Die Wüstensöhne

I love this movie. I was reduced to tears the first time I saw it and am reduced to tears every time I've seen it in the 50 years since. Talk about a movie holding up over 70 years. To my mind, it's the Citizen Kane of comedy. Everything about it is pitch perfect. To watch the boys as they sink deeper and deeper into absurdity in explaining their arrival back ahead of the rescue ship is a marvel to watch. There are so many subtle, nonsensical and memorable moments that stay in the mind years later one almost doesn't know where to start. The solemn dark lighting of the opening scene spoofing fraternal organizations, eating the wax fruit, the range of facial expressions of the wives throughout, the shot of the boys from the back sitting facing the fireplace as Stan disses his wife, Stan's wife in hunting regalia returning shotgun in arm carrying ducks, Ollie flirting on the phone not realizing it's his wife he's talking to, the stream of consciousness dialog in the attic, and on and on and on. A subtlety perhaps missed by many is the wonderful song and dance number at the night club....a simply wonderful lampoon to perfection of crooner Dick Powell and spoof of Busby Berkeley with those clunky but charming Hula dancers, struggling in a valiant but ultimately hopeless attempt to dance, fanning out to the camera and culminating in that marvelous overhead shot near the close. Just great. I could write a book on this movie, but I'll just suggest to viewers to get William K. Everson's book on the films of Laurel & Hardy and read what one of the great critics has to say about this gem.

Ollie wants to attend the annual convention of THE SONS OF THE DESERT in Chicago & have lodge brother Stan go with him. Their wives, however, have other plans. From such tiny acorns of humor do mighty oaks of hilarity grow...

This is a wonderfully funny film, with the Boys at their very best. Watch Stan's face as he eats the wax apple, or Ollie as he attempts to stand-up to his formidable spouse. The Sons themselves are a spoof of every fraternal organization that's ever taken itself too seriously.

Hilarious Charley Chase is the epitome of every obnoxious conventioneer you've ever tried to avoid. Mae Busch & Dorothy Christy are good fun as the Boys' wives, while Lucien Littlefield scores as a veterinarian called in to doctor Ollie.

Extra-sharp movie mavens will spot Charlie Hall as one of the waiters at the beginning of the 'Honolulu Baby' sequence; they will also recognize the voice of Billy Gilbert as the steamship official giving the announcement about the shipwreck survivors.

It's not easy to keep the Laurel and Hardy brand of humor going for a full-length feature, but here they accomplish it pretty well. Although the premise would have been tailor-made for one of their two-reelers, they successfully stretch it out into over an hour's worth of material, providing plenty of laughs and using some clever ideas.

The story has Stanley and Oliver as two members of the "Sons of the Desert", who are preparing for their national convention. This gets the two into difficulty with their wives, and from there things build up into the kinds of predicaments that are familiar from their shorter features. What's rather impressive is how well they keep things going for so long. There's nothing that's forced or pointless, and the pacing is generally just right. As the wives, Mae Busch and Dorothy Christy have relatively easy roles, but they (and also Charley Chase) have a few good moments.

Anyone who enjoys Laurel and Hardy's shorter features will probably also joining the "Sons of the Desert" in this amusing movie.

Stan Laurel and Oliver Hardy want to go to their 87th annual "Sons of the Desert" convention in Chicago, which no member has ever missed. But, domineering wives Mae Busch (as Lottie) and Dorothy Christy (as Betty) have other ideas. The women want to vacation in the mountains. While Ms. Christy gives permission for Mr. Laurel to attend the convention, Ms. Busch isn't so accommodating. So, Mr. Hardy decides to play sick, which (somewhat inexplicably) earns he and Laurel a trip to Hawaii (Chicago), without the wives.

Laurel & Hardy perform the old story smoothly; this film surely earns them the plot's patent. Clever scripting (Frank Craven) and direction (William A. Seiter) keeps things moving, and bits are well chosen. The slapstick hits a little too hard, sometimes; with the coming of sound, some of the physical comedy would look better in moderation (with a silly sound effect). Busch is one of the best Laurel & Hardy "wives". The duo's convention appearance, with the riotous Charley Chase is fantastic -- it includes a great theme song, "Honolulu Baby", performed by Ty Parvis and his hilarious hula dancers. Oh, lei!

When you see this film, you are immediately struck by how familiar the plot is. Stan and Ollie want to slip past their wives and go to a convention for their local lodge. The elaborate way they devise in order to go and the subsequent discovery of their wives was repeated on both the Honeymooners and the Flintstones--and copied, though not quite as directly, in MANY sitcoms over the years. It's all here folks BUT it's funnier and fresher because it's the original.

The most glowing endorsement I know of was my wife's reaction to the movie. She generally HATES all the old comedies (not just Laurel and Hardy, but Harold Lloyd, Buster Keaton, W. C. Fields, etc.) but laughed herself silly watching the film. She later denied it was THAT funny, but her belly laughs were a dead giveaway!