Bulldog Jack

This is a fairly typical 1930's British comedy thriller yarn, only with a slightly better cast and plot albeit managing on much the same meagre budget. This makes it only slightly more interesting than the usual "quota-quickie" of the time, unless you like and love the humour of the Hulbert brothers and ditto the entire Bulldog Drummond canon like me. To an Unbeliever there is only Fay Wray to appreciate, unless you're mesmerised over the size of Jack Hulbert's chin.

To the fan though there is much pithy humour to be had, admittedly sometimes a bit slapstick and even awkward, but generally there's a credible and amusing banter going off between Jack and Claude throughout the film. Claude's best work came later with his collaborations with Will Hay, especially in My Learned Friend, but Jack's film work was simply to fund his stage work - he never made any classics. I suppose that was also the reason Ralph Richardson starred here as a manic baddie. Jack always looked a little lost without his wife Cicely Courtneidge by his side too - utterly faithful to her, in this he didn't even (and looked like he didn't want to) Kiss The Girl!

The climax resolves itself into a chase involving the British Museum and the London Underground, and is generally handled pretty well - although watch out for Jack jumping through the Tube train window!

One of Jack Hulbert's best films, a spoof of the Bulldog Drummond series. There is little point watching Bulldog Jack if you are a fan of neither Bulldog nor Jack, but the USP of this film is that it doesn't play fast and loose with the thriller elements. It works pretty well as a Drummond film, and the first reel could easily have been transplanted from any of the others, as the crooks try to sabotage Drummond's car. Jack Hulbert steps in with his immense amateur enthusiasm and endless self-belief, immune to any doubts about his detective ability despite setback after setback; this confidence was Hulbert's trademark, and in any of his films you knew it would get him the girl, eventually. Smart dialogue peppers most scenes, particularly the early scene in Drummond's flat where Hulbert tries to make sense of the mysterious goings-on: "who is this man Santini, and why doesn't he know what he's done?" Claude Hulbert steps in as Algy, perennial 'silly ass' of the Drummond films, a clever piece of casting which allows brother Jack a confidante who will not outshine him, however dim he is being; Claude's finest moment is in the climactic scenes on the underground. Ralph Richardson is a somewhat eccentric master villain (with bizarre hair and a "filthy hat"), and Fay Wray as the love interest plays it entirely straight, which was probably wise.

For the aficionado of either Bulldog or Jack, this is a great picture. It is one of Hulbert's best (he was always a stage star), and it's better than most straight Drummonds. This is at least partly because the thriller elements are taken seriously. The most obvious sign of this is that there are no songs in the film, still less dancing. Even in Jack's the Boy, in contrast, Hulbert gives himself a couple of charming numbers. The self-restraint pays off in spades here.

Following the lines of this film, a few years later 20th Century Fox did a version of The Three Musketeers where the Ritz Brothers take the place of the real musketeers and tell part of Dumas's story. It's not one of my favorites. But Alias Bulldog Drummond where the real bulldog is incapacitated so Jack Hulbert takes his place as Fay Wray goes to him for help.

Algy who was never much help to Bulldog Drummond in any event is also along for the ride. It doesn't go too good at first, Fay Wray who is seeking help for her father gets kidnapped, Paul Graetz her father who the crooks really want is also kidnapped and Scotland Yard is put out no end.

As it turns out Ralph Richardson in one of his earliest films is the leader of a gang of jewel thieves. They want Graetz to make a duplicate of a valuable necklace to replace the original when they steal it. Richardson and his gang are playing for some very high stakes.

Jack Hulbert and his brother Claude who plays Algy have some nice comic bits in the film. Richardson is quite the suave master crook. There are some nice scenes in the London Underground where Richardson's crew have made their hideaway and there's a great climax involving a train, shades of The Taking Of Pelham 1-2-3.

As for the real Captain Drummond, who cares if it's an ersatz bulldog as long as the job gets done.

Have seen this film several times now and generally chuckle/grin/smile most all of the way through. Always enjoy seeing the Underground and the British Museum settings again. Excellent "escapist" antidote to today's generally depressive "gloom and doom" national atmosphere. These days, I feel we need more of this type of film and less of the kind that's too light on dialogue and too heavy on violence and special effects.

Humorous dialog is the big plus for this film, and it's not even so-called 'British humor'. Is this a spoof or not? That's the best kind!

The fast pace combined with the typically weak early 30s British audio quality means you have to listen closely to catch a lot of the humor, but there are also visual slapstick and spoof-like moments too.

Having enjoyed several of the Bulldog movies starring John Howard (and the one Ray Milland entry), this movie was especially enjoyable for its `spin' on the characters and series. Use of the London Underground helps the atmosphere and staging as well as providing some humorous references in the dialog.