Chang

I had just seen Cooper's movie "The Most Dangerous Game" and really liked it. A friend of mine suggested this film also by Cooper (&Schoendack) "Chang". I'm not one who normally rents silent movies but glad I did this one. Explores family life in the jungles of Siam (Thailand)in 1925. The way the family interacts with an unbelieveable assortment of animals is astounding. The scenes with tigers, leopards, bears, snakes etc are not to be missed. I venture to say that the elephant (Chang) stampede scene in this movie has never been done the way its done in this film--simply fantastic.

Chang (1927)

*** 1/2 (out of 4)

A rather remarkable and at times eye-opening documentary about a family living in the deep jungles of Northern Siam. The film follows their daily lives and shows us how they work, live, play and eventually hunt game. CHANG has been called a documentary but I do wonder how much "story" actually went on and it sure seems that a lot of the footage was probably shot and prepared in such a way that the filmmakers could tell a more dramatic story. That's certainly not a negative thing or a strike against the movie because there's no question this film is rather incredible considering when it was made and some of the footage that they gathered. I'm sure some people might be bothered by some of the animals that are killed but the way I look at it is that the people living in these villages were fighting for their lives so it's understandable that they'd kill the creatures that were trying to kill them. The filmmakers are quite respectful as we never see any of the actual deaths on screen so those sensitive to the material won't find anything graphic. I think the animal footage is some of the most amazing that I've seen. When you think of various animal footage from this era you think of poorly done stock footage but there were several times during the film that I was stumped as to how they got the shots that they did. The tiger hunt sequence is certainly one of the highlights of the film as it appears several times that the camera is right in the path of the beast. Another memorable moment comes at the end when the chang (elephants) stampede. There are countless animals on display from bears to snakes to anteaters to tigers and of course the elephants. Seeing these creatures in their natural homes was quite a bit of fun and it was also a reminder of how dangerous these things could be. The most interesting thing about this film is seeing how certain people lived during this time. Going into these jungles just makes one grateful that they weren't born there and at the same time you have to watch this and wonder if you could have done the things the people in these villages did.

Kru, wife Chantui and their three children live a fairly subsistence life in this silent film set amongst the wilderness of the Siamese forest. Here they try to peacefully co-exist with nature - providing they keep their livestock in an heavily fortified coral and build their home high up on stilts where coconut milk and freshly milled rice sustains them. A visiting leopard makes short work of his animal's defences though, and he decides that he must ensnare this beast before it eats him out of house and home (and quite possibly family, too). He carries on cultivating his land using a water buffalo whilst their pet - a perfectly wild - monkey makes short work of the larder and Chantui weaves herself a basket. Night-time brings an a operation that might make Noah's ark look straightforward as they get their animals snug, and hopefully safe for the night. Sadly, more bad news awaits them in the morning when they discover that the buffalo went for an early morning stroll and encountered a tiger! What of the leopard, though? Will it take the bait and find self ensnared too? Kru realises he needs help so travels to the local village to get help building more, sometimes quite complex, traps and tracking down the beast of prey. Pits, nets, razor sharp bamboo spikes. Battles lines are drawn as man hunts beast and beast hunts man. There's something authentic about this. Aside from some pretty risky natural world photography, we see that the ingenuity and weaponry of man is usually more than a match for the instinctive power of those wild creatures who are simply no match for ropes and the bullet! Until, that is, an herd of elephants prove that even bullets won't stop everything and the villagers must resort to camouflage and stealth to drive and contain this marauding menace! At times it's quite exciting to watch and it builds well to a dangerous and chaotic if, I felt, entirely unsatisfactory denouement. All sorts of critters feature here and it's worth watching to illustrate just how nature gets on when mankind is part of it's matrix, not all of it. "Brain outweighs brawn". Pity, that, sometimes.

This is a thoroughly amazing and brilliant film, that strangely enough not too many of the newer film-buffs have seen, despite the universal fame of Cooper and Shoedsack due to 1933's legendary "King Kong." Actually, they were almost as famous before that. When "Chang" came out in 1927, pre-King-Kong, post-Flaherty's-Nanook and Cooper and Shoedsack's own earlier "Grass," it became one of the most popular films ever made. The reason is simple: unlike the moderately successful, equally brilliant but more national-geographic-like and meditatively paced "Grass," (plenty of people may have accidentally stumbled upon it and seen it looking for films about Marijuana!) which deals with the emigration of Persian Nomads away from the winter and towards the land that has "Grass," this one is set in the middle of a sweltering, friggin' jungle in Siam (Thailand today), amidst wild animals, and has non-stop danger and adventure from beginning to end, not to mention a hilarious sense of humor.

The Thai woman in the film is actually not the spouse of Kru, the main actor, who was Cooper and Shoedsack's interpreter, but the wife of someone else living there. All these people were acting in the film without ever having seen a movie in their lives, reacting to these incredible events as they happened. Tigers, Leopards, rice farmers in the middle of a jungle running up coconaut trees to escape from them, Monkeys named Bimbo, and of course, Changs (meaning Elephants in the local language of Siam), and the big Chang/Elephant herd stampede, one of the greatest sequences ever filmed by anyone--all this is in Cooper and Shoedsack's film, which they shot all by themselves, with NO CREW, NO LIGHTING EQUIPMENT, and a 70,000 dollar budget which went up only to about 95,000 when the film took a little longer than expected, and they put some money in out of their own pockets which the studio later reimbursed. The new music by Bruce Gaston is absolutely brilliant, using a combination of traditional Thai music and modern sounds but never sounding trite or superficial. So many silent films suffer from bad, endlessly repetitive soundtracks that make you want to tear your hair out, this restored version of "Chang" on Image DVD isn't one of them. Rent it off the Internet or just go ahead and buy it, it's worth every penny, has a good transfer, an informative commentary track, and believe me, it's one of those films that you'll want to watch over and over again.

There is more than a little irony in seeing a film that is so much like an anthropological field work, but with a superimposed plot structure and characterization that we now find unacceptably corny. The music is marvelous, by the famed Thai group Fong Naam, and the ethnographic details are rich.