Füge eine Handlung in deiner Sprache hinzuIn 1918, U.S. Navy Lt. Tommy Knowlton participates in dangerous submarine missions, disobeys orders, gets court-martialed and romances a married woman who happens to be his C.O.'s daughter.In 1918, U.S. Navy Lt. Tommy Knowlton participates in dangerous submarine missions, disobeys orders, gets court-martialed and romances a married woman who happens to be his C.O.'s daughter.In 1918, U.S. Navy Lt. Tommy Knowlton participates in dangerous submarine missions, disobeys orders, gets court-martialed and romances a married woman who happens to be his C.O.'s daughter.
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- British Officer
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- Fat Italian Dancing Partner
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- Seaman Muller
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- Lady Higby
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- British Officer
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Spliced in between romantic scenes are some pretty intense battle scenes. If you liked Devil and the Deep, this movie will be right up your alley. Both are submarine dramas with a stern captain and a forbidden love. You can tell this movie is pre-Code, because while on leave, Eugene is trying to pick up a girl, who's started to cozy up to Jimmy. He says a suggestive remark about Jimmy's nose that could only be allowed passed the censors when there weren't any censors.
What I like about these movies is that in general, it's really easy to see the "bad guy's" side and even take it. When Walter tries to intervene and save his daughter from hurting her husband, Robert tries to insult him by saying, "I can't see you apologizing for anything, sir." Walter holds up a glass and makes the perfect comeback and toast: "I don't plan on doing things I'll be sorry for. Here's to discipline. There's nothing like it, and nothing without it." Isn't he great?
Hell Below gives a warning with the title. This is gritty, violent, dramatic, and raw. It's not for the faint of heart, but those who do rent it are in for a great forgotten treat.
It's been a good 45 years, maybe 50, since I saw HELL BELOW, but the one scene that made an extremely deep impression on me was Sterling Holloway's death scene, which several other commenters have mentioned here. I haven't gotten to that scene yet on this viewing, but I can vouch for what other comments have said: once you see Sterling Holloway's death scene in this movie, you will absolutely never, ever forget it. Judging from how strong the film so far is holding up, I fully expect that scene to live up to the memory of it -- as unquestionably one of the greatest death scenes in movie history. The movie's worth seeing for that moment alone, but even without it, it would be a first-rate early submarine drama.
Lt. Thomas Knowlton (Robert Montgomery) and Lt. Brick Walters (Robert Young) are the best of friends and also officers aboard a submarine during WWI. At the beginning of the film they get a new commanding officer - Lt. Cmdr. T.J. Toler (Walter Huston). Toler is a strictly by the book commander and seems to rub Knowlton and Walters the wrong way just a bit, though more from his very formal nature than by any unfairness in his command. Knowlton falls in love with Toler's daughter Joan (Madge Evans). The complicating factor here is that Joan is married - she tells him so upfront. This doesn't seem to bother Knowton too much until he finds out exactly why Joan let her foot slip.
Conflict between Toler and Knowlton builds not only because of Knowlton's romance with Toler's married daughter, but because Knowlton is unfortunately an officer who thinks sentiment has a place on board a submarine in wartime.
Comic relief is provided by long-time MGM contract comedian Jimmy Durante and Eugene Palette as two enlisted men on board the submarine. Sterling Holloway plays what at first seems like comic relief to the comic relief but ends up the centerpiece of a very nightmarish and unforgettable scene that reminds everyone that war truly is hell.
Highly recommended as a good action film and one that plays to the strengths of the entire cast.
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- WissenswertesThe print shown on TCM is the 1937 re-release, with some bits of 1933 dialogue obviously eliminated in order to meet the stricter standards of the now enforced 1934 production code.
- PatzerThe clothing and hairstyles of Madge Evans and the rest of the female members of the cast, are all strictly in the 1933, not 1918 mode, despite the tremendous changes that had taken place in those 15 intervening years.
- Zitate
Ptomaine: [Commenting on a large-nosed Italian girl] Mack, I don't care what you say. I'm not going out with her!
Mac Dougal - Chief Torpedo Man: Why, there's nothing wrong with her. She's got a mighty trim little hull.
Ptomaine: But I can't see past her bowsprit!
Mac Dougal - Chief Torpedo Man: Well, maybe she's built for speed?
- Crazy CreditsDedicated to those officers and men of the United States Navy, who, in peace and war, volunteer their lives in one of the most hazardous branches of its service: submarines.
- VerbindungenFeatured in Enthüllt: Geheimnisse der Meere: Hollywood (2021)
- SoundtracksShow Me the Way To Go Home
(1925) (uncredited)
Written by Irving King
Played during the opening credits
Sung a cappella by Robert Young
Played on piano by Robert Montgomery
Top-Auswahl
Details
Box Office
- Budget
- 895.000 $ (geschätzt)
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1