IMDb-BEWERTUNG
4,0/10
1015
IHRE BEWERTUNG
Ein junges Mädchen wird langsam zur Drogenabhängigen.Ein junges Mädchen wird langsam zur Drogenabhängigen.Ein junges Mädchen wird langsam zur Drogenabhängigen.
Juanita Fletcher
- Mrs. Roberts
- (as Juanita Crosland)
Gloria Browne
- Gloria Stewart - The Child
- (as Gloria Brown)
Marian Constance Blackton
- Dissaproving Woman
- (Nicht genannt)
Symona Boniface
- Helen - Burma's Customer
- (Nicht genannt)
Horace B. Carpenter
- Bartender
- (Nicht genannt)
Mark Daniels
- Teenager
- (Nicht genannt)
Hildegarde Stadie
- Woman in Roadhouse
- (Nicht genannt)
William C. Thompson
- Waterfront-Raid Detective
- (Nicht genannt)
Bill Woods
- Detective
- (Nicht genannt)
Empfohlene Bewertungen
One of several anti-marijuana/drug propaganda films of the 1930's with over- reactive screen narratives, over-dramatized screen-writing and acting...that is completely inaccurate in the depiction of marijuana usage.
Over-excessive to the point, in light of what is known about marijuana today and effects upon the average marijuana user, it's almost comedic by today's standards and realistic knowledge of this drug.
Burma, an 'innocent' but unhappy youth clashes at home and hangs out with a 'wild' crowd..to the point the laughing makes my head ache with high- pitched, giggling, silly girls. Solely because of using marijuana, according to the film, she indulges in a series of immoral acts, becomes pregnant out of wedlock, and two friends are killed (as if one was not enough in a one- hour film). Her response is to become a hotshot dealer herself....leading to deeper crime (with an ironic twist to boot) & yes, another tragedy.
Way over-the-top, inaccurate, but entertaining to watch and thus what is known as a 'cult classic' in today's world. One of a series of anti-drug, specifically anti-marijuana films aimed to exaggerate & allegedly decry the horrors of marijuana usage.
Over-excessive to the point, in light of what is known about marijuana today and effects upon the average marijuana user, it's almost comedic by today's standards and realistic knowledge of this drug.
Burma, an 'innocent' but unhappy youth clashes at home and hangs out with a 'wild' crowd..to the point the laughing makes my head ache with high- pitched, giggling, silly girls. Solely because of using marijuana, according to the film, she indulges in a series of immoral acts, becomes pregnant out of wedlock, and two friends are killed (as if one was not enough in a one- hour film). Her response is to become a hotshot dealer herself....leading to deeper crime (with an ironic twist to boot) & yes, another tragedy.
Way over-the-top, inaccurate, but entertaining to watch and thus what is known as a 'cult classic' in today's world. One of a series of anti-drug, specifically anti-marijuana films aimed to exaggerate & allegedly decry the horrors of marijuana usage.
An Innocent young woman is seduced into pot parties,a wedlock baby, and eventually, into pushing drugs for a professional ring.
Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.
Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.
Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.
Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.
Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.
Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.
I love these 30s exploitation flicks! This one definitely builds on the stereotypes of marihuana and its evil effects. Victims under the influence of this terrible narcotic wear menacing smiles and blank eyed stares. They gad about and jiggle in nightclubs while intoxicating themselves on copious amounts of alcohol as if mesmerized by the music. You will love how a couple of puffs/tokes/hits turn a group of young women into hysterical, sex crazed floozies! Man, that scene was funny.
On the down note, Burma (nice to be named after an aftershave) spirals downward into destruction and despair. Hey, don't blame the pot, it didn't make her become a heroin dealer! Very poor gateway drug reference they were trying to get across.
There seems to be a plot, but don't bother following. Dialogue is lame, muffled, and you'll be saying the phrase "who are you?" quite frequently throughout the film. I don't think that guy's spanish accent was authentic either. Doesn't top the all-time kampy 'Reefer Madness ', but it's a load of hoots.
On the down note, Burma (nice to be named after an aftershave) spirals downward into destruction and despair. Hey, don't blame the pot, it didn't make her become a heroin dealer! Very poor gateway drug reference they were trying to get across.
There seems to be a plot, but don't bother following. Dialogue is lame, muffled, and you'll be saying the phrase "who are you?" quite frequently throughout the film. I don't think that guy's spanish accent was authentic either. Doesn't top the all-time kampy 'Reefer Madness ', but it's a load of hoots.
Camp classic by exploitation master Dwain Esper. A clean cut bunch of obviously over-age "kids" become addicted to marijuana after one puff! They giggle uncontrollably, engage in nude skinny-dipping (mild female nudity), sex and it all leads to a drowning, alcoholism, heroin addiction, kidnapping, pregnancy and death.
This is a very silly movie--another one of those ones where the people making it had no idea what they were doing. Most of the acting is terrible and the story is downright ridiculous at times (and hard to follow--the surviving prints are in terrible shape). Still it's not worthless. It moves quickly (only 57 minutes), there were actually some pretty clever directorial touches and Harley Wood was pretty good in her lead role. So it's worth a look if you're curious. On par with "Reefer Madness".
This is a very silly movie--another one of those ones where the people making it had no idea what they were doing. Most of the acting is terrible and the story is downright ridiculous at times (and hard to follow--the surviving prints are in terrible shape). Still it's not worthless. It moves quickly (only 57 minutes), there were actually some pretty clever directorial touches and Harley Wood was pretty good in her lead role. So it's worth a look if you're curious. On par with "Reefer Madness".
Beating the more famous "Reefer Madness" into the theaters by all of about 15 minutes, "Marihuana" is yet another morality play whose producer tries to pass off a warning about the evils of marijuana use as an excuse for the picture's real reason for being: a nude swim scene (shot so darkly that the participants can barely even be seen). A group of the oldest-looking teenagers you've ever seen (and don't you just love movies with teenagers being played by actors old enough to be the PARENTS of teenagers) fall in with the wrong crowd, and soon there's a drowning, a shooting, an unwanted pregnancy, a kidnapping (of a child you just know was supposed to be the next Shirley Temple, at least in the minds of her parents), and an ending that has to be seen to be disbelieved. All in all, a truly mind-bending experience that would rival any that could come from the actual use of marijuana.
Wusstest du schon
- WissenswertesAccording to Harley Wood's daughter Jan Tache, this film was the one regret her mother had of her film career.
- PatzerSeveral years pass between Burma giving up her baby and kidnapping her sister's 6- or 7-year-old child. If the film is set in present day (1936), the kids in the earlier scenes should be drinking at a speakeasy, not a bar, as Prohibition (which ended in 1933) would still have been in effect. It's especially unlikely that the bar/speakeasy would have a sign advertising 5-cent beer.
- Zitate
Teenage boy: One hot lover coming right up!
Teenage girl: One ripe peach coming right down!
- Crazy CreditsFOREWORD: For centuries the world has been aware of the narcotic menace. We have complacently watched Asiatic countries attempt to rid themselves of DRUGS CURSE, and attributed their failure to lack of education. We consider ourselves enlightened, and think that never could we succumb to such a fate. But - did you know that - the use of Marihuana is steadily increasing among the youth of this country? Did you know that - the youthful criminal is our greatest problem today? And that - Marihuana gives the user false courage, and destroys conscience, thereby making crime alluring, smart? That is the price we are paying for our lack of interest in the narcotic situation. This story is drawn from an actual case history on file in the police records of one of our large cities. Note: MARIHUANA, Hashish of the Orient, is commonly distributed as a doped cigarette. Its most terrifying effect is that it fires the user to extreme cruelty and license.
- Alternative VersionenWhen the film was released in Chicago, several cuts were ordered. They included:
- a. A male character concealing cocaine in his shoe.
- b. Shots of Joanne preparing to go swimming.
- c. All shots of the women undressing and then running about on the beach in the nude and being chased by their boyfriends.
- d. A portion of dialogue: "Just a sweet little love child."
- Exhibitors were also told to trim a close-up shot of Burma Roberts toking up for the first time .
- VerbindungenEdited into Sleazemania! (1985)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Marihuana, the Devil's Weed
- Drehorte
- 6731 Leland Way, Los Angeles, Kalifornien, USA(Aloha Apartment Hotel)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000 $ (geschätzt)
- Laufzeit57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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