IMDb-BEWERTUNG
4,0/10
1015
IHRE BEWERTUNG
Ein junges Mädchen wird langsam zur Drogenabhängigen.Ein junges Mädchen wird langsam zur Drogenabhängigen.Ein junges Mädchen wird langsam zur Drogenabhängigen.
Juanita Fletcher
- Mrs. Roberts
- (as Juanita Crosland)
Gloria Browne
- Gloria Stewart - The Child
- (as Gloria Brown)
Marian Constance Blackton
- Dissaproving Woman
- (Nicht genannt)
Symona Boniface
- Helen - Burma's Customer
- (Nicht genannt)
Horace B. Carpenter
- Bartender
- (Nicht genannt)
Mark Daniels
- Teenager
- (Nicht genannt)
Hildegarde Stadie
- Woman in Roadhouse
- (Nicht genannt)
William C. Thompson
- Waterfront-Raid Detective
- (Nicht genannt)
Bill Woods
- Detective
- (Nicht genannt)
Empfohlene Bewertungen
A young woman slowly becomes a dope pusher.
Most people have heard of "Reefer Madness". But if you wanted to see another film that was anti-marijuana in 1936, look no further than "Marihuana", which (not surprisingly) was made by some of the same people.
This film is not the cult classic of its step-brother, and with good reason. It is far less humorous, with the only really notable thing about it being a nude swimming scene that never would have passed the censorship code. In fact, the film is not even really about marijuana so much as a drinking party gone wrong and the bad choices made after the fact.
Most people have heard of "Reefer Madness". But if you wanted to see another film that was anti-marijuana in 1936, look no further than "Marihuana", which (not surprisingly) was made by some of the same people.
This film is not the cult classic of its step-brother, and with good reason. It is far less humorous, with the only really notable thing about it being a nude swimming scene that never would have passed the censorship code. In fact, the film is not even really about marijuana so much as a drinking party gone wrong and the bad choices made after the fact.
Beating the more famous "Reefer Madness" into the theaters by all of about 15 minutes, "Marihuana" is yet another morality play whose producer tries to pass off a warning about the evils of marijuana use as an excuse for the picture's real reason for being: a nude swim scene (shot so darkly that the participants can barely even be seen). A group of the oldest-looking teenagers you've ever seen (and don't you just love movies with teenagers being played by actors old enough to be the PARENTS of teenagers) fall in with the wrong crowd, and soon there's a drowning, a shooting, an unwanted pregnancy, a kidnapping (of a child you just know was supposed to be the next Shirley Temple, at least in the minds of her parents), and an ending that has to be seen to be disbelieved. All in all, a truly mind-bending experience that would rival any that could come from the actual use of marijuana.
This is a bad movie that purports to be an educational film designed to warn America about the menace of marijuana use. However, like almost all the so-called "educational" films of the 30s and 40s, it was really a shabby little film designed to be snuck past the censors of the Hays Office. In 1934, the major studios all agreed to abide by the dictates of a stronger Production Code--eliminating sex, nudity, cursing and "inappropriate" plots in films (these had actually been relatively common in films in the early 30s). However, in an effort to sneak in smut, small studios created films to shock adults when they learn about terrible social ills, though they were REALLY intended to titillate and slip adult themes past the censors! Such films as CHILD BRIDE, MAD YOUTH, REEFER MADNESS and SEX MADNESS were all schlocky trash that skirted past the boards because they were supposedly educational. Even though they were laughably bad, they also made money due to low production costs and because they offered nudity, violence and sordid story lines--all in the name of education!
Many will no doubt watch this film because they are hoping for a similar film to REEFER MADNESS (one of the most laughably bad anti-drug films of all time). While it isn't quite as dopey and unintentionally funny, MARIJUANA is probably a worse film when it comes to being exploitational all in the name of educating our parents. While on drugs, the characters don't madly play the piano or run amok quite as much as they do in REEFER MADNESS--but they DO run amok in the most ridiculous manner. Once they begin puffing this "wacky tobacky", all the characters begin laughing non-stop and acting like total idiots. In addition, the ladies respond by taking off all their clothes and running nude along the beach at night!! And, because of this, the film is very, very explicit--showing lots of "naughty bits" (A Monty Python term for nudity). This film would probably receive an R-rating today if shown in the theaters because of the nudity--and this must have been VERY shocking to audiences of the day. However, audiences today would also be a bit shocked at how extremely unattractive and unappealing these ladies were--I kept wanting to yell at the characters to "put it back on--PLEASE!!". If you are looking for a cheap thrill, this film won't provide it!
Now when they aren't showing people running amok, the film actually is much more watchable. Those who sell the drugs are indeed users, but they manage not to behave like morons, so they are more convincing. The story of one of them, Blondie, is somewhat compelling and mildly interesting--though not nearly enough to make up for the rottenness of the rest of the movie.
This film is so bad that I would recommend it for a bad movie festival you can stage with your friends. You know, the ones where you laugh at just how bad and stupid films can be. They didn't even bother trying to get decent music for much of the film--using classical tunes that were completely inappropriate just because they were in the public domain.
Many will no doubt watch this film because they are hoping for a similar film to REEFER MADNESS (one of the most laughably bad anti-drug films of all time). While it isn't quite as dopey and unintentionally funny, MARIJUANA is probably a worse film when it comes to being exploitational all in the name of educating our parents. While on drugs, the characters don't madly play the piano or run amok quite as much as they do in REEFER MADNESS--but they DO run amok in the most ridiculous manner. Once they begin puffing this "wacky tobacky", all the characters begin laughing non-stop and acting like total idiots. In addition, the ladies respond by taking off all their clothes and running nude along the beach at night!! And, because of this, the film is very, very explicit--showing lots of "naughty bits" (A Monty Python term for nudity). This film would probably receive an R-rating today if shown in the theaters because of the nudity--and this must have been VERY shocking to audiences of the day. However, audiences today would also be a bit shocked at how extremely unattractive and unappealing these ladies were--I kept wanting to yell at the characters to "put it back on--PLEASE!!". If you are looking for a cheap thrill, this film won't provide it!
Now when they aren't showing people running amok, the film actually is much more watchable. Those who sell the drugs are indeed users, but they manage not to behave like morons, so they are more convincing. The story of one of them, Blondie, is somewhat compelling and mildly interesting--though not nearly enough to make up for the rottenness of the rest of the movie.
This film is so bad that I would recommend it for a bad movie festival you can stage with your friends. You know, the ones where you laugh at just how bad and stupid films can be. They didn't even bother trying to get decent music for much of the film--using classical tunes that were completely inappropriate just because they were in the public domain.
An Innocent young woman is seduced into pot parties,a wedlock baby, and eventually, into pushing drugs for a professional ring.
Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.
Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.
Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.
Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.
Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.
Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.
Based on the script and technical aspects of this film, I should have rated it "one star." But I'm giving it a five because it's so campy that it's worth a few laughs. And I am not a doper...I've never even inhaled! This is definitely the poor relation of "Reefer Madness," which has higher technical quality and is more entertaining overall. "Marihuana" is just jaw-droppingly awful, with weed blamed for virtually all vices, many of which are shown on screen (including...gasp...spraying a woman's backside with soda!). The budget was so low that the producers used classical music clips instead of a real soundtrack, so the dangers of dope are underscored by Strauss, Liszt, and others.
This is just a nasty little low-budget exploitation film, using the dope scare as an excuse to titillate the audience.
This is just a nasty little low-budget exploitation film, using the dope scare as an excuse to titillate the audience.
Wusstest du schon
- WissenswertesAccording to Harley Wood's daughter Jan Tache, this film was the one regret her mother had of her film career.
- PatzerSeveral years pass between Burma giving up her baby and kidnapping her sister's 6- or 7-year-old child. If the film is set in present day (1936), the kids in the earlier scenes should be drinking at a speakeasy, not a bar, as Prohibition (which ended in 1933) would still have been in effect. It's especially unlikely that the bar/speakeasy would have a sign advertising 5-cent beer.
- Zitate
Teenage boy: One hot lover coming right up!
Teenage girl: One ripe peach coming right down!
- Crazy CreditsFOREWORD: For centuries the world has been aware of the narcotic menace. We have complacently watched Asiatic countries attempt to rid themselves of DRUGS CURSE, and attributed their failure to lack of education. We consider ourselves enlightened, and think that never could we succumb to such a fate. But - did you know that - the use of Marihuana is steadily increasing among the youth of this country? Did you know that - the youthful criminal is our greatest problem today? And that - Marihuana gives the user false courage, and destroys conscience, thereby making crime alluring, smart? That is the price we are paying for our lack of interest in the narcotic situation. This story is drawn from an actual case history on file in the police records of one of our large cities. Note: MARIHUANA, Hashish of the Orient, is commonly distributed as a doped cigarette. Its most terrifying effect is that it fires the user to extreme cruelty and license.
- Alternative VersionenWhen the film was released in Chicago, several cuts were ordered. They included:
- a. A male character concealing cocaine in his shoe.
- b. Shots of Joanne preparing to go swimming.
- c. All shots of the women undressing and then running about on the beach in the nude and being chased by their boyfriends.
- d. A portion of dialogue: "Just a sweet little love child."
- Exhibitors were also told to trim a close-up shot of Burma Roberts toking up for the first time .
- VerbindungenEdited into Sleazemania! (1985)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Marihuana, the Devil's Weed
- Drehorte
- 6731 Leland Way, Los Angeles, Kalifornien, USA(Aloha Apartment Hotel)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000 $ (geschätzt)
- Laufzeit57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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