Punch Drunks

Have seen this episode over and over for more than 40 years and still remains my favorite Stooges short. Seems however, that some editing has been done in the end of the film where a bunch of guys are knocked out in the ring with no apparent reason. Curly knocked them all out but this footage seems to have been lost over the years. Anyone with a copy showing this action has a real treasure! Funniest parts are when Larry is serenading girl and Moe pours a bucket of water over his head. Moe crashes big wooden radio over Larry's head. Larry drives truck away with guy standing in back. Guy falls out onto street an actually breaks his arm in real life. Larry catches fish while standing on his head in a swamp.

The amazing thing to me is that Larry finds a man on a Truck with a record player playing Pop Goes The Weasel.The Record never ends and even when Larry crashes the truck through a brick wall the song is still playing at exactly the right spot. And Al Hill was a professional fighter albeit with a career than ended about ten years before this comedy. And Curly was the Butterbean of his generation,on a smaller scale. Look for Maxie Rosenbloom as one of the Fighters that Curly knocks out in the Cafe. And when we watch we love how the little shove that Moe gives Larry ends up with him being about ten feet away,head first in the stream. One of my Favorite Stooge Comedies!

Punch Drunks (1934)

**** (out of 4)

Three Stooges short has the wimpy Curley turning into a mean fighting machine each time he hears Pop Goes the Weasel. This is certainly the best short I've seen from the Stooges and i doubt they made one that was better. The laughs are non-stop from start to finish the violent humor is great throughout as well. The site gags are also pretty good including Larry walking into the bar, pulling his hat off and a part of it remaining on. The boxing match at the end also contains plenty of laughs.

In this early effort, rather than just watching the threesome run around and bash each other, there is genuine plot and character development. Instead of three barely distinguishable buffoons, we have three distinct characters interacting in an actual story line. They have a plausible initial meeting at a restaurant where Curly works as a waiter, Moe is a customer who discovers Curly's hidden boxing talent, and Larry the down-and-out musician who inadvertently plays the tune that sets Curly off. The plot device of having some stimulus turn Curly into an invincible destruction machine is reused in later efforts, most notably the mouse in the later "Moe, Larry, the cheese" routine, but they never really improve upon the use of "Pop Goes the Weasel" here. Larry is always at his best when he is able to play the violin in a way that fits plausibly into the plot, and Moe is actually sympathetic as the tough guy who takes the distraught Curly under his wing and makes him a success. The story is a real story, not just a loose string of slapstick antics; we actually feel tension and anticipation at the end as we watch Curly being beaten up by his opponent and wonder if and how Larry will find another way to play "Pop Goes the Weasel." Grade: A+.

Curly plays a gentle and passive waiter. Who is bullied by a fight promoter(Moe)and his friends. And a strugling musican(Larry) plays Pop Goes the Weasel, and something snaps inside Curly, he becomes a mean fighting machine, and beats up the guys who were bullying him. But when Larry stops playing Pop Goes the Weasel Curly becomes gentle and passive again, and does not remember a thing. Moe sees the next champ in Curly and trains him. With Larry along for the ride. A Stooge classic. The funniest boxing scenes ever. Its Moe larry and Curly at there best.