Chinatown so that a new business cartel can take over the businesses there. Over the fifteen chapters Lugosi went through a few disguises and was given a chance to show his talent for playing different types of characters. His acting still appeared as if he were performing on stage rather than in front of a camera. Serials rarely had perfect lighting or camera angles, but Lugosi was able to look good in Shadow of Chinatown.

Herman Brix was excellent as Martin Andrews. He was always good in the serials that he made. Joan Barclay was not good as Joan Whiting. She overacted in almost every scene. In addition to bad acting, her character was more a nuisance than anything else. As Sonya Rokoff, Luana Walters was much better, though her character should have been stronger. The oddity among the cast was Charles King as Grogan. As many times as King played a tough character he rarely showed a mortal fear. Grogan's weakness when he was around the evil Poten was something unusual for a character played by Charles King.

I have read that heavy accents worked against some actors in the early days of sound film, but I also think that people in North America were more willing to accept certain accents at the same time. Vaudevillians had performed using dialects and brought them to radio and movies. In Shadow of Chinatown, the accents are integral to the characters. The strong Chinese accents of some of the actors may be authentic, but it is also obvious that some of the dialogue and accents are overplayed to the Chinese stereotype. The character Willy Fu always speaks in parables and proverbs, even in emergencies. Willy Fu seemed long winded at all the wrong times.

At a time when white actors would don costumes and wear makeup to appear as another race, Shadow of Chinatown used real Chinese actors. The credits undoubtedly prove this. Victor Poten's gang of thugs dresses in Chinese clothing as they commit their crimes in Chinatown. Whether or not it was an intentional swipe at the practice of using non-Asians as Chinese, there was an early scene in which Willy Fu discovers the fake Chinese and tells Martin Andrews about them. Either way, it is a nice plot element as it strips away a layer of Poten's cover.

The story in Shadow of Chinatown is weak, and the action and suspense are not as good as what was seen in other serials. The best reason to watch this serial is to see Bela Lugosi in a strong role. He is the saving grace of Shadow of Chinatown.

Eurasian Victor Poten decides to drive the Chinese merchants from their district in order to start his new race and eliminating any Asians or whites that stand in his way. Its up to Martin Andrews, author and expert on Chinese cultures (only thanks to his manservant Willy Fu) and reporter Joan Whiting to stop Poten's nefarious plot. This serial is absolutely forgettable with absolutely nothing to keep the viewer in any suspense to watch the next week's chapter or the serial throughout. The entire cast tries their best to make something out of this, but are overcome by the ineptness of the production crew. The only saving grace for this travesty is the banter between Herman Brix and Joan Barclay does make for some funny scenes. Rating, based on serials, 2.