Die Werkstatt

The final collaboration between Roscoe 'Fatty' Arbuckle and Buster Keaton, and the duo end on a high in a comedy that's filled with inventive gags and comical situations. They're mechanics at a garage who also double up as firemen. Keaton has a lot more screen time here than he had in the earlier of the 14 shorts he and Arbuckle made together, and the couple work extremely well together as near-equal partners.

This Arbuckle/Keaton short comedy has a lot of good material and is quite enjoyable. It's all done in Arbuckle's free-wheeling style, so the story is held together less by the plot than by its setting and by the antics of the two stars.

The setting in "The Garage", where Arbuckle's and Buster's characters work both as mechanics and as firemen, lends itself to all kinds of humor, and the various props and situations are used to good effect. The first part gets lots of mileage out of the cars, tools, and various gadgets in the garage, and later there is an amusingly chaotic fire-fighting scene. There are quite a variety of good gags, with even a billboard getting in on the act.

Although there isn't really a story to speak of, there are lots of frantic goings-on and some great comic moments, making it well worth seeing for any fan of these two great silent screen comedians. In the classic series of comedies that paired the two, this is one of the best ones.

That kind of collaboration giving a gem, because the clash between two different characters and two meanings of a garage are well used for fun, for inspired gags and as frame of a special form of nostalgia. A lovely short film reminding the genius of two great commedians.

AFTER HAVING ENTERED the world of movie making rather casually in 1917, Buster Keaton's ascent to the top of the heap of Silent Clowns was put on hold thanks to World War I. Returning to the cameras after cessation of hostilities, he remained a supporting player for now good friend, Roscoe "Fatty" Arbuckle. This is his last short in supporting role.

SEEMING MUCH MORE complex and developed than previous outings, THE GARAGE offers us plenty of action, sight gags and a more substantial storyline than those that preceded it.

UINDER THE DIRECTION of star, Mr. Arbuckle, the action and situations flow freely through the commercial garage; what we would nowadays call a "service station." The characters and their accompanying situational humor situations are ushered to front stage in a smooth, well paced fashion. Time is taken in the prep, as well as the ultimate execution of each vignette and its gag potentiality. Arbuckle and Keaton had both evolved high above the break neck speed of Sennett, Larry Semon and others.

OCCUPATIONS ARE DEFINITELY on the front burner of this outing, as the story mixes in Police and Fire services. The boys are apparently in some volunteer fire department; as they both sleep on the upper floor, use a firemen's pole to descend to main level and do answer a false fire alarm.

THE PREVELANCE OF mechanical gadgets in the story. such as a giant turn table and fan system indicate that Buster Keaton might well have had a good deal of influence in shaping this last Arbuckle silent short into what it was. It is not hard to imagine that Buster could have readily fit the bill of hero without sidekick/assistant.

FOLLOWING THIS MOVIE, Keaton did move into his own series; superseding Roscoe at the Comique Studios. Roscoe had moved on to his own company, Paramount, Feature Films, and the scandalous accusations which ruined a ruined career and a shortened life.

The last Arbuckle/Keaton collaboration is one of their best. Stripped of romantic interest and Al St John, all we have here is Roscoe and Buster doing what they do best - having fun for everyone else's enjoyment. Working the dual jobs of mechanics and firemen the boys keep the laughs coming thick and fast. Most of the jokes work and some are positively inspired. The scene where Buster dresses as Sir Harry Lauder still has me laughing. There's also the first appearance of a piece of action where a trouserless Buster is dodging a policeman aided by Roscoe. This gag resurfaced years later when Buster appeared in The Twilight Zone. It's a shame they didn't make a few more films as Buster and Roscoe were well into their stride at this point and understood each other perfectly.