Don't Change Your Husband

In his autobiography Cecil B. DeMille did not spend time on Don't Change Your Husband. Except to say that this was his first film with a new discovery Gloria Swanson. He then went on for a couple of pages talking about his friendship over the years with her.

Don't Change Your Husband was one of DeMille's silent comedies with a Victorian moral to every one. Here Swanson is a bored wife married to comfortable and stuffy DeMille regular Elliott Dexter. He barely notices the wife any more, keeping his head buried in the newspaper in the morning. He also has a nasty habit of eating raw onions and that will kill romance like nothing else will.

But he's provided for Swanson well including a nice set of jewelry and even though Dorothy Parker hadn't said it yet, diamonds are a girl's best friend.

One day a real Snidely Whiplash type villain Lew Cody starts putting the moves on Swanson. She divorces Dexter and marries Cody. But Cody just wants her jewels for business and to shower on another and badder girl Julia Faye.

DeMille was a child of the Victorian era and this film ends just about as the title suggests. The title itself really gives it all away.

Julia Faye who was one of DeMille's mistresses appeared in most of his feature films right up to the second Ten Commandments. Another was Jeanie MacPherson who was an actress as well as a screenwriter. She did the script for this and many other DeMille films. Lastly there was Gladys Rosson who was his private secretary and on every set right up to The Greatest Show On Earth. He had a regular harem going, but all these women even after the relationship was over were well taken care of work wise.

In fact Faye has one of the more meatier parts in her career as the other woman in Don't Change Your Husband. If this was sound one can only imagine the dialog between Swanson and Faye.

Don't Change Your Husband was the beginning of a fine collaboration between a great director and great star.

I find early De Mille films to be wildly inconsistent ranging from astonishing (The Cheat) to terrible (The Squaw Man). Thus I wasn't expecting much, but ending up really enjoying this one. I hadn't seen many early Gloria Swanson silents, so it was interesting to see her in the picture that really made her. It's easy to see the appeal even if she doesn't get much to do, De Mille just loads her up in fancy clothes and films her. Fortunately she has the charisma to make her stand out.

Here she plays Leila Porter, the wife of successful but disinterested banker and onion-eater James Denby Porter (Elliott Dexter). Feeling neglected by her husband, Leila leaves him for the charming Schuyler Van Sutphen (Lew Cody), only to discover that her former husband's onion breath is far less of a problem than having an unfaithful and incompetent roustabout for a husband. James undergoes a transformation, including giving up his beloved onions, and is determined to win Leila back. It all makes for a fun and occasionally astute exploration of marital woes. Its strength is that it maintains its light touch rather than endeavoring towards heavy-handedness, and at 80 minutes it breezes by.

The film "Don't Change Your Husband" was a romantic comedy that caught my eye and kept me interested. Being a female i'm more attracted to romantic films, that was apart of my interest in this film. Even though this film was a silent film it gave so much meaning and you could really understand what each character was feeling and how what their actions were. The actors played a really good part on their facial expressions and their body language. I wasn't sure how i was going to react to the silent film era but with each character really giving meaning through their facial and body expressions, it really pulled me in.

I also thought it was similar to todays life, even though it was produced in 1919, you could relate it to todays time, most women want the good looking man and in the end it doesn't turn out to be what you expected and you want what you did have at one point.

No more corned beef and cabbage for her!

This little romantic comedy clips along from scene to scene with a few exotic twists (some imaginary scenes and a costume party). All of this is centered around the wife of the husband(s) who is looking to break out of the doldrums, played by Gloria Swanson (she is twenty here!). Both the leading men have a natural air that is convincing and of course Swanson is perfect in all kinds of moods, from frivolous to worried to hopeful.

Behind all the games and apparent lightheartedness is that old serious problem of staying in love and not straying in love. There's a little corniness, but director DeMille is on top of keeping it snappy and believable in all. As with many films from this period, the subtitles do not just tell what they are saying (or thinking) but often give a kind of philosophical insight, as if to justify the tragedy (or raciness). And there is that higher purpose here, probably better without the instructional text, but it's part of the narrative style, and it's kind of quaint.

If you are looking for visual or formal amazement, you won't find it here. But as a story, well acted, and filmed with precision and economy, it's really a great example. The events might not come as a total surprise, but it's such a modern love story, set almost a hundred years ago, it's a gas. And did I saw Swanson was perfect?

Cecil B. DeMille directed a series of domestic comedy-dramas in the late teens and early 20s. He found his perfect leading lady for these provocative pieces in Gloria Swanson. In Don't Change Your Husband, Swanson plays a bored housewife whose wealthy businessman husband (Elliott Dexter) pays more attention to work than to her. She is chased by a handsome roue (Lew Cody) until she relents and divorces the boring husband for the new lover.

Things soon become familiar and Swanson discovers the new husband is as neglectful as the first. To make matters worse she discovers Cody has a woman on the side (Julia Faye). After several confrontations and convenient meetings, things are resolved.

This was a smash hit in 1919 and helped make Gloria Swanson a major star. Although she was only 20 when she filmed this she is very good as the maybe foolish wife. She looks great and wears some stunning gowns.

There is one memorable scene that is 100% DeMille in which Cody is luring Swanson with promises of wealth, pleasure, and love. As he coos to her she imagines the scenes. Pleasure is a fantastic scene of Swanson in a spidery hammock swinging out over a pool while people dance around. Wealth is a scene in which Swanson is gowned like a Babylonian queen as servants bring her chests of jewels, which shes tosses aside. Love is a scene in which she is a wood nymph making love in a forest glade with a Pan-like character (Ted Shawn). Pure hokum but very entertaining, and Swanson looks great.

Dexter is very good as the bland husband who shaves off his moustache and starts to work out in order to win his wife back. Cody is also good as the fake charmer who is a liar and cheat. Faye is funny as the bitchy other woman--named Toodles no less--who gets hers. Sylvia Ashton plays Mrs. Huckney. Ted Shawn was married to Ruth St. Denis and together they were groundbreaking and influential modern dancers (of the Denishawn School).

Swanson impresses me more every time I see her. She seems to have been such a natural actress and yet there is a way that the camera captures her expressive face that is just mesmerizing. She's a joy to watch.

Very entertaining film with lots of color tints in varying scenes to keep things lively. And a lot of the furnishings are back in style 86 years later.