Metacritic-Rezensionen

An eminently watchable antique, this was the Marx Brothers' first film — a literal recording of their Broadway smash hit.

Only about half of 1929's The Cocoanuts, an early sound-era comedy, was entrusted to the Marx brothers' vaudevillian antics; the rest was left to drippy Irving Berlin songs, kick-lines of bathing beauties, and a half-baked subplot about a stolen necklace. Yet the good scenes establish the Marx dynamic to hilarious effect.

This is a crude, shapeless talkie, a technically unsophisticated film in which the sound is static and the camera immobile, with the comedians leaping into the set scenes. Yet the boys are there in all their frenetic glory.

Fun puts melody in the shade in the audible pictorial transcription of the musical comedy The Cocoanuts.

It shows its age, what with indistinct sound, fluffed lines, quaint choreography, quainter songs, a stilted supporting cast and positively arthritic direction. But the Brothers' energy and madness is never in question: when the laughs come, they come loud and long.

That's all it has --comedy-- but that's enough. [29 May 1929, p.14]

The material hasn't been paced for the screen; there are dead spots (without even background music), but there are also a lot of funny verbal routines and a musical burlesque of Carmen, and Harpo, as a fiendish pickpocket, is much faster (and less aesthetic and self-conscious and innocent) than in the Brothers' later comedies.