Alt Heidelberg

Crown Prince Karl Heinrich (Ramon Novarro) hates being a prince. He can't go out and mingle or meet other people because of his station. He goes to Heidelberg to study. There he meets beautiful bar maid Kathi (Norma Shearer) and falls madly in love. She loves him too..but he can't marry beneath his station in life...

Just stunning silent film. You watch the screen mesmerized by how beautiful it is. It's wonderfully directed by Ernst Lubitsch with some truly incredible images but it's Novarro and Shearer who carry this film. He's unbearably handsome--she's just incredibly beautiful. Together they look like perfection and both give superb performances - I believed they were in love completely! There's a just incredible sequence on a starlit night in a field of flowers. All kidding aside, it was so beautiful you could almost cry! It all leads to a tragic but realistic ending. Just simply a must-see movie. Don't miss this one!

Before Sigmund Romberg and Dorothy Donnelly wrote their immortal score for The Student Prince, it had originally been performed as a straight dramatic work by the great turn of the last century stage actor, Richard Mansfield. Entitled In Old Heidelberg it is what we are in fact seeing here as opposed to a silent version of the musical, an oxymoron if there ever was one.

I do so love the music of Romberg and Donnelly, especially what they wrote for The Student Prince. Yet I was able to appreciate the fine dramatic work of Ramon Novarro as the prince of Karlsbad and Norma Shearer as Kathi the barmaid. They certainly were as romantic a couple as ever graced the silent screen.

Without the music, this version of The Student Prince went for characterization instead. There is a long sequence of about a quarter of the running time of the film that goes into Prince Karl's childhood with young Philippe DeLacy playing the prince as a child. We see the relationship with the very stern King played by Gustave Von Seyfertitz and later on when he's introduced to his tutor and closest friend, Jean Hersholt. Hersholt has the best performance in the film.

Novarro plays a most charming prince and Shearer is a fetching barmaid with whom he falls in love with. After the childhood prologue, the rest of the film is pretty much the same as the 1954 version with Ann Blyth, Edmond Purdom and the voice of Mario Lanza.

For reasons I don't understand MGM which held the rights to the Student Prince did not make a sound version until 1954. Odd when you consider that during the Thirties they had Allan Jones under contract who would have been wonderful in the part. Having heard him sing Deep In My Heart I can attest to that. Failing that it sure could have been a property for Nelson Eddy and Jeanette MacDonald.

I believe the German locale of the story probably had something to do with it not being filmed. Also the subject of an errant prince refusing to face his responsibilities was a big international story with the once and future Edward VIII giving it all up for the woman he loved. I can believe that Irving Thalberg and Louis B. Mayer probably did not want to anger the British market at that time.

Though I missed the Romberg/Donnelly score, I still enjoyed the performances of Ramon Novarro and Norma Shearer and the rest of the cast being transported back to Old Heidelberg under the masterful direction of Ernest Lubitsch. Try to see this if it is ever broadcast again.

Ramon Novarro (as Karl Heinrich) is the Crown Prince of Karlsburg. He is envied by his subjects, but lonely and isolated behind castle walls. Quite Princely in appearance, and capable of performing royal duties, he is, nonetheless, not enamored with dutiful royalties. With help from tutor Jean Hersholt (as Dr. Juttner), he becomes an honor student, and is goes to university at Old Heidelberg. There, he meets and falls in love with commoner Norma Shearer (as Kathi).

"The Student Prince in Old Heidelberg" is a first rate silent film production, expertly directed by Ernst Lubitsch. Mr. Novarro is appropriately exuberant as the young Prince - his performance is excellent throughout, but really starts to dazzle in the scenes beginning with his witnessing of Ms. Shearer's downing a German beer. Mr. Hersholt is great as Novarro's tutor; both men are superior with the necessary "silent screen" acting, and the more forward "underplaying". Ms. Shearer is just a step behind her co-stars in artful acting; but, it's a a gap she will very quickly fill. Shearer is terrific in the scene when she learns Novarro is leaving, and helps him pack. Philipe de Lacy is notable, playing the Prince as a boy; his characterization matches the older Novarro - director Lubitsch directs these early sequences effectively, creating the image of a young prince in his castle prison.

When a couple of important people in the Prince's life die, the story becomes necessarily more somber in tone. Of course, Novarro must eventually become King - these scenes are beautifully symbolic, and extraordinarily well photographed. The visit by an old friend prompts Novarro's return to Old Heidelberg, with unexpected results. Don't miss a later scene, when Novarro returns to his Old Heidelberg bedroom - especially, watch how Novarro briefly strokes his bed, obviously thinking of Shearer; it's a superb little bit of sexual suggestion. It would be nice to know whether the gesture originated with Novarro or Lubitsch - but, it's probably not possible to determine. "Is it Good to be King?" You'll know when you see Novarro's beautifully acted final scene, in his royal carriage - certainly, it's one of the most memorable performances in silent cinema.

********** The Student Prince in Old Heidelberg (9/21/27) Ernst Lubitsch ~ Ramon Novarro, Norma Shearer, Jean Hersholt, Philippe de Lacy

The titles call this film "Old Heidelberg." Perhaps the longer title was added later to cash in on the popularity of Romberg's operetta, "The Student Prince," or to differenciate this 1927 silent film from an earlier version. Although director Ernst Lubitsch is a bit ham-handed about hammering home the fact that the obligations of royalty can lead to unhappiness (characters musing about how wonderful it must be to be a prince/king...the irony is too heavy-handed, which isn't like him), the point, at least, does get made. The movie abounds in gorgeous, evocative images that enhance the dramatic situations. There are many very telling moments that reveal the Master's touch...the prince steps out of the train, his momentary jealousy when he sees Kathi's popularity with the students, his stiff reunion with his former friends, who can no longer be his friends, and his realization of it. Ramon Novarro is an eager puppy-dog of a prince, charmingly, almost unbelievably, naive and enthusiastic, which makes his dilemma all the more touching as he begins to realize that there are some things a king can't have; if Norma Shearer, by comparison, seems more calculating and "actressy," she's still quite effective (when she and Karl Friedrich embrace before he heads back home because of his uncle's illness, her eyes tell you that she suspects she may never see him again), and the lesser roles are cast to near-perfection. After performing as a successful screen villain, Jean Hersholt was so good as the Prince's loyal tutor and companion that he established a nearly-unshakable image of weary kindliness. Production values are high--Lubitsch spent a lot of money but, in this case, it wasn't wasted. As one who generally finds silent films hammily-acted and dated in sensibility, I was pleasantly surprised to find this movie so absorbing. The Carl Davis score with which it is now shown, was added much later and does its own part to enhance the movie. Highly recommended.

Freed from the strictures of the Karlsburg royal palace to attend University, THE STUDENT PRINCE IN OLD HEIDELBERG experiences true love for the first time.

This wonderful, exuberant, heartbreaking film - one of the last major movies of the Silent Era - is a scintillating example of the artistry of director Ernst Lubitsch. Filled with wry humor & aching pathos, Lubitsch tells a tale which is a persuasive paean to the power of the talkless film.

MGM had great faith in this movie & gave it excellent production values, with crowds of extras and picture-perfect sets & costumes. Based in part on the Wilhelm Meyer-Förster novel & the operetta by Sigmund Romberg, the film revels in romanticism.

Ramon Novarro, always eager to please his audience, brings great charm to the title role. Although about 10 years too old to be playing a typical university freshman, he nonetheless brings tremendous enthusiasm to the role. It was this essential boyishness which encouraged MGM to continue giving him roles which were too young for him (in 1932's HUDDLE he would play a Yale freshman). The Studio also insisted on giving their Mexican star a wide range of ethnic parts, everything from Chinese to Arab. He played them all well, but none better than here in STUDENT PRINCE. It is a shame that Hollywood would not reciprocate by giving him topnotch assignments.

Norma Shearer is radiant as Kathi, the vivacious & lovely barmaid who is beloved by the Prince. She gives a wonderful performance in what was considered a breakthrough role for her. She married MGM executive Irving Thalberg the same year STUDENT PRINCE was released and her stardom at the Studio was firmly established. She earned her celebrity through hard work and honest talent, however, not by noodling with the boss.

Jean Hersholt, as the Prince's gentle tutor, puts his own stamp on the kind of sympathetic role with which he would become associated. Miles removed from his villainous portrayals in TESS OF THE STORM COUNTRY (1922) or GREED (1925), Hersholt here is the very embodiment of benevolence.

Gustav von Seyffertitz as the cold King, Edmund Connelly as the stern Prime Minister & Bobby Mack as an old rustic retainer all add very fine support. Movie mavens will recognize Lionel Belmore as a boisterous student & Charles K. Arthur as a drowsy inebriate, both unbilled.

Carl Davis supplied one of his typically bravura scores for the home video reissue of the film. He conducts the English Chamber Orchestra.

While Karlsburg is a fictitious Teutonic kingdom, Heidelberg is a very real city located in the German state of Baden-Württemberg. As ancient capital of the Rhenish Palatinate, its electoral counts - always a branch of the Wittelsbach royal family of Bavaria - played a significant role in the history of both the Holy Roman Empire and Central Europe. Although originally Roman Catholic, political vicissitudes brought about a change to Protestantism centuries ago. Heidelberg University was founded in 1386 by Count Rupert I & chartered the same year by Pope Urban VI. After a period of dissolution, it was revitalized in the 19th Century as a center of the sciences, law & philosophy. Town & gown are both overlooked by Heidelberg Castle, one of Europe's mightiest fortresses, where it sits on its hill 330 feet above the Neckar River. Its cellars contains the fabled Heidelberg Tun, a prodigious 18th Century wine cask capable of holding 49,000 gallons - surely a source of wonder to the Student Prince & his classmates...