Füge eine Handlung in deiner Sprache hinzuPopeye pushes a baby pram down city sidewalks and lots of noise keeps the kid awake and crying. In typically brutal manner, Popeye deals with the noise makers including a busking Harpo Marx,... Alles lesenPopeye pushes a baby pram down city sidewalks and lots of noise keeps the kid awake and crying. In typically brutal manner, Popeye deals with the noise makers including a busking Harpo Marx, music school, construction site, and car horns.Popeye pushes a baby pram down city sidewalks and lots of noise keeps the kid awake and crying. In typically brutal manner, Popeye deals with the noise makers including a busking Harpo Marx, music school, construction site, and car horns.
- Regie
- Hauptbesetzung
William Costello
- Popeye
- (Synchronisation)
- (Nicht genannt)
Mae Questel
- Baby
- (Synchronisation)
- (Nicht genannt)
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"Action speaks louder than words." At least, that is what some people say. This short proves that the quote is associated with Popeye the Sailor.
This short is about a simple situation: Popeye is babysitting, and no, it is not Swee'Pea but Betty Boop's baby brother Billy; that's what I heard. Anyway, Popeye tries to make sure he takes his nap. But with the sounds of old New York, it isn't easy. If Popeye heard the honk of a horn or the whistle of an ocean liner, he would go and smash the noisemaker to bits. That is what I meant when I chose that precise quote.
My favorite scene is when Popeye tries to sing Billy to put him to sleep. In the first verse of the song, the voice wasn't the familiar "croaky" one. It was the natural singing voice of his voice actor, Billy Costello. I also love the scene when Popeye sends a punch by wire to a radio station and slugs the singer. So anyway, I really love this Popeye short.
This short is about a simple situation: Popeye is babysitting, and no, it is not Swee'Pea but Betty Boop's baby brother Billy; that's what I heard. Anyway, Popeye tries to make sure he takes his nap. But with the sounds of old New York, it isn't easy. If Popeye heard the honk of a horn or the whistle of an ocean liner, he would go and smash the noisemaker to bits. That is what I meant when I chose that precise quote.
My favorite scene is when Popeye tries to sing Billy to put him to sleep. In the first verse of the song, the voice wasn't the familiar "croaky" one. It was the natural singing voice of his voice actor, Billy Costello. I also love the scene when Popeye sends a punch by wire to a radio station and slugs the singer. So anyway, I really love this Popeye short.
You just have to be a certain type to appreciate the humor in cartoons like this. It takes a certain sick sense of humor, something not everyone has. Cartoons like "Boom Boom", one of the first Porky Pig cartoons with his co-star, Beans the cat, in which the two spend the whole film dodging malicious bombs with minds of their own. And the present film, in which Popeye proves even more of a bully than Bluto himself ever was. This was the REALLY early days, when Popeye would beat the living crap out of anyone and anything in his path. The cartoon is stuffed with gags, including the theme song which here is, naturally, the lullaby "Rock-A-Bye Baby", which is punctuated with all kinds of violent sound effects.
Like I said, it takes a certain type to savor this.
Like I said, it takes a certain type to savor this.
Sock-A-Bye, Baby (1934)
*** (out of 4)
Weaker but still entertaining Popeye vehicle has him babysitting and beating up anyone or anything that dares to wake the kid up. There's plenty of action in this short but there aren't as many laughs as normal. The highlight is a great sequence where Popeye punches a radio, which sends his fist across the country to the actual guy singing and knocks him out. There's another rather funny moment where the baby steals Popeye's pipe and begins smoking it. The baby falls asleep right after his few hits so I'm guessing Popeye was smoking something other than tobacco.
*** (out of 4)
Weaker but still entertaining Popeye vehicle has him babysitting and beating up anyone or anything that dares to wake the kid up. There's plenty of action in this short but there aren't as many laughs as normal. The highlight is a great sequence where Popeye punches a radio, which sends his fist across the country to the actual guy singing and knocks him out. There's another rather funny moment where the baby steals Popeye's pipe and begins smoking it. The baby falls asleep right after his few hits so I'm guessing Popeye was smoking something other than tobacco.
Popeye and a baby are out in the streets. He's desperately trying to keep from waking the baby with all the street noises. He punches out Harpo. There is a noisy music school. He sinks a ship for blowing its horn. He punches a radio signal. He turns a construction site into rubble. He destroys a traffic jam caused by the stroller.
First, a crying baby is always annoying and rarely funny. The concept is funny, but damn Popeye is doing some damage. I think he killed a bunch of people. It's still funny even with all the murdering. It is notable that he doesn't use his spinach. Basically, Popeye is a killing machine in this one.
First, a crying baby is always annoying and rarely funny. The concept is funny, but damn Popeye is doing some damage. I think he killed a bunch of people. It's still funny even with all the murdering. It is notable that he doesn't use his spinach. Basically, Popeye is a killing machine in this one.
This is a highly disturbing installment of Popeye. You see Sweetpea for the first time and Popeye is caring for the kid. He is taking him for a walk and wants the baby to sleep so he pretty much beats up or kills EVERYONE who makes noise in the town! Because of this, it's as if he's being worse in this one strange cartoon than ALL of Bluto's bad deeds combined! For example, a ship sounds its horn--and Popeye sinks it-- presumably killing everyone aboard. He also knocks down a building under construction--again, probably killing all the workers! What an unstoppable nut case!! Eventually, however reprehensible a swath of murder and destruction Popeye creates, the little brat awakens anyway. I was half expecting to see Popeye kill the kid as well! Aside from seeing a completely unreasonable and homicidal side of our hero, we also get to see him beat up Harpo Marx--though why Harpo was outside playing his harp, I have no idea!
This is a somewhat well made film but one that cannot help but disturb. Back in the 1930s, out of about every 20 or 30 cartoons they made, the Fleischer Brothers made one that was just insane--and this is one of them. Other inappropriate but entertaining films they made would include a Betty Boop's "Be Human" and "Bimbo's Initiation". Enjoyable but disturbing!
This is a somewhat well made film but one that cannot help but disturb. Back in the 1930s, out of about every 20 or 30 cartoons they made, the Fleischer Brothers made one that was just insane--and this is one of them. Other inappropriate but entertaining films they made would include a Betty Boop's "Be Human" and "Bimbo's Initiation". Enjoyable but disturbing!
WUSSTEST DU SCHON:
- WissenswertesAt one point Popeye sings a lullaby that turns into a crazy yodel. Actor William Costello achieved this by alternating his real singing voice with that of the sailor. Such vocal pyrotechnics were Costello's signature as a vaudeville entertainer.
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenEdited into Quiet! Pleeze (1941)
- SoundtracksI'm Popeye the Sailor Man
(uncredited)
Written by Samuel Lerner
Played during the opening credits
Sung by William Costello (as Popeye)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Popeye el Marino: Silencio, bebé durmiendo
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit6 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was Sock-a-Bye, Baby (1934) officially released in Canada in English?
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