The Big Shakedown

B-movie without an original thought in its script. Naive protagonist used by some crooked hood. Check. Pretty ingénue who stands steadfastly by her man while hoping for domesticity. Check again. Wised up, gum chewing doll who gets double crossed, turns informant and pays a price. You bet. And on and on it goes. You can practically see the conventions of the genre click by as the picture unfolds.

It's not that the movie isn't entertaining if you like the formula but it holds zero surprises. The actors all do their jobs professionally. Charles Farrell, one of the better looking men to ever appear on screen, is earnest and callow in the lead but not very memorable. Ricardo Cortez, Allen Jenkins and many other familiar character actors whose livelihood during these years was playing hoods fill their roles expertly but again their roles are standard stuff. Also nobody could play the flashy moll like Glenda Farrell.

The only thing that makes this different than the hundreds of other programmers churned out by Hollywood during the thirties is the presence of a very young Bette Davis as the ingénue. She looks great in her extreme blondness and exudes her customary confidence on screen but her part is a nothing. It's no wonder she ultimately rebelled against Warners since they continued to stick her in junk like this even after she had attained star billing and an Oscar.

Stars a young Bette Davis as Norma, girlfriend to Jimmy (Charles Farrell). Jimmy runs the drugstore that the gangsters want to take over. Jimmy doesn't want to sell, but the gangsters want him to start making cheap knockoffs of major pharma products. what could go wrong? co-stars Glenda Farrell (Lil, and Torchy Blane !) and Ricardo Cortez. and of course, the nasal character actor Allen Jenkins. he was in every single gangster movie made in the 1930s and 1940s... sometimes the good guy, sometimes the bad guy. John Wray would die pretty young at 53, but he made some big films in the 1930s. it's a snapshot of the rough and tumble mobster films of the depression, complete with a chick-fight between the two ladies, Lil and Norma. Directed by John Dillon, his last film; died of a heart attack at 49. From First National. He had also directed the 1930 version of Kismet. Shakedown is pretty good.. some huge hollywood names in the early days of talkies. It's in great condition, considering it's from 1934; it must have been restored.

Pharmacist Charles Farrell and fiancee Bette Davis run a marginal neighborhood drug store. Everyone buys on credit, and a national discount chain is moving in. Meanwhile, Prohibition-era beer baron Ricardo Cortez finds that no one wants his bad beer, despite his strong-arm boys. He gets the idea of counterfeiting toothpaste and such goods, and Farrell is just the by who can make them for him. But Cortez is looking for new markets, and when he has Farrell synthesize a popular antiseptic without the necessary ingredients, matters become more desperate.

John Francis Dillon's last movie as director -- he died three months after this was released -- is a well played cautionary tale, but it seems odd for a Warner Brothers movie. It seems more contemplative than the usual Warners fare, and the print that plays on Turner Classic Movies is darker than most; this highlights Sidney Hickox' glittering images of a shabby drugstore in a manner I haven't noticed before. Cortez is excellent, and Henry O'Neill has a nice role as the chemist who originated the antiseptic. The usual stock of Warner Brothers player show up, including Glenda Farrell, Allen Jenkins, Dewey Robinson, John Wray, and Robert Emmett O'Connor.

Big Shakedown, The (1934)

** 1/2 (out of 4)

Here's yet another Warner crime picture but this one here is about as far-fetched as you can get. A young pharmacist (Charles Farrell) isn't making too much cash in his store, which means he can't marry the girl (Bette Davis) he loves. At the same time a gangster (Ricardo Cortez) realizes there's no market for beer so he gets the bright idea of making fake toothpaste, female products and eventually medicine and hires to pharmacist to make it for him. Before long the gangster has the pharmacies by the neck and soon a tragedy happens. This film runs a very quick 62-minutes and if you're a fan of "B" movies then there's quite a bit to enjoy here. Yes, the story itself is rather silly at times and the final "message" included in a three paragraph newspaper report that we're forced to read is even sillier. I think fans of Warner and the terrific cast are going to enjoy what's on display here as long as they don't go in expecting THE PUBLIC ENEMY or anything of that quality. Farrell is pretty good in his role, although I'm sure many would argue that he's a bit too laid back in part. I thought this actually helped because his character really wouldn't be the type to do anything else than what he goes through here. By this time in his career Cortez was already a master at playing low-level hoods and he's fun to watch as usual. The supporting cast includes Glenda Farrell playing the gangster's mole and we get Allen Jenkins in for a few laughs. Davis isn't the Davis that is now a legend but I always enjoy seeing her in these early movies where she's yet to really hit her stride. Her performance is just fine so fans will have fun here. The director at least keeps the film moving at a fast pace and thankfully it doesn't go on too long because there's really not enough story here for much more. THE BIG SHAKEDOWN is a "B" movie all the way but as long as you don't expect too much it's not too hard to not have fun with the cast.

Charles Farrell, a great silent screen star, appears with Bette Davis and Ricardo Cortez in "The Big Shakedown," a 1934 film featuring Allen Jenkins and Glenda Farrell.

Farrell and Davis are Jimmy and Norma, a boyfriend-girlfriend who marry later in the film. They run a corner drugstore. Cortez is a post- Prohibition gangster, Dutch Baines, looking for a new racket. Patronizing the store one day, he realizes that Jimmy can make his own products, which are identical to ones on the market. However, he isn't selling them claiming that they are the commercial brands; he makes them so he can sell a house brand for less.

Of course, Dutch sees that if these products are sold under the commercial names, he can use their publicity and brand reputation to make a fortune. He talks Jimmy into making toothpaste and beauty products because Jimmy needs money. He's reluctant to do it and planning to quit when Dutch decides to go into medicine and have Jimmy make drugs. Jimmy flatly refuses; Dutch makes noise about Norma's safety, and Jimmy caves.

This is a typical crime film interesting because of the cast. Davis' role is an ordinary ingénue one that could have been played by anyone. She was still getting a build-up and hadn't yet become a star with a special image. She's blond and pretty. Glenda Farrell has the role of Dutch's girlfriend, whom he throws over. Farrell, with her distinctive speaking voice and likable personality always stands out. Cortez does well playing the tough, uncompromising Baines.

Charles Farrell, whom I used to see as an elderly man (your fifties were considered like the seventies back then) when My Little Margie was in syndication, was good-looking and popular in his day. He had a gentleness about him and also an earnestness which he displays here. He retired in 1941 to become a land developer, but returned for Margie, which was followed by his own show. Then he retired again.

Cortez's career as a leading man was just about over. Though he continued working until he retired, he also became a successful broker on Wall Street.

Of interest, the actor who played the young Jewish boy who buys ice cream (a cone was six cents), Sidney Miller, went on to become a director and composer, and actually revamped the Mickey Mouse Club for Walt Disney beginning in its second season.

Amazing that Bette Davis was the only one to stay full-time in acting.