British Agent

"British Agent" succeeds in being both thought-provoking, and emotionally engaging. It would've been easy to lose the characters in the history lesson, but, fortunately, even the supporting cast make an impression and make you care about what happens to them. There is genuine tension, and grief at the deaths which occur. I thought there was a good balance between expository dialogue and action scenes, as well.

True, at 80 minutes the story is rushed - it could've been a bit longer, especially to give more depth to the relationship that develops between Steve (Leslie Howard) and Elena (Kay Francis). They seem to declare love rather quickly. However, thanks to the good actors involved, it's not too implausible. One feels sympathy for all the characters, and understanding of both sides - no small feat, considering the opposing political views.

This film provides an effective introductory history lesson, a relatively unbiased portrayal of two different countries/ideologies, and a gripping love story. It's not easy to juggle all these elements into a cohesive whole, but I believe "British Agent" does a fine job of educating *and* entertaining. Sometimes you *can* mix business with pleasure.

Much better than its reputation, this film has been treated rather unfairly by ignorants who haven't bothered to look deeper into it, like also other films of the Russian revolution, especially Sternberg's "The Last Command" and Marlene Dietrich's "Knight Without Armour", perhaps the best film of the Russian revolution. This one however is outstanding for the fact that it deals directly with reality. Bruce Lockhart, who lived through this story himself, happened to be a legate at the British Embassy in Petersburg when the crisis grew crucial, and later was in the thick of things in Moscow. He was the one who told the story of Sidney Reilly and his conspiracies and efforts to save Russia, and he later played an important part in the Second World War as Churchill's right hand in the propaganda war against Germany. He wrote a series of extremely interesting memoirs and was also in the centre of things in Prague 1948 when Jan Masaryk was defenestrated and the communists took over. Leslie Howard makes a very credible and true characterization of Lockhart's critical ordeals in the heart of the revolution at a loss against the lack of initiative, resolution and political insight in London. He and Reilly could have saved Russia from the communists, if London had responded. This film romanticizes the drama, of course, with some exaggerations and focusing too much on Kay Francis, while Lenin's would be murderess was much more interesting - she is only shown in the deed. Although between "Of Human Bondage" and "Captain Blood", "British Agent" hardly deserves to be neglected.

Purportedly based on the memoirs of R.H. Bruce Lockhart, the UK's man on the ground during the days of the Russian Revolution, Leslie Howard plays the consul general at the British Embassy whose other tasks include fomenting a little counterrevolution on the side. That's constantly getting in the way of his romance with Bolshevik Kay Francis.

What was fascinating here was that the spy Howard was so terribly indiscreet as to allow Francis to gain valuable information for her side. As a British Agent it seemed like everything that Howard was trying came up real short except in the romance department.

But Howard and Francis are a good match in screen chemistry in the romance department. As history British Agent leaves a lot to be desired. I think had the film been done by a British studio it probably would have turned out better.

Apparently based on the memoirs of Sir Robert Hamilton Bruce Lockhart, this film pits Leslie Howard versus the tumultuous events in Russia during 1917, and 1918. Though this film leaves out any mention of someone named Sidney Reilly (the infamous "Ace of Spies", whose exploits were also recounted by Lockhart), and Kay Francis steps in as a Russian firebrand. Meeting by accident the night of the first revolution, "Locke" and Elena are instantly smitten.

When Locke is sent back to Petrograd to stall the Soviet's armistice with Germany (which would endanger the Allies on the western front), Elena is now secretary to a certain V. Lenin, and from there the melodrama ignites. Short on romance, but long on suspenseful political drama and schemes. Leslie Howard is terrific as usual, and Michael Curtiz' direction is crackling. You have to hand it to a top-drawer director for illustrating political upheaval with such entertaining panache. Also hard to overlook is a young actor named Cesar Romero, displaying a light comedic touch.

With Michael Curtiz as the director I was expecting better .Howard had very little to work with and though Kay Francis was beautiful and acted well enough but the relationship fails to convince .Not enough time is taken to make the relationship believable and the writing is really poor; it's a pity because it could have worked.