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Sweet Surrender

  • 1935
  • Approved
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
5,4/10
23
IHRE BEWERTUNG
Sweet Surrender (1935)
MusicalRomance

Füge eine Handlung in deiner Sprache hinzuArrested when he gets into a fracas, while escorting the girl he has hitherto loved only from afar, noted ballet dancer Delphine, to her car, Danny O'Day, famous radio tenor, is late for his... Alles lesenArrested when he gets into a fracas, while escorting the girl he has hitherto loved only from afar, noted ballet dancer Delphine, to her car, Danny O'Day, famous radio tenor, is late for his broadcast and ruled off the air. He meets his friend Jerry Burke at the restaurant of Jac... Alles lesenArrested when he gets into a fracas, while escorting the girl he has hitherto loved only from afar, noted ballet dancer Delphine, to her car, Danny O'Day, famous radio tenor, is late for his broadcast and ruled off the air. He meets his friend Jerry Burke at the restaurant of Jack Dempsey where the Manassa Mauler consoles him. Delphine breaks her contract and aided by... Alles lesen

  • Regie
    • Monte Brice
  • Drehbuch
    • Charles Beahan
    • Herbert Fields
    • John V.A. Weaver
  • Hauptbesetzung
    • Frank Parker
    • Tamara
    • Helen Lynd
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    23
    IHRE BEWERTUNG
    • Regie
      • Monte Brice
    • Drehbuch
      • Charles Beahan
      • Herbert Fields
      • John V.A. Weaver
    • Hauptbesetzung
      • Frank Parker
      • Tamara
      • Helen Lynd
    • 1Benutzerrezension
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos22

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    Topbesetzung20

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    Frank Parker
    Frank Parker
    • Danny O'Day
    Tamara
    Tamara
    • Delphine Marshall…
    Helen Lynd
    Helen Lynd
    • Dot Frost
    Russ Brown
    Russ Brown
    • Jerry Burke
    Arthur Pierson
    Arthur Pierson
    • Nick Harrington
    Otis Sheridan
    • James P. Hargrave
    Jules Epailly
    Jules Epailly
    • Rozan
    William Adams
    William Adams
    • Edgar F. Evans
    Alois Havrilla
    Alois Havrilla
    • Alois Havrilla, Radio Announcer
    Abe Lyman
    Abe Lyman
    • Abe Lyman, Band Leader
    Jack Dempsey
    Jack Dempsey
    • Jack Dempsey, Restaurant Owner
    Frank S. Moreno
    • Antonio Grezato
    James Spottswood
    James Spottswood
    • Horace Allen
    Leona Powers
    • Mrs. Horace Allen
    Lee Timmons
    • Larry Forbes
    Tune Twisters
    • Radio Singing Group
    • (as The Tune Twisters)
    Deede Hoenig
    • Bit Part
    • (Nicht genannt)
    Grace Peterson
    • Appassionata Dancer in Black
    • (Nicht genannt)
    • Regie
      • Monte Brice
    • Drehbuch
      • Charles Beahan
      • Herbert Fields
      • John V.A. Weaver
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1

    5,423
    1
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    3mintunmusic

    Worth seeing as a 1930s musical oddity.

    Worth seeing as a 1930s musical oddity, Sweet Surrender (1935) is one of the few feature length musicals made in Astoria, New York, in 1935. Although released by Universal, it was produced by Broadway Productions (II) a company formed by directorMonte Brice and producer William Rowland. The film utilized the talents of actors and actresses recognized on the New York stage, but mostly unknown to motion picture audiences. Originally the film was to star Sidney Fox, who was married to the co-writerCharles Beahan. By August, 1935, Sidney Fox dropped out and the female lead was given to Tamara, a Broadway and nightclub singer, who was making her feature film début. She received encouraging notices for her rôle, which involved playing three characters. Up to this time, Tamara was best known as the actress who introduced "Smoke Gets In Your Eyes" in the 1933 Broadway hit "Roberta." The New York American (December 14, 1935) said: "Tamara's field day is not rose-strewn but she manages her triple characterization with surprising capability, and with more experience will fit nicely into the picture pattern" The film also mirrored real-life confusion between Tamara, the Broadway singer, who played a ballerina in the film, and Tamara Geva, the famous ballerina.

    The popular radio tenor Frank Parker played the male lead. Jack Dempsey, the former champion boxer-turned nightclub owner appeared in the film for about one minute. Bandleader Abe Lyman had a little more time on camera.

    A few of the actors in Sweet Surrender (1935) had played bit parts in early Hollywood sound films, but generally were found playing rôles in New York stage shows. Larry Ceballos' staging of the big production number, "Appassionata" is reminiscent of his work in the early musicals of Hollywood.

    Most of the songs are by Dana Suesse and Edward Heyman, who had several big hits in the early 1930s. The only song to become successful was "Twenty- Four Hours a Day" by Arthur Swanstrom and James F. Hanley, which was on "Your Hit Parade" before the film opened.

    Of historical interest in the film is the luxury liner, the S. S. Normandie. Co- producer William Rowland arranged to film Sweet Surrender (1935) scenes on board the Normandie while she was in New York Harbor for the first time. Only a few areas of the ship were used for filming: the gangplank area, the railings, the decks, and most notably the entire length of Le Grand Salon featuring a costume ball. Acknowledged as the center of High Society on the North Atlantic, the Normandie was the grandest, most luxurious and artistic ocean liner ever built. Until 1940 it was the largest ship in the world. Her interiors were like a living museum of l'art moderne. Her early demise is a sad story.

    Most reviews agreed that the musical score was agreeable, especially the ballet performed by the Sara Mildred Strauss Dancers. A close-up of the ballet theatre program read: "A modern interpretation of the music of human passion in which Man is love torn between Savage Rhythm and Spiritual Melody." Irene Thirer of the New York Evening Post (December 14, 1935) said, "Musically, the production is far above average." Daily Film Renter (December 7, 1935) stated, "Another highlight is an elaborately staged ballet sequence at the finale, where diaphanous clad damsels cavort expertly to the rhythm - an episode that possesses definite artistic merit...It is, however, the novelty of the setting, and the ballet climax that provide the entertainment." Ironically, the critics didn't mention that the film's female lead, Tamara, who had risen to fame as a singer, does not sing. (This might be attributed to the two songs cut from the final print.) An unbilled bonus for the cinema audience was the voice of the teenage Virginia Verrill singing the haunting "Appassionata." Verrill had just moved to New York in mid 1935 and landed a contract with Johnny Green's radio show.

    The two scenes that were filmed in the Grand Salon were actual events held onboard during the maiden voyage stopover in New York. When the Normandie arrived from France she stayed in port for a couple of days before she made her eastbound maiden voyage to France. During that time, a number of events were held onboard (and at the Waldorf-Astoria Hotel) to celebrate her arrival. One of those events was a fashion show in the Grand Salon featuring the latest creations by Worth, Schiaparelli, Lanvin, Lelong, etc. The first scene in the Grand Salon is of that fashion show. Programs and still photographs exist. The second scene in the Grand Salon -- the costume ball -- was held on June 4, 1935 as part of a gala evening of entertainment that was held on the ship. According to the program for the event, the entertainment included (in addition to the fashion show) performances by Ethel Merman, Victor Moore and William Gaxton, "The Incomparable Stars of Anything Goes", dancing to the music of Eddie Duchin and Xavier Cugat and his Orchestra playing Tango and Rumba for dancing. There also was a lavish dinner in the 1st Class Dining Room and a completely different program of entertainment in the Grill Room.

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    • Wissenswertes
      The "Milgrim Models" used for the fashion show are from the famous couturier, Sally Milgrim, dressmaker to prominent ladies such as Eleanor Roosevelt.
    • Soundtracks
      Take This Ring
      Music by Dana Suesse

      Lyrics by Edward Heyman

      Performed by Frank Parker during credits

      Played also as fashion show music and reprised in last scene

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 1. Dezember 1935 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Romance Unlimited
    • Drehorte
      • Astoria, Long Island, New York, USA
    • Produktionsfirma
      • Broadway Productions (II)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 25 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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