Füge eine Handlung in deiner Sprache hinzuA re-edited version of the 'modern' story from Intoleranz (1916).A re-edited version of the 'modern' story from Intoleranz (1916).A re-edited version of the 'modern' story from Intoleranz (1916).
Mae Marsh
- The Little Dear One
- (Archivfilmmaterial)
Robert Harron
- The Boy
- (Archivfilmmaterial)
Miriam Cooper
- The Friendless One
- (Archivfilmmaterial)
Vera Lewis
- Miss Mary T. Jenkins
- (Archivfilmmaterial)
Sam De Grasse
- Arthur Jenkins
- (Archivfilmmaterial)
Clyde E. Hopkins
- Arthur Jenkins' Secretary
- (Archivfilmmaterial)
F.A. Turner
- The Dear One's Father
- (Archivfilmmaterial)
- (as Fred Turner)
Walter Long
- The Musketeer of the Town
- (Archivfilmmaterial)
Ralph Lewis
- The Governor
- (Archivfilmmaterial)
Tom Wilson
- The Kindly Heart
- (Archivfilmmaterial)
A.W. McClure
- The Priest
- (Archivfilmmaterial)
Lloyd Ingraham
- The Judge
- (Archivfilmmaterial)
William Brown
- The Warden
- (Archivfilmmaterial)
- (as William A. Brown)
Max Davidson
- The Kindly Neighbor
- (Archivfilmmaterial)
Alberta Lee
- The Wife of the Kindly Neighbor
- (Archivfilmmaterial)
Frank Brownlee
- The Brother of the Girl
- (Archivfilmmaterial)
Barney Bernard
- Attorney for the Boy
- (Archivfilmmaterial)
Luray Huntley
- An Uplifter
- (Archivfilmmaterial)
‘Snow White’ Stars Test Their Wits
Handlung
WUSSTEST DU SCHON:
- WissenswertesA print of this film survives in the UCLA Film and Television Archives.
- VerbindungenEdited from Intoleranz (1916)
Ausgewählte Rezension
THE MOTHER AND THE LAW was a re-released version of the modern arc from Griffith's 1916 INTOLERANCE.
The film does very well as a standalone film with only a few glitches where something seems left out (odd references to things we have not seen) or where blanks were left in as the episodes were stitched together from the original film.
In any case the performances remain quite strong with Mae Marsh scoring well as "the Dear One." Even the staccato ending from the original still works as one consecutive piece with Robert Harron going to the gallows. Miriam Cooper, as "the Friendless One" has a much bigger role than I remembered and was quite beautiful. I also had forgotten the incredible closeups Griffith gives the three stars.
Oddly, one "flashback" scene remains from INTOLERANCE. In the middle of the story we get a short scene from the Nazarene arc with the adulterous woman about to be stoned (shades of Iran!).
Strong story and very well done. Quite an indictment of "uplifting" societies as well as the sociology of slums.
Co-stars include Vera Lewis, Ralph Lewis, Sam DeGrasse, Walter Long, Mary Aldon, Marguerite Marsh, Max Davidson, and Kate Bruce.
The film does very well as a standalone film with only a few glitches where something seems left out (odd references to things we have not seen) or where blanks were left in as the episodes were stitched together from the original film.
In any case the performances remain quite strong with Mae Marsh scoring well as "the Dear One." Even the staccato ending from the original still works as one consecutive piece with Robert Harron going to the gallows. Miriam Cooper, as "the Friendless One" has a much bigger role than I remembered and was quite beautiful. I also had forgotten the incredible closeups Griffith gives the three stars.
Oddly, one "flashback" scene remains from INTOLERANCE. In the middle of the story we get a short scene from the Nazarene arc with the adulterous woman about to be stoned (shades of Iran!).
Strong story and very well done. Quite an indictment of "uplifting" societies as well as the sociology of slums.
Co-stars include Vera Lewis, Ralph Lewis, Sam DeGrasse, Walter Long, Mary Aldon, Marguerite Marsh, Max Davidson, and Kate Bruce.
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Details
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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Oberste Lücke
By what name was The Mother and the Law (1919) officially released in Canada in English?
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