Mordsache Dünner Mann

Often said, but still a marvel to watch, even after 72 years. If you want some intelligent fun with that since long vanished Hollywood class, catch this one. This comic murder mystery introduced the world to one of the most perfect screen matches I know, the incomparable duo William Powell and Myrna Loy. Shot by Woody "one shot" van Dyke in just twelve days with many of the first takes used in the film, it still comes across as wonderfully fresh.

The story revolves around William Powell as detective Nick Charles, who tries to crack the case of a missing scientist, together with his wife Nora (Myrna Loy). But forget about this whodunit aspect of the film, it's not that important. It's just adding to the fun. It's all about the marvellous interaction between Powell and Loy, simply the most wonderful screen pairing ever. Their constant courtship is a marvel to look at and watching the wonderful chemistry burning of the screen leaves me in a pleasant happy daze, slightly intoxicating.

They must be one of the very few boozy characters in the history of cinema, that seem to be drunk all the time and be continuously happy at the same time. On a continuous drinking frenzy, they're either perpetually pixillated or fighting the hang-over. Never marry someone who doesn't join you when drinking. Nora certainly does.

When they meet up in a restaurant Nora asks: 'Say, how many drinks have you had?'. 'Uhmm, this will make six Martini's.' 'Alright, waiter, will you bring me five more Martini's. You can all line them up right here.'

Between the endless string of cocktail parties their lives seem to consist of, he still needs to crack a murder case, as a journalist remembers him. 'Do you know anything about the case?' 'Yes, it's putting me way behind in my drinking.'

A stellar supporting cast, a witty script with wonderful dialog, style and class to spare, and most importantly, the one of a kind chemistry between Powell and Loy all contribute to the enjoyment of this film. A real winner.

Camera Obscura --- 9/10

W.S. Van Dyke's 1934 film "The Thin Man" stars Myrna Loy and William Powell as Nora and Nick Charles, upper class sleuths who unwittingly become caught up in the case of a missing friend and former client. Nick is a former detective who has been in retirement for the last four years, living the high life with Nora when Dorothy Wynant (Maureen O'Sullivan) implores with them to help find her father, who has been missing for three months. Throughout the investigation, Nick and Nora rarely are without a drink in their hands, are forever trading bons mots and getting themselves into comical situations; they even get their terrier Asta in on their investigation.

"The Thin Man" is a great detective story that is enhanced by its classiness and humor. Powell is definitely the physical comedian of the pair, with Loy looking stunning and conveying so much with the looks she gives him. I honestly found myself guessing the outcome until the end, which culminates in a deliciously wonderful dinner party where all of the guests are suspects. It is stunning that this film was made in 1934, because it seems so ahead of its time; which is probably just one reason why it is so highly regarded and remains on many critics' lists. "The Thin Man" is so thoroughly enjoyable, and its stars (including Asta) are so engaging that I look forward to seeing more in the six-film series. Rent this one or catch it on Turner Classic Movies, like I did. It is well worth seeing, and surely an inspiration to many film genres ranging from screwball comedies to detective stories. A very strong 8/10.

--Shelly

As other reviewers have indicated this is a cute romantic mystery. Nick & Nora Charles broke new ground with their love bickering. The film is a nice break from the more typical hardboiled detectives of the 20's, 30's and 40's.

I think Nora (Myrna Loy) was at her best in this film. She is beautiful. Her cute nose, which as she aged grew less and less cute, and short dark hair came off as very sexy. This is the only film in which her desire to see Nick work as a detective came off as genuine. In the later films it seemed to be a little to scripted. I think my favorite scene is when Joe Morelli broke into Nick and Nora's bedroom. In order to keep Nora from getting shot Nick punches Nora in the jaw to knock her out of the line of fire. As a married man I can tell you Nick got to do what most men wish they could do at some point in time. (jk). Nora takes it like a champ. Instead being upset at Nick she's upset that she missed the action while she was dazed on the floor.

While not my favorite THIN MAN movie overall I do think it has the best romantic sparring between Nick and Nora. The plot is pretty good and the story moves at a good pace. If you're not familiar with that many 1930's films you'll get a kick out of the 30's lingo, especially some of the womens lingo, in the film. I don't know if recreational drinking was ever as carefree as it is with Nick but it doesn't come off as hokey and is quite funny.

The best thing about the film is the relationship between Nick and Nora. I wish there were more directors like Van Dyke around today. He, without lengthy dialogue scenes, was able to capture the love Nick and Nora had for eachother. He also kept the pace moving. He was able to deliver in a hour and a half what most directors spend 2 to 3 hours trying to do and not succeeding as well as he does.

"The Thin Man", a deliciously superb mix that keeps getting richer becomes better with every single viewing. The first time I missed a bit of the murder plot, but repeated viewings just enhance the movie.

It has started making me wanted to go out, get a terrier and call it Asta, drink too much for my own good and become a private eye detective. And move to New York. The lovable couple make it all look fun, and even if they do drink too much. Only after I have snapped out of admiration mode for the movie I remember that they were highly paid actors following a script in a hit film of 1934, and I'm living in the year 2000, cannot get a dog, am living in Sydney, and worst of all, I'm fourteen, so I can't drink or become a detective. Such is the modern manner of the movie. It is one of the very few films of its time that retains its freshness, intrigue and brilliant humour.

William Powell and Myrna Loy are incredibly likeable, the wisecracking darlings of society who we all want to know. Their performances were both absolutely brilliant! Some of their antics are a good deal wilder than those we are used to, but in fear of being caught up in murder would keep me away from them, but not long enough. I don't believe there are any shallow characters at all. Thank goodness for "The Thin Man". One of the first to show an affectionate couple in love, I'm still scanning for the same in movies of the 50s.

W.S Dyke is of course not one of the most remembered directors of his time, but for this alone he could be considered a great director. He was not Alfred Hitchcock, but he successfully combined high comedy, crime and thrills into one film. No wonder the major film studios were hot after this property. And Dyke didn't have to rely on the excruciatingly hilarious elements of slapstick. A married couple and a dog was all that was needed. Such a simple thing to emphasise on, and how well it worked! Could there be a more stolen plot of today?

Unfortunately, MGM, despite creating one of the best teamings of the era by putting the platonic Powell and Loy together, released this film in 1934. A nominee for Best Picture, Actor and Director, among other things, it was Capra's "It Happened One Night" that made history by becoming the first film in history to sweep the five major categories at the Oscars. If it had been released in 1933, it would have beaten the now forgotten "Calvacade", in 1935 it may have swept some Oscars up against "Mutiny on the Bounty". I wonder why Loy was not nominated. The film simply could not have been done without her.

Powell and Loy went on to make many movies together. Asta, appeared again as George in the 1938 slapstick masterpiece "Bringing Up Baby".

Although we need some good movies now, no one should even think contemplate for a split second on a remake. There is no way justice could be done to this film. It is a comic masterpiece that continually tricks the viewers, and without a doubt, one of the very best and brightest movies of the 1930s.

I hope I can watch the other "Thin Man" movies. I will definitely be reading the book. The film ended half an hour ago, but I already feel like going back for a second helping.

Rating: 10/10

"The Thin Man" introduces film audiences to the Dashiell Hammett characters Nick and Nora Charles, portrayed by one of the great screen couples, William Powell and Myrna Loy. MGM was very surprised when the film, for which they had no ambitious plans, became a huge hit and even garnered four Oscar nominations.

This Nick and Nora have very little to do with Hammett's Nick and Nora, and it's just as well. William Powell and Myrna Loy created a lively, fun, loving couple that's all their own. The two actors worked better together than probably any other team - they're the non-dancing Astaire and Rogers. Loy's entrance into this film - she's dragged by Asta into a bar while she's balancing Christmas gifts and ends up flat on her face - is one of the best. Nick is pretty much smashed through most of the movie - people drank a lot more in those days. Powell manages to be elegant, funny, smart, warm, and do slapstick - sometimes all at the same time. Asta has a helluva time keeping up with them.

A very pretty Maureen O'Sullivan costars as a young woman whose father is missing and then is suspected of killing his ex-wife - that's for starters. He seems to be on a killing spree. Though Charles hasn't been involved in detective work in four years, she begs him to help her. After a visit from the police in the middle of the night, Nora asks Nick, "Are you going to take her case?" "Take it?" Nick asks, reaching for the booze. "I'm in it!"

Highly recommended for first-class chemistry, wit, humor, a good mystery, and overall enjoyment.