Seines Glückes Schmied

And films like this one is why. Its just one laugh after another. This is absolutely one of Keaton's better works. One gag after another, all pulled off as only Keaton could. All things work well. The photography is well done, the continuity is much better than in most films of that day, the sets, the props, the other players, all done well. And I loved the last minute or two of the film. Its just cool. And there is, of course, the destruction of the Rolls Royce. The beautiful new car had been a gift to Keaton from his in-laws. I wonder how funny THEY thought THAT was? I suppose it was cost efficient in the making of the film. But as far as cost efficiency and laughs go this flick is extravagant.

A young blacksmith's apprentice, through the usual in luck and malfunctioning gadgetry, ends up with control of the works for a while. There he tries to make do with all he's learned and what he has, including clever little jokes like horse's shoes in shoeboxes, a watch that needs to be fixed by fire, and a horse-back shock absorber. However, despite his genuine attempts at making everyone happy, eventually all of the customers grow irate, putting the young blacksmith-to-be in danger.

Typical Keaton in its inventiveness, this one has not much to make it stand out from any of his other works except for the delightful destruction of a high-class care, a neat little subversive poke towards conspicuous consumption sentiments. Otherwise, pick a plot line from any other Keaton short, make it revolve around a blacksmith's shop, and you got this neat little fun-fest.

--PolarisDiB

This is a very pleasant and amusing Buster Keaton short. Never heard of this one. Here he plays a blacksmith that, well, since this IS a Buster Keaton film, gets into a lot of various shenanigans. EG, new ideas for saddles for horses, a spotless white horse gets some new stripes, and so on. Actually, when viewing this, you get a very interesting view of a blacksmith's shop circa the 1920's. Apparently they were also doing auto mechanics as well? Keaton also has some gags with what looks to be an S.U.V. for that time period. And of course, he gets in trouble with the boss (with the boss getting his just desserts (which happens in nearly every Buster Keaton movie ever made) ) and Buster gets the girl (ditto). A very funny and light little short.

Buster Keaton works as apprentice in the blacksmith's shop. When little misunderstanding sends the blacksmith into jail, Buster has to take over all the jobs. One little mistake leads to another and accidents grow bigger, until Buster destroys gleaming white Rolls Royce, and he is finally chased out from the town.

'The Blacksmith' doesn't include stunts on the large scale, but every little gag is so well tied with the next one, that it makes the film flow. Above the average on Buster Keaton scale, but probably the best one in the sense of pure storytelling - every joke and gag moves the story forward, and are not there just for the laughs. Or just for the sake of performing big stunt.

I would rate this below-par for a Buster Keaton short. It's not bad, just not quite up to Buster's wild and craziness he usually exhibits in these short 20-minute films. He set high standards.

Instead of amazing physical feats or a bunch of chase scenes, most of the jokes are either Buster getting a horse dirty or breaking something or someone else doing it, or a nutty invention for a "shock absorber" for riding a horse. They are all mildly amusing, but that's it.

Perhaps part of the problem is that most of the movie takes place in a blacksmith shop/automobile garage. Keaton, with his athletic prowess, needs room to maneuver, and he doesn't have it here.