Füge eine Handlung in deiner Sprache hinzuPopeye and Olive visit a dance hall, where a contest is in progress (though judge Wimpy seems far more interested in his hamburgers than the dancers). He dances terribly. Bluto cuts in, and ... Alles lesenPopeye and Olive visit a dance hall, where a contest is in progress (though judge Wimpy seems far more interested in his hamburgers than the dancers). He dances terribly. Bluto cuts in, and Popeye sulks in a corner next to a convenient bowl of spinach. Popeye dances impressively;... Alles lesenPopeye and Olive visit a dance hall, where a contest is in progress (though judge Wimpy seems far more interested in his hamburgers than the dancers). He dances terribly. Bluto cuts in, and Popeye sulks in a corner next to a convenient bowl of spinach. Popeye dances impressively; Bluto comes back and manhandles Olive.
- Regie
- Hauptbesetzung
- Popeye
- (Synchronisation)
- (Nicht genannt)
- Bluto
- (Synchronisation)
- (Nicht genannt)
- Olive Oyl
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
It's a good Popeye cartoon of the era, with lots of nice gags, and the actual battle between the boys is better than usual, because of the dance motif. There do appear to be some budgetary concerns, what with the dancers on the floor repeating, but my major issue is with the paucity of gags. The result is a good, if not outstanding episode.
The chief judge here, Wimpy, has a unique way of eliminating couples. He pulls a switch and the floor gives way in that section, making the people disappear with an "ohhh," a thud and a bang! This guy was a brutal judge.
Anyway, Popeye is no Astaire, but Bluto is pretty slick (with his hair, too.) He grabs Olive and waltz's her pretty good around the floor. He's actually impressive as a hoofer. A dejected Popeye claims, "I guess I have no sex appeal." He forlornly walks back to his table and eats a bowl of spinach. Well, that spinach goes right to his feet - and, look out!
This was different in that I wouldn't picture these two macho guys competing as dancers, but it made for another entertaining cartoon and I'm sure audiences who were familiar with all dances back then, loved it. Both the guys - and Olive, who was almost like Ginger Rogers with her moves - were steppin' out! Good fun all-around.
This is a simple Popeye short and really effective. Everybody has the correct position. I'm only concerned that Bluto gets really violent with Olive but that happens sometimes. It's a really solid short.
While maybe not quite classic Popeye, 'The Dance Contest' is still very good and very funny, using the dance setting very cleverly. Have always enjoyed many of the Popeye cartoons a good deal and like Popeye very much, Fleischer's efforts were always well animated and scored with lots of entertainment value and great chemistry between Popeye, Olive Oyl and Bluto. 'The Dance Contest' has everything that makes the Popeye series so appealing in its prime era and does nothing to waste the three main characters or make them less interesting.
The story is an interesting and beautifully paced one, never being dull, if formulaic (not uncommon with the Popeye cartoons), though with a lot of variety and creative moments. The humour and gags make it even more entertaining with very amusing to hilarious gags that cleverly utilises the dancing, and the cartoon is hardly devoid of them.
All three characters are great, though Olive Oyl's material is not as great as Popeye and Bluto's, though she is used very nicely. Those two are spot on and their chemistry drives 'The Dance Contest' and has so much energy. Popeye is always amusing and likeable but for me Bluto is here the funnier and more interesting character. Wimpy also plays an entertaining role in the cartoon.
Furthermore, the animation is beautifully drawn and with enough visual detail to not make it cluttered or static and lively and smooth movement. The music is also outstanding, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.
Voice acting is dynamic and of very good quality on the most part, William Costello and especially William Pennell give Popeye and Bluto so much life. Mae Questel fits and voice Olive Oyl well, much better than Bonnie Poe.
All in all, very enjoyable if not quite classic Popeye. 8/10 Bethany Cox
Wusstest du schon
- WissenswertesThe Cupid statue that falls on Bluto resembles Betty Boop.
- PatzerWimpy's "eliminator" is controlled by a single lever, yet it opens various trap doors on the dance floor.
- Alternative VersionenThere is a redrawn colorized version from 1987 originally commissioned by Ted Turner.
- VerbindungenFeatured in Så er der forfilm: Folge #2.10 (1982)
Top-Auswahl
Details
- Laufzeit7 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1