Der Schlauberger

William Haines sparks this tale of a brash cadet who thinks West Point will really be something now that he has arrived. Terrific goony comic performance by Haines was his trademark--one that made him a top box office star from 1928-1932 and one of MGM's biggest stars. Joan Crawford and William Bakewell are fine too. And although this storyline may seem trite now, this was a huge hit, putting Haines and Crawford in a college football (a national craze during the 20s) story. After Haines blows off his big mouth one time too often and nearly gets shunned by fellow cadets, he turns in a wonderful performance as he swallows his pride and gets into the big game against Navy. Even with a broken arm, he wins the game for Army and regains his place at West Point. It's easy to see from this film and Show People (with the always underrated Marion Davies) why Billy Haines was a huge star of the time. He needs and deserves to be remembered!

William Haines and his lifetime friend Joan Crawford played the leads in the first silent screen film I've ever set at the US Military Academy, appropriately entitled West Point. Both were young contract players at MGM at the time. Crawford going to legendary status and Haines forced to give up acting when he wouldn't stay quietly in the closet.

To the last day of her life Crawford insisted that the happiest couple she knew in Hollywood was Billy Haines and his partner. Haines landed on his feet and became one of the most sought out interior designers in Hollywood. Among his clients was Nancy Reagan.

In this film Haines played his usual smart aleck whom we meet first on the Day Line boat to West Point to join the US Military Academy as a plebe. What struck me in his performance is how much it resembled Tyrone Power in one of his hero/heel roles like A Yank In The RAF or In Old Chicago. Power in the sound era could have done this one in his sleep.

Crawford meets Haines on the Day Line and this man starts putting the moves on Joan right then and there. The plot from there on in is pretty predictable given Haines's screen persona. The climax of course is the great Army/Navy game.

All the clichés in service academy films are there few films with this setting that had variation. Still Haines and Crawford are good and William Bakewell who is one of the few other cadets who becomes Bill Haines's friend even after he becomes a football hero stands out in the supporting cast.

For myself I remember once a year going to Bear Mountain for an overnight get away with Daniel Strausbaugh and later David Frank and with both of them we did the Day Line. I miss you both and the film brought back some good times.

West Point (1928)

** 1/2 (out of 4)

Average silent drama about a cocky, rich man (William Haines) who goes to West Point thinking he owns the world but all he does his turn his friends against him and lose the girl (Joan Crawford) that he loves. We've seen this story countless times but the movie still manages to be entertaining thanks in large part to the filming on West Point and Crawford. Haines was one of the most popular actors in the late silent era but today he's forgotten for the most part. I thought he was pretty good here but I wouldn't call him one of the all-time greats. Crawford steals the show as Haines' girl and delivers a very good performance. Crawford also comes off very attractive here. Also interesting is the football subplot thrown in, which leads to a big Navy-Army game at the end. The football scenes are handled very well and the cinematography is very good.

William Haines (as Brice Wayne) is a cocky West Point cadet, and star football player, who alienates his teammates with his arrogance, and lack of team spirit. His steadfast pal, William Bakewell (as Tex McNeil), can't defend Mr. Haines without ending up in the hospital; and, girlfriend Joan Crawford (as Betty Channing) grows more distant as Haines juvenile behavior becomes more and more tiresome. What will it take for Mr. Haines to win Ms. Crawford's heart? Will Mr. Bakewell regain his health? Can Haines straighten up in time to help his teammates win the big game?

"West Point" is a typical Haines film vehicle; it is worth checking out to see the popular actor's performance, and enjoyable screen presence. It is neither his most satisfying characterization, nor his best film; but, Haines is still great. Crawford's emoting is less polished, in an early role. Surprisingly, Bakewell offers the film's strongest performance (highlighted by his hospital bed scene). Edward Sedgwick's direction makes the most of Haines' silliness, and David Davidson's soundtrack is wonderful (albeit sounding too seasonal, at times).

****** West Point (12/31/27) Edward Sedgwick ~ William Haines, William Bakewell, Joan Crawford

A brash, self-centered Army cadet arrives at WEST POINT with a dangerous wise guy attitude towards the Corps.

In a role obviously tailor-made for him, William Haines shines in this highly enjoyable tale of honor & friendship. A grade-A scene stealer, Haines during the first half of the film is up to his usual Silly Billy behavior, which under normal circumstances should have gotten him confined to the guardhouse. The last half, however, becomes very serious, leading up to Haines' moral redemption and giving him a fine opportunity to exhibit his acting talents. If WEST POINT does not quite reach the caliber of Haines' previous TELL IT TO THE MARINES (1926), this is doubtless due to the absence here of a costar of the charisma & quality of Lon Chaney for Haines to interact with. However, this tribute to the Army is very effective entertainment and should be appreciated on its own merit.

Joan Crawford appears as Haines' love interest, playing the virginal daughter of the local innkeeper. Joan is pert & pretty and especially shines in her first scenes, when she meets Haines on a Hudson River ferry and is subjected to his usual immature antics. Haines & Crawford made five silent feature films together and were tremendous friends for life. He was the much bigger celebrity at this period and gave her many hints for getting ahead in Hollywood. A superstar herself by the early 1930's, she reciprocated after his ouster from MGM in 1932 by encouraging his career change to interior decoration.

Little William Bakewell is effectively cast as a Plebe who idolizes Haines; their relationship is actually given more of a sentimental treatment than that of Haines & Crawford.

The film was made with the full cooperation of the War Department. Extensive location filming at the Academy helps tremendously with the production's ambiance, which was given splendid production values by MGM.

WEST POINT has been recently restored and given a rousing new score by David Davidson.